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Princess Christina Competition 2016: varied repertoire at a high level

Even before the welcome applause has died down at the Zuiderstrand Theatre on Saturday 23 April, pianist Manuel Sanguino begins Bach's Partita BWV 826. Crystal-clear runs sound in his right hand, while his left hand shapes the contrapuntal counterpoints just as smoothly. Even the faster passages are beautifully phrased and distinguishable note by note. Sanguino is one of the... 

Composer Julia Wolfe: 'John Henry symbolises the struggle of man versus machine'

Vorig jaar won Julia Wolfe (1958) de Pulitzer Prize met haar oratorium Anthracite Fields. In dit aangrijpende stuk over de benarde arbeidsomstandigheden van mijnwerkers, haakt ze aan bij Amerikaanse folkmuziek. Ze componeerde het voor de mede door haar opgerichte Bang on a Can All-Stars, een New Yorks ensemble dat bekend werd met een opzwepende mix van rock, mimal music en… 

Violinist Vadim Repin: 'The score is our bible!'

At five, he started playing the violin, and after only six months he gave his first performance. At 17, he was the youngest participant ever to win the prestigious Queen Elisabeth Competition. In 2002, Vadim Repin, born in Novosibirsk in 1971, played at Willem-Alexander and Máxima's wedding concert, together with the Royal Concertgebouw Orchestra. Three years ago, Repin started his own... 

Ursula Mamlok: atonal music with heart

With the death of Pierre Boulez on 5 January, modernism seemingly came to an end, but the two-year-old Ursula Mamlok (1923) is still alive and kicking. Although the German-American Mamlok hopes to turn 93 on 1 February, she is steadily composing.# In 2009, she wrote Aphorisms II for two clarinets, in which, as in all her pieces, she manages to couple atonality with a warm-blooded... 

Opera Eichmann zonder Eichmann

Je moet het maar durven: een opera vernoemen naar de belangrijkste organisator achter de massadeportaties en vernietigingskampen van Joden in de Tweede Wereldoorlog en hem dan niet als personage opvoeren. Componist Alejandra Castro Espejo en librettist Bo Tarenskeen deden het: hun opera Eichmann, een productie van de Diamantfabriek, gaat woensdag 9 december in première in het Muziekgebouw aan ’t IJ. Adolf Eichmann werd… 

Soprano Katharine Dain highlight Seven Bridges Festival

During the Seven Bridges Festival, from 29 September to 4 October, you could enjoy chamber music concerts in beautiful historic buildings in Amsterdam. One concert, on 1 October, we highlight. Compositions by Haydn and Beethoven resounded in Museum Geelvinck Hinlopen. This included a straining Haydn sonata on pianoforte grand piano and sparkling 'Volksliederen' by Van Beethoven by the expressive soprano Katharine... 

7 bridges - 5 concerts

Next week, Tuesday 29 September, the 7 Bridges Festival begins in the heart of Amsterdam. It is an initiative of pianist Edward Janning, driving force behind the Erard Ensemble playing on authentic instruments. In five concerts, he will take us past the Amstelkerk on the Amstelveld, Museum van Loon and Museum Geelvinck on Keizersgracht, the Stadsarchief on Vijzelstraat and the Goethe Instituut... 

70,200 samples in 33″ - music of the future at Gaudeamus Music Week Academy

Just after the end of the Early Music Festival, the Gaudeamus Music Week, the Mecca of cutting-edge notes for seventy years, starts in Utrecht. Five nominated composers under 30 compete for the coveted Gaudeamus Award, previously won by now established composers such as Unsuk Chin, Yannis Kyriakides and Michel van der Aa. For the second year, the... 

We can escape the world - but ourselves? - Lucas Wiegerink composes opera Ik Vertrek

Previously, he created the show Being Arthur for Kameroperahuis Zwolle, in which the famous knights of the round table travel across the country by coach. On Friday 4 September, during the Stadsfestival Zwolle, you will sail by boat to the premiere of his latest opera, Ik Vertrek. A love couple leaves the hectic world behind and returns to nature, where... 

Wonderfeel successful despite summer storm

Drie dagen klassieke muziek tussen de bomen en de koeien. Festival Wonderfeel presenteerde afgelopen weekend van 24 tot en met 26 juli, onder de rook van ’s-Graveland, een uniek klassiek muziekfestival. Topmusici uit binnen- en buitenland gaven tientallen concerten. Er werden lezingen gegeven en zoals dat hoort op een festival, viel er ook veel te eten, te drinken en te… 

Exciting listening adventure in The Hague

The first weekend of June, something exciting is happening in The Hague. For adventurous men. By adventurous men. On a stage. By music-making men that is. Mr Cello One of these men I once saw (sometime in the nineties in Groningen, the Netherlands) going wild on his instrument. With an almost bare bow, missing a string, but... 

'A drunken panda who wants to have a tussle' - The Loom of Mind on HF15

In The Loom of Mind, Icelandic folk singer Mugison, his bosom friend Pétur Ben, and Flemish baroque ensemble B.O.X. join forces. What does that sound like: melancholic Icelandic blues with 17th-century instruments? Like a stand-up storytelling concert performance? Or like a drunken panda who wants to have a game? How did you find each other? Pieter Theuns, lutenist and founder of B.O.X.: "I found Mugison... 

Scene from 'Clubbing' by Keren Levi and Tom Parkinson

'Clubbing' an unusual world of freedom and fantasy

Watching with your ears Is this a performance to watch or to listen to? This question may come to mind with 'Clubbing' by choreographer Keren Levi and musician Tom Parkinson. Are the dance moves the main thing or the sounds produced by the club of six women? A dancer/performer opens a suitcase and sets up a 'sounds kitchen'. [Tweet "A... 

Composer Henryk Górecki: art or kitsch?

This Saturday, 14 February 2015, Reinbert de Leeuw will conduct the Radio Philharmonic Orchestra in Polish composer Henryk Górecki's (1933-2010) Fourth Symphony at the NTR Saturday matinee. Górecki established his name overnight in 1992, when the CD of his Third Symphony shot to the top of the classical charts like a flare. The recording of this Symphony... 

Samir Calixto, Paradise Lost (photo by Joris Jan Bos)

Opening CaDance: Milton's 'Paradise Lost' according to Samir Calixto

More than 10,000 lines of verse comprise Englishman John Milton's poem Paradise Lost (1667). It cannot be easy to capture that in an hour-long dance performance and yet that is what choreographer Samir Calixto set out to do. Earlier, the young Brazilian cut his teeth on Schubert's Winterreise and Vivaldi's Four Seasons. On Friday, he opened with Paradise Lost the... 

The best CDs of 2014

What would the end of a year be without favourites lists? Therefore, herewith my choice of the three best CDs/DVDs of 2014. Unsuk Chin: 3 Concertos Korean-German composer Unsuk Chin is considered one of the most important composers of our time. She was awarded many times, including the prestigious Grawemeyer Award (2004) and the no less important South Korean Ho-Am... 

Plastic Junkies by Antonin Comestaz, photo Robert Benschop

Squeaky plastic and schizophrenia in Here We Live And Now by NDT and Korzo

Among the audience at Korzo theatre in The Hague at the performance 'Here We Live And Now' are a striking number of dancers from Nederlands Dans Theater (NDT). No wonder, as many of their colleagues are involved in this performance. This annual programme featuring young choreographic talent is a co-production of NDT and Korzo. The addition 'The Hague' talent, by the way, may be taken with... 

Bare Joris-Jan Bos

The most fun concert ever is Bare, a choreography for six musicians

In Bare toont choreograaf Kenzo Kusuda als in een choreografische documentaire portretten van zes musici van het New European Ensemble. Die komen in het duister op je af en klimmen ten slotte over je stoel heen. Duidelijker kun je je boodschap niet maken.
Duizenden uren moeten ze studeren, die musici. Maar muziek is voor hen het mooiste dat er is. Vandaar dat ze zelfs een tweede hypotheek willen nemen op hun muziekinstrument. Het is de worsteling van de musicus die centraal staat in Bare. De Jap...

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Gaudeamus organises seminar on music criticism

Tonight begins the international Gaudeamus Music Week, in which five composers under 30 compete for the coveted Gaudeamus Music Prize. The jury, consisting of Vanessa Lann, Oscar Bianchi and Wim Henderickx selected them from eighty entrants from all over the world. It is the fourth edition in Utrecht of the competition, which started in 1951 in Bilthoven; the new TivoliVredenburg serves as the festival centre.... 

Sparkling Candide at Canal Festival

The 300-strong audience stood up as one after Leonard Bernstein's infectious performance of Candide at the Hilton Hotel in Amsterdam last night. The performance of this 'pocket version' of Bernstein's cheerful musical/opera about the incorrigible optimist Candide, produced by the Nationale Reisopera, took place indoors, in the hotel's ballroom, due to the weather conditions. After all, the Grachtenfestival has to be... 

Four opera myths shattered @Oerol festival

Is a performance opera if not a note is sung? If the audience sits on a stand in a car park with headphones on their heads? Or if a man cries out like a dog with a tongue out of his mouth throughout the performance? The definitions of opera are stretched quite a bit at five Oerol performances. Interestingly, hardly anyone calls the performance opera. By necessity, musical theatre is often used, but that term does not really fall into a warm bath.
Een jaar of vijf geleden nam mij...

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5 lessons from a Tilburg riot: superficial newspaper determines superficial cultural politics

Regionale kranten doen vrijwel niet meer aan echte cultuurjournalistiek. We weten dat, want het was de reden waarom we Cultuurpers ooit opgericht hebben. Hoe erg het er nu, 5 jaar later,  voorstaat met kunst in de regio en de manier waarop de krant ermee omgaat, bleek deze maand in Tilburg. Een lokale journalist van het Brabants Dagblad had een stukje geschreven over vragen die een Statenlid van de PVV in de provincie had gesteld. In het nieuwsverhaal kwalificeerde deze voormalige sportjournalis...

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Deep in the belly of the Icelandic cello @hollandfestival

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It's a tricky genre, which drone, or ambient. Or, what do you call the avant-garde cello experiments of the Icelandic Hildur Guðnadóttir (1982). Very slow, very repetitive, very minimalist. Abstract sound art that leans heavily on loops, resonations and buzzing, über syrupy tones that swell into a large, layered sound collage.

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