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'Such a love between those two, why shouldn't it be?' Jaap Robben writes in 'Zomervacht' about a mentally disabled boy.

His parents worked in an institution for mentally handicapped people, so Jaap Robben spent many an hour as a child putting curlers into boxes. It formed the seed for his novel Zomervacht. 'I wanted to write an exciting book with a disabled person as one of the main characters, because you hardly ever read about that world.' Four years after his highly successful... 

Come watch world freestyle champion Nasser El Jackson transform into a dancer on @tfboulevard.

It started three years ago. Guilherme Miotto, working as a dance maker in Tilburg, was asked by a good friend of his. Whether he wanted to come and have a look in Noord. There, in that rather notorious slum, there were some fantastic freestyle footballers running around. YouTube runs with them, and the best one, Nasser El Jackson, is even world champion. A ball wizard. That is. 

Dusty Woo Hah! gets off to a slow start, but after that the audience is overwhelmingly eager

The hip-hop festival Woo Hah! nearly burst at the seams at its fourth edition last year. For its fifth edition, it diverted to the Beekse Bergen in Hilvarenbeek. We walked around there for a day. 'Make that circle bigger, make it bigger! Grooooter!' Speaking is Dutch chart topper Ronnie Flex. If you don't know him from his gigantic hits, then... 

RULE OF THREE van Jan Martens © Phile Deprez

Nominations Swans 2018 known, so who will win?

The Association of Theatre and Concert Hall Directors and Festival de Nederlandse Dansdagen announce the annual nominations for the VSCD Dance Awards (the Swans). Nominated for the Swan 'most impressive dance production' are: Rule of Three, choreography: Jan Martens, by GRIP The hidden floor, choreography: Franck Chartier, by Nederlands Dans Theater We Are Nowhere Else But Here, choreography: Stephen Shropshire, by Stephen Shropshire Foundation,... 

Henri Swinkels gedeputeerde leefbaarheid en cultuur provincie Noord-Brabant

Gedeputeerde Swinkels on opportunities for Brabant: 'Unlike in the national government, we already don't work in a 'disciplinary' way here. We don't put everything in boxes.'

The trigger for this story is that relatively recently, the Council for Culture published its sector foresight. The summary opens with the words that 'Culture moves'. A rather euphemistic statement in my view. In this case, it means that the making, spreading and experiencing of culture is constantly changing. The second very obvious observation of... 

Good news for Urban artists in need of money. Three cultural funds are proposing eight 'Matchmakers'. (But at least 12 are needed)

Opinions differ on the size of the pot of money waiting for them, but 'urban' makers in particular do not yet know how to find their way to our art subsidy system. That is why the three cultural funds that deal mainly with performing arts have appointed ambassadors in a number of Dutch cities. These 'Matchmakers' should narrow the gap between The Hague and 'the region'.... 

Inclusive Dance Event Fontys Tilburg

Dancers don't want a second career! In search of the dance artist's 'transferable skills'.

Many dance students have a one-sided view of what a successful dance career entails. Namely: dancing with the dance company of your dreams, in a theatre, on a stage. This is what Ulrika Kinn Svensson, artistic advisor at the Fontys Dance Academy in Tilburg, tells Inclusive Dance Event. But because of the weak labour and income position, partly due to disappearing subsidies, that dream does not always come true. There is... 

Jan Martens in Utrecht: bravado, unintended honesty and unabashed desire

While Jan Martens' latest work, The Common People (2016), was at Amsterdam's Stadschouwburg last weekend, Utrecht's Theater Kikker is showing two older hits this week: Sweat Baby Sweat (2011) and The dog days are over (2014). Sweat and Dogdays are blockbusters and have already toured the world. At Kikker, they can now be seen as part of a... 

Ascent, Fiona Tan, videokunstwerk van filmische allure

Fiona Tan delivers a feature-length video artwork with Ascent

The video artwork 'Ascent' is one of Fiona Tan's most recent works. Ascent is a feature-length video artwork: 1 hour and 17 minutes[ref]A work resulting from a special commission from the Izu Photo Museum in Japan[/ref]. You may already be familiar with this artist's work[ref]The now 50-year-old Fiona Tan is "no ordinary Indian girl", born in Pekan... 

Eef van Breen for President (why politicians should not miss this concert)

Shimmering. Wondrous, ferocious. Poetic, powerful. Creative and humorous. Musical. Engaging. Layered. Spirited. A few days after my concert visit, words like these keep bubbling to the surface. And even though the Eef van Breen Group (EvBG) with Chapman for President is a typical case of 'especially go there', 'hear for yourself' and 'cannot be described', I'll make an effort. In the beginning My... 

Moving Futures festival seeks new audience for modern dance

'Many people find contemporary dance difficult. Especially performances by young makers who experiment and seek new ways. At the Moving Futures festival, everyone can discover how dance can touch you. We do this not only by showing good performances by young makers. We also offer activities around it, context programmes. By doing so, we give the audience tools to make a connection with... 

Huub van der Lubbe and Christine Otten on love in times of racial hatred

We Had Love, We Had Guns by Christine Otten is about black resistance fighter Robert F. Williams, who fought for black equality. In the theatre adaptation of the same name, white actors - including Huub van der Lubbe - play black characters and vice versa. Double talk about personal sacrifice, skin colour and connection. Idlewild It is a remarkable coincidence. America is taking... 

Quirky Veem sets example for dance sector

Het Veem is a small but important theatre and unofficial production house overlooking the Houthavens in Amsterdam. The house has long been home to internationally operating contemporary performing arts. A place where the artist and his or her experimental work are still central. Since Anne Breure became director in 2014, it bears the addition House of Performance. With... 

Zaalbeeld van Zvizdal. Foto: Frederik Buyckx

Unique theatre documentary 'Zvizdal' to be seen only a few times in the Netherlands

Zvizdal, the documentary theatre portrait of Pétro and Nadia filmed by Berlin between 2011 and 2016, is not only in Paris, Ghent and Athens. This moving story can also be seen in the Netherlands until 11 November 2016. Near the place where an atomic experiment failed in 1986, Berlin and Zvizdal tell a moving story about an old peasant couple. They remained as... 

Due to success re-runs: Conversations with my Mother

In 2013, production group Diamantfabriek and ensemble Nieuw Amsterdams Peil presented the full-length performance Conversations with my Mother. Director Matthias Mooij (1976-2014) and composer Benedict Weisser (1967) asked seven male authors to write a fictional telephone conversation with their mother. At the heart of the piece is the fundamental inequality of communication between mother and son. 'I advise all mothers and... 

Nieuwe vleugel Museum De Pont Tilburg vanuit de tuin.

Museum De Pont, where an extra 1,000 flowers are now blooming

One of the most beautiful museums in the Netherlands can be found in Tilburg, a city still seen by some as the frayed edge of the Netherlands. This central part of Brabantstad also receives relatively little funding from the government. So how can one of the best museums in the world be located here? Museum De Pont, like Huis... 

Boulevard. Scenefoto Piknik Horrific Laika. Foto : Kathleen Michiels

Stop theatre-goer loneliness. 5 lessons from Boulevard

10 days of Festival Boulevard. I threw myself into it. I saw 14 performances, saw a lot of corners of Den Bosch (and Tilburg) up close and experienced more different theatre than usual in six months. I also ate more chips than is good for me, drank more beer than usual and enjoyed eavesdropping on conversations of... 

Jetse Batelaan (Artemis) is a great innovator of theatre #tfboulevard

Jetse Batelaan is one of the greatest theatre innovators of this still young century. His star rose in 2003, with a show in which five unique actors made reality theatre, and vice versa. Now, 13 years later, Batelaan has been the boss of one of the country's best youth theatre companies for some time, pushing the boundaries of that industry once again. And that... 

Jubilee concert #DNO: unnecessary flexing of muscles

'I feel cheated,' said the man next to me as we left the auditorium at ten to nine-thirty. He had come all the way from Tilburg to the Stopera for the concert that concluded the National Opera's 50th anniversary on Wednesday 29 June. 'It will take me even longer than the concert lasted, including intermission,' he grumbled. He also had little to say about the offering itself. And that while all around us the audience stood on their seats to cheer on the internationally renowned soprano Eva-Maria Westbroek.

Culture Council fill-in exercise offers hardly any surprises

Champagne at BAK in Utrecht, deep disappointment at The New Institute in Rotterdam: the Council for Culture has spoken. Today, Thursday 19 May 2016, the first advice after the draconian art cuts by the first Rutte cabinet came out, and heads are rolling. Amsterdam loses prestigious presentation institution De Appel, in The Hague fellow institution Stroom has to redo its homework. The Orkest van het Oosten and the Gelders Orkest have to come up with merger plans within two years. In Utrecht, the city company Theater Utrecht will no longer receive funding despite artistic appreciation. Het Zuidelijk Toneel in Eindhoven Tilburg must make new plans and Opera Zuid must quickly raise its artistic quality. These are the main conclusions of the Culture Council's opinion.

As dramatic as some of this may sound, the advice is actually not, when you look over the whole battlefield. Thanks in part to

Publiciteitsbeeld Macbeth - Mark Kraan en Saskia Temmink - Het Zuidelijk Toneel - fotograaf Casper Rila_liggend

Embarrassment? 7 Reasons why Southern Drama Macbeth has nothing to do with Shakespeare.

How far can you go in using Shakespeare's name for a theatre production? Or rather, when does an adaptation of a classic stop being an adaptation, and when should you just come out and say that you have written your own play? And then, if you've reported in your four-year plan that in 2016 you will be doing a Shakespeare... 

#Reinbertbio one year on: biographer looks back

There was once a celebrity (pianist, composer and conductor Reinbert de Leeuw), a biographer (Thea Derks) and a riot. De Leeuw was against the publication of his biography Reinbert de Leeuw: man or melody and made no secret of it. In the TV programme Zomergasten (Summer guests), he even dismissed the dissertation-like standard work as an almost endearing puff piece. Meanwhile... 

10 viral stories from Culture Press for 235,000 real readers

Always start with the good news. The Information Department of the Ministry of Education, Culture and Science did a very good job in 2014. They sent one jubilant press release after another into the world. While there was actually hardly any good news to report. About culture. But because there are a lot of lazy journalists, good news often goes in a... 

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