Niko Koers renewed Amsterdam on Beethoven
Advertorial On 12 April 2013, urban renovator 'in retirement' Niko Koers and pianist Herman Rouw will present a unique combination of book and CD about Beethoven and what it tells us about
Amsterdam
Thirty thousand euros for young top talents
The concentration is enormous, the mastery great. The boys and girls standing here dancing can do something. The apparent ease with which these 12-year-olds display their dance moves shows at the same time how difficult ballet is. After all, the movements have to be performed perfectly, and splashily. Moreover, of this group, only a few will make it to the world's top: The National Ballet. Students of the...
Michel van der Aa achieves double
In one year the AKO and Libris prizes? The front pages of newspapers would be full of it, not to mention the dozens of pages in book supplements. Composer Michel van der Aa has to make do with small announcements, tucked away in newspapers, while receiving the Grawemeyer Award and the Mauricio Kagel Music Prize is a never-before-seen double.
Vredenburg Friday in 'Red Box' for one more season
When Muziekcentrum Vredenburg closed its doors in 2007 for an ambitious renovation, symphonic concerts were moved from the centre of Utrecht to the emergency location Vredenburg Leidsche Rijn on the A2 motorway. The broadcasting series 'Vredenburg Friday'
The best woman in the best place: Ellen Walraven director Rotterdam Schouwburg
This was a possibility not many people initially thought of. After all, after her tropical years as director of the Amsterdam debating centre De Balie, Ellen Walraven was in need of some more substantive work and peace and quiet on her mind, So we suspected that she would stay on in
Peter the Great: the curious tsar is back in Amsterdam
The Netherlands-Russia year is kicking off and what better way to start than with an exhibition dedicated to the most famous Russian of all time? In
Which Africa will the Holland Festival bring to our country?
Rokia Traoré, Dieudonné Niangouna, Brett Bailey, Compagnie La Baraka by choreographer Abou Lagraa, El Gusto with Kashba Blues: there is a lot of Africa in the Holland Festival 2013. Performances that
Prokofiev's satirical fairy tale is a visual feast
What makes an opera a success? The eccentrics, airheads, comedians, lyricists and tragedians think they know, proclaiming their point of view at the craziest moments and not even bothering to intervene in the action. Welcome to the wonderful world of Prokofiev's L'amour des trois oranges, back on stage this month at the Amsterdam musical theatre.
Cinedans festival: de beelden bewegen. Dus.
Fransien van der Putt, dansdeskundige van Cultuurpers, en Helen Westerik, filmkenner, bezochten de opening van Filmfestival Cinedans en waren geamuseerd, maar niet altijd door het programma.
Prokofiev fairytale opera on repeat
In 2005, director Laurent Pelly and conductor Stéphane Denève enchanted Dutch audiences with their vision of L'amour des trois oranges By Sergei Prokofiev.
Choreographer Cecilia Moisio: scared to death of the 1950s
,,Je zou denken: de vrouw is geëmancipeerd. Maar men verlangt weer naar de clichés en vooroordelen over de vrouw uit de jaren vijftig. Als je je supervrouwelijk kleedt, word je nagefloten als een hond. Maar hoe moet
Only in final scene does Guillaume Tell bathe in golden sunlight
After more than four hours, it happens: emotion. Free Switzerland is bathed in golden sunlight and the choir swells over the most beautiful orchestral sounds Rossini composed. Unworldly sounds, which have little to do with the best-known sounds from Guillaume Tell - The canter from the overture.
'Mogadishu' fits into zeitgeist of moral confusion
Once upon a time, subsidised theatre was a left-wing hobby. Now, two years on, subsidised theatre has effortlessly conformed to the prevailing, much more right-wing trend.
Theatres take matters into their own hands
As the government has killed the entire circuit of production houses and further education, seven theatres have jumped into the gap. They are joining forces to enable a number of 'young' makers to develop their work after all. By offering a number of performances in advance
A world of strange wonders where nothing is right making everything right
Einstein on the beach: a five-hour minimalist opera with no plot, no intermission. An opera with an almost mythical status, with images that have become theatre icons, but which hardly anyone has actually seen.
Another necro. Sort of: Theatre Institute Netherlands to continue as TIN Foundation
We are just reporting the press release in full. For your information. Every now and then, more news like this comes along. We don't post them all, because that would make the world very bleak. The world as many people knew it, and which they thought was the pride of the Netherlands, is coming to a squeaking halt to make room for. Well. We will report on that in the years to come. Of what comes in its place.
Simon McBurney makes Die Zauberflöte magical
A sound engineer making deafening sounds on stage with wads of paper. Puppetry that flows seamlessly into film projections and singers dubbed by actors. A primitive stage on stage that is, however, high tech. A performance in one of the largest halls in our country, but reminiscent of a flat-floor performance. A flat floor that can move in all directions, though, and could just as easily be a slope or a ceiling, that is.
Anna Mikhailova: 'Black Perfume is about addiction and fear'
Amsterdam, 10-12-2012 - Last weekend the Babelfestival began at the Ostade Theatre, an initiative of the Diamond factory. Founded two years ago, this production group offers young creators the chance to develop small-scale musical theatre. This weekend sees the premiere of Black Perfume, by Russian composer Anna Mikhailova and the Dutch director Annechien Koerselman, to the story Morphine by Mikhail Bulgakov.
First post Culture Press at Press Group
Developing new models on the internet takes time. We have found that out with the Cultural Press Agency by now. With more than 7,500 followers on Twitter and 400 visitors a day to our website, we have now become a factor of importance in cultural journalism. But we are also very happy that four years after the first plans took shape and one year after the start-up subsidy from the Ministry of Education, Culture and Science ended, our first publication can be read on the sites of De Persgroep, publisher of Trouw, Volkskrant and Parool.
Boudewijn Koole receives European film award for Kauwboy
Nice of course that Amour by Michael Haneke was not only crowned best film at the European Film Awards ceremony in Malta last night, but also received the director's prize and prizes for best actor and actress. But a bit boring is starting to become this paean to Haneke's latest. Enough of this, then.
Nominate now for the Dance Audience Award
Dance fans can submit their nominations for the most outstanding dance performance of 2012 online from 1 December. The winner will then be able to receive the Dans Publieksprijs early next year. New this year is
Moniek Toebosch no longer beams
Amsterdam, 26-11-2012 - Last Saturday died Moniek Toebosch (1948-2012), the sparkling multi-artist who startled our country from the 1970s onwards with contrary performances. Some of you may remember her scandalous performance in the 1983 Holland Festival. Toebosch presented the programme 'Attacks of Extremes' live for VPRO television from Theater Carré. After half the Broadcasting Orchestra had quit in protest,...
Theatre tour Eefje de Visser: tears, looks of love and seated dancing
The music of Eefje de Visser comes in. In the silence of the theatre even more than in clubs, where enthusiastic fans sing along to her words out loud. One spotlight and her guitar, that's all this 26-year-old singer-songwriter needs to touch the room. I see tears, gazes of love and attempts at seated dancing during the official premiere of her theatre tour in the Melkweg.
Ivo van Hove is God. According to New Yorkers.
Anyway: while Amsterdam's city newspaper Parool was embarking on a campaign against the Dutch capital's city company at the behest of the Flemish publishing board, the same Toneelgroep Amsterdam was winning the hearts of New York audiences with a production of the already years-old 'Roman Tragedies', which a few here did not even like overall: http://www.wijbrandschaap.nl/2007/06/romeinse-tragedies-hf2007ta/
Getting there, right now! DNO retakes Das Rheingold
They were almost thrown away: George Tsypin's immense sets for Wagner's Der Ring des Nibelungen. Not because his staging was unsuccessful or would have become obsolete by now, but simply because the storage was too hefty a cost for the Netherlands Opera.
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