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Ayden Carlo

Shakespeare lives and comes from Utrecht

The less real theatre is, the better it works. That insight dawned on me again this weekend, in Utrecht's Stadsschouwburg. Twice, in fact. Friday with the reprise of Aluin's Twelfth Night, Saturday with Koning Krump, the masterpiece by Het Nut. Two Utrecht groups, once sprung from the same theatre school, and drunk in the same theatre cafe, where... 

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