Honourable members of the House of Representatives, It is with great concern that we look at the Temporary Test Act that will be voted on in your House on Tuesday 11 May. This new law means even more hurdles and restrictions for visiting culture. Restrictions that will be introduced but where the end date is not given. This new testing law could be a godsend for...
The awarding of the Boyer Trophy took place at Theater Bellevue in Amsterdam during A Theatre Author Thing You Must Attend, following the Boyer Lecture organised by the Authors' Union, which this year was delivered by Jetse Batelaan.
Playing the piano without hands is quite difficult. With one hand it is already almost impossible, although Paul Wittgenstein came a long way. The pianist - and elder brother of the famous philosopher Ludwig Wittgenstein - lost his right arm in the First World War trenches. He set about training his left arm with some dogged determination and was able to...
Because the weather was record beautiful, I walked from Amsterdam Centraal to Theater Bellevue on Sunday 17 February 2019. I was going to see the performance 'And so I shall go again.' going to see, by Ilay den Boer, someone I used to follow intensively but had lost track of since I am no longer a paid opinion seller. I considered the title of the performance as...
For many a theatre lover, watching from the bench will be swearing in church. The atmosphere in the theatre and direct contact is missing. Totally true, and yet the advantages of sitting comfortably, watching when you want, subtitles and the on-demand W.C. break are also worth something. While enjoying a fireside chat, you're not looking at the back of anyone's head....
Currently, the amount a performing arts company receives in subsidy depends on the number of times it plays. The Performing Arts Fund, which is responsible for that subsidy, has now investigated the effect of this. That research shows that companies are increasingly struggling to sell performances of a single production. This causes companies to...
If theatre can do anything, it is to put us outside reality. Not even to make you dream away, but to stop that reality for a moment and look at it in a different way. Call it the Ti-Ta-Wizard moment. To stop the action at the dramatic climax, to take the sting out of the wasp, or the fuse out of the powder keg....
Of the 100 days in which Kassel is transforming itself into 'the world museum of contemporary art' this year, as it does every five years, 20 days have already ticked away. This has certainly not happened silently. The formula that artistic director and chief curator Adam Szymczyk and his staff have unleashed on Documenta has brought a large number of fans to their feet. For me.
What does it mean for a dancer with an intense career when she decides to choreograph as well? In March, Battle Abbey premiered, Heather Ware's first full-length choreography in collaboration with Swedish cellist Jakob Korányi. Heather Ware, a dancer with LeineRoebana since 2003, embarked on the path to creating her own choreography without a plan....
Dance and technology. That is the theme on the second day of the Moving Futures festival. After seeing this broadly composed programme, I no longer doubt that there is such a thing as 'progress in art'. This is not just about the new means artists can use to shape their work. The...
The Amsterdam version of the Moving Futures festival 2017 has begun. For four days, young dance makers show all sides of their creativity. I experienced a cosmic journey with (SHIFT), was cheered by Third Culture Kid by Joseph Simons and saw the excitement slumped a little by a piano at the end of Your Mother at my Door by Timothy and...
Tjeerd Posthuma: 'Millennials, people of my generation, can handle disappointments very badly. I wanted to write a book about a little boy who had a lot going on in his life and was already coping badly with setbacks at a fairly young age. That idea evolved into the perspective of his older sister, who is jealous of her little brother but who herself is not so...
Diversity in the Amsterdam art world is not yet flourishing. The Amsterdam Fund for the Arts, which announced its grant awards today, is getting a bit tired of it: "Across most disciplines, committees note that cultural diversity of audiences, staff and governance is disappointing, as are efforts to change this. Outside specialised organisations for which cultural diversity is a core business, ambitions are still not high, despite two decades of cultural policy in this area. If the ambitions are there, organisations do not always manage to give them hands and feet. There often seems to be a certain discomfort or 'not knowing how'."
So to start with the good news: Marmoucha grows 398 per cent compared to the previous grant round. The capital's producer and promoter of performing arts in the field of North African and Middle Eastern arts and culture in the Netherlands was severely cut back in 2013, but the Amsterdam Fund for the Arts found its work over the past four years to be so good that the grant has been more than deserved. In the new round of awards which became known on 1 August they rise from 25,070 euros to a tonne, adding that perhaps they should not be so ambitious.
There I am. Next to Holland Festival director Ruth Mackenzie, on a grave, as part of the installation Gardens Speak on the stage of the main hall of Theatre Bellevue in Amsterdam. There is nothing to see, little to hear. Tone lights suggest a rising sun after a few minutes. I get up together with the ten other visitors. Quite a shame, because I was actually quite comfortable lying there.
The programme booklet sounded promising:
Toneelschuur, Don Carlos (stage) Nina Spijkers brings Friedrich Schiller's classic play back to its essence. No lavish scenery depicting the Spanish court, but canvases peeled off layer by layer. playlist M31 Foundation, Nederlandse Reisopera, Theater na de Dam, Der Kaiser von Atlantis (opera) Forty years after its world premiere at Theater Bellevue, Victor Ullmann's Der Kaiser von Atlantis will be re...
Mothers and daughters: is there a closer bond? Their lives are an extension of each other. Mother treads the same path her daughter will later follow. She is a friend, to whom one can always fall back. But under the skin, a suffocating power struggle rages in which they hold and attack each other. Jealousy and competition gnaw at the domestic idyll. Escape is impossible. It is a...
Terezín, 1944. In the most deplorable conditions imaginable, Victor Ullmann completes the opera Der Kaiser von Atlantis. The camp authorities forbid a first performance after a few rehearsals. The unmistakable allegory on Hitler and his downfall leads to one of the rare forms of censorship in the camp, which the Nazis showed as an example to the Red Cross....
Many theatre practitioners secretly beg for the introduction of corporal punishment for schoolchildren with CKV. After all, schoolchildren with CKV are bent on ruining the lives of actors. They are assisted in this by disinterested teachers, who on their nights off are more concerned to please their pupils than the providers of culture. As a compromise, ...
Ola Mafaalani and relatability. They don't go together. On Thursday 3 September 2015, the artistic director of the Noord Nederlands Toneel was allowed to open the theatre season with a speech, the State of the Theatre. She did so in a way we could have actually expected from her, but which nevertheless struck like a bomb. It will hopefully be talked about for years to come...
Two choreographers exploring how a dancer and the eye of the audience interact. Dance makers who rattle common ideas about identity and sexuality. Artists who confront us with the dreams of perfection and glamour that advertising and marketing throw at us. The famous Cullberg Ballet made a striking choice by performing choreographies by the...
No foreign performances at the sixth PopArts festival. Are the budget cuts making themselves felt? The festival programmes internationally every other year, and this year it is staying close to home. With Nicola Unger, there were the other Dutch 'usual suspects' like Duda Paiva and guest artists from the Ulrique Quade Company. But the De Krakeling and the Ostadetheater also featured young makers...
You could wait for it. Meppelgate. Marieke Heebink, top actress with Toneelgroep Amsterdam, had the audacity to say in the newspaper that she is happy to be in a sold-out 'Angels in America' in New York. "Thank God I don't have to go to Meppel" she says. Aj. Aj. How dare she! That is guaranteed to generate angry reactions. And not just from Meppel....
In Rome, they have known what good food is for 20 centuries or so. Bloodletting is everything. Seneca, a Roman of the better sort, wrote plays in which bloodshed was elevated to an art. Audiences feasted on them, just as they feasted on Seneca's recipes in Shakespeare's time, 1,500 years later, and as we feast on Game of Thrones on TV now. It can't be gory, can't be cruel enough. We like that.
Language is music. Sometimes we forget that. Then we think language is a way of conveying objective meanings. Kind of silly. Language is food for all the senses. No strumming is needed under that. That's pure opera without embellishments. The English-language performance 'tis Pity she's a whore' I saw at the Holland Festival yesterday proves that. Even if you don't understand the seventeenth-century phrases, it is a joy to listen to.
PUNCH! is a fantastic festival. It shows how much beauty, news and surprise emerge when the line between dance and performance is dissolved. PUNCH! promotes a refreshing view of the world and shakes loose entrenched interpretations. The young dance makers and performers show tremendous originality and creativity that you will not only enjoy watching, you will go...
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