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'The current museum loan system leads to decisions based on prejudice rather than fact.'

Museums often manage more art objects than they can display. What they cannot display in the museum galleries they keep safely in the depot. Collections with motley collections of objects from different periods are a growing problem for museums. Marketers stress the need for focus, a clear story and strong branding. Objects that no longer fit the new vision... 

Master painter Henk Helmantel honours the creation story: 'I don't have the impression that I make old-fashioned paintings. My work fits well in modern interiors.'

Museum Gouda will soon show the exhibition Faith, Harmony and Silence by master painter Henk Helmantel. In 2008, he was named artist of the year. At the same time, there are major exhibitions by Helmantel in Gorssel and in Taiwan. His paintings are characterised by a gossamer texture, careful composition and sophisticated lighting. As subjects, he often chooses still lifes and tranquil... 

Keith Haring, Untitled (velum), 1986. Installation 2017. Photo: Gert Jan van Rooij. Collection Stedelijk Museum Amsterdam

I call on the cultural sector of the Netherlands: put 80% of your marketing budget into cultural education.

In my work, I entice people to come into contact with art. And especially art with a big K. The art that is often marketed as 'difficult' or, in an attempt to get rid of its negative image, as 'vulnerable'. Liberal politicians would perhaps say art that 'doesn't act normal'. It is the kind of... 

Why a universal basic income is necessary for the survival of the arts

A hopeful experiment has begun in Finland. The Netherlands is also trying to get something off the ground, although the government is thwarting the plans for now. Why is unclear. Because even big-capitalists like Elon Musk (Tesla) and Mark Zuckerberg (Facebook) are now saying it: a Universal Basic Income (UBI) is the only way we can advance our society, and with it our civilisation... 

When words become weapons, listening is pointless. Frank Westerman at festival Winternachten on negotiating with terrorists.

In the 1970s, a wave of terror swept through Europe. A wave that claimed far more victims in our regions than the Islamic violence to date. During literature festival Winternachten, from 18 to 22 January in The Hague, it is about the struggle for freedom, about us against them. On Saturday afternoon 21 January, Frank Westerman and Mohsin Hamid will discuss the... 

In Bruges, everything that could go wrong went wrong. Painter Pieter Pourbus escaped by marrying conveniently. (And being stone-faced.)

The (in Flanders) famous portrait painter Pieter Pourbus is from Gouda. You have never heard of him. Soon you will. Museum Gouda is bringing the first Pieter Pourbus exhibition to the Netherlands from 17 February 2018 to 17 June 2018. In preparation for this, you should first visit the Groeninge Museum in Bruges. In the unabashedly burgundy World Heritage city, the exhibition Pieter Pourbus and... 

A museum with impact. How museums can raise historical awareness and offer people comfort, perspective and connection

Meer dan een miljoen Nederlanders voelt zich zeer eenzaam, aldus de Gezondheidsmonitor 2012. Hieronder zijn steeds meer jongeren – alle sociale media ten spijt. Misschien zouden we deze ‘eenzaamheidsepidemie’ een halt toe kunnen roepen als we ons realiseerden dat geen van ons werkelijk alleen is. Wat we zo vaak vergeten, is dat we direct verbonden zijn met duizenden anderen: de mensen… 

Our readers' list. What we should all never forget from 2017.

Well, we're not big on hypes and traditions here, but still. The dark days around Christmas are very dark this year, so why not something with lists. This year, no list of toppers from the editors, but random entries from random readers, in random, if slightly alphabetical order. Motto of the reader question was: which things... 

Karim makes Ducky, the successful wooden brother of that Utrecht bunny.

It is a rainy Tuesday. Walking distance from Utrecht Central Station, just behind the always lively Kanaalstraat in the Lombok district, I see a windmill on my right. That's where I will meet Karim Eharruyen today. Mill Park 10. Karim's studio is in a hidden idyllic spot in Utrecht. On the unusual site, I first check out his neighbours one by one:... 

Where is Norman Rockwell when you need him? Ode to The Grumpy Hallkeeper, the Peanut Butter Floor and Ms Koons

Classic joke about the attendant: "Proudly, the Rijksmuseum's new attendant reports to the museum management at the end of his first working day. 'Mr director, I think you will be pleased with me. I have already sold two Picassos and one Apple today!' " (Source: www.debestemoppen.nl) Thus illustrating the supposed relationship of the traditional attendant to the modern... 

Dear Minister @ivanengelshoven, my dream is that the Dutch government would have a real cultural vision.

'What do you desire from Ingrid van Engelshoven, the Minister of Culture?" asked Culture Press in a newsletter to subscribers. Good question! Especially after that first nod she made by generously pledging an extra 10 million to the Performing Arts Fund for the well-performing but not yet receiving anything, 'because the money had run out'. Very nice that band-aid, but... 

New leaders in arts and culture: fourth generation of LinC graduates.

A new generation of leaders in culture rose at the Utrecht Academy Building on Thursday 9 November. The 39 leaders come from the Stedelijk Museum Amsterdam to Schunck in Heerlen and from the VPRO in Hilversum to the Utrecht festival Le Guess Who. In a year and a half, they discovered new working methods and formulated new vistas for the arts. That could ... 

Amersfoort, O Amersfoort. My cultural vision of lack

In een verloren uurtje de Cultuurvisie Amersfoort 2030 gelezen. Geen lectuur om op het puntje van je stoel te zitten, maar uitermate geschikt voor een treinreis. Ik ben het niet gewend om beleidsstukken te lezen. Het viel me op dat de toon van de Amersfoortse Cultuurvisie zelfverzekerd, doelgericht en vastbesloten was. Ferme taal. Geen ruimte voor twijfel. Ik vroeg me… 

Jan Fabre's Exciting Friends vs the Curators (part 2): At breakneck gallop through Ostend

Jan Fabre is a bit like the Jan Cremer of Flanders but younger, five times more talented, multidisciplinary and eight times more social. 'It is quite an honour to succeed Jan Hoet,' says Jan Fabre. Together with art historian Joanna De Vos, he is the curator of HET VLOT. Art is (not) lonely. The exhibition is intended to highlight the Mu.ZEE and the Belgian... 

Artist team of Jan Fabre delivers devastating defeat to curators in Ostend (1)

On Saturday evening 21 October, Belgian artist Jan Fabre opened 'his' expo 'Het Vlot. Art is (not) lonely'. This was done in a playful way at the KV Oostende stadium with 'A beautiful match between artists and curators'. The artists, including characters such as Goya, Da Vinci and a bloodied Van Gogh, turned back the curators 3-2. Angry tongues in the audience claimed... 

Also for Supervisory Board: many ancillary positions not necessarily an advantage

The commotion about Beatrix Ruf's ancillary position, or rather just second job, touches on some important core values for the proper functioning of society in general and the cultural sector in particular. Firstly, that cooperation is based on trust. The Supervisory Board was justified in assuming that Ruf would not run a consultancy company alongside her... 

Museum Association juggles numbers. (Why all our museums are doing great)

Museums in the Netherlands are doing well. Today, the Museum Association released a kind of annual report in which this was made abundantly clear in tables and graphs. Visits are increasing. Between 2015 and 2016, the sector counted 2.5 million more visits. Mainly by foreign tourists. At the same time, more and more museums are running at a loss. According to the Museum Association, that negative balance now hits for... 

Bass-baritone Pieter Vis died: music life loses a highly social musician

Completely unexpectedly, bass-baritone Pieter Vis (1949-2017) died on Thursday 28 September, aged 68. A brain haemorrhage proved fatal to him. Just that morning, he had shared a post on Facebook from the radio programme De Ochtend van Vier. - Under his pseudonym Pyoter Riba, the Russian translation of his name. Since he discovered this social medium, he showed himself to be an enthusiastic user 

Cornelis de Vos, portrait of Abraham Grapheus (detail, author's photo)

Southern neighbours at the Mauritshuis: you'll never look at portraits the same again

You know that? That sometimes you look at the caption longer than at the painting? And then especially at who the artist is, because we don't usually know the person portrayed anyway? The Flemish portraits in the exhibition Zuiderburen at the Mauritshuis intelligently turn that around. But first, more on the Mauritshuis' extensive collaboration 

Witte Corneliszoon De With. Schilderij van Abraham van Westerveld

Why it makes sense for Witte de With to be renamed

Goede timing blijft altijd lastig. Net nu de middenstand klaar staat voor het Sinterklaasseizoen maakt de Raad van Toezicht van Kunstencentrum Witte de With bekend dat de naam gaat veranderen. Die naam kwam ter discussie te staan in de golf van publieke opwinding over appropriatie, unionistische beelden en genoegdoening voor het slavernijverleden van Nederland. In eerste instantie leek het te… 

How intimate can choreography be? - Conny Janssen Danst celebrates anniversary with exhibition at Kunsthal

Conny Janssen Danst celebrates its 25th anniversary. To mark the occasion, the Kunsthal in Rotterdam will be stage and laboratory for Conny Janssen, her dancers and her team for three weeks. A video installation, performance, live rehearsals and an exhibition will portray the point at which the group has arrived on its development journey. Unorthodox "My start with the group 25 years ago was... 

Bert Verhoeff in the other side fototentoonstelling

Huilende buschauffeur bezoekt fototentoonstelling. Wat is er mis?

In Tirana opende vorige week de fototentoonstelling The Other Side. Daar zit een kant aan die eigenlijk niet bedoeld was. Toerist in Tirana In het zwembad op een dakterras in Tirana leunt een kale man in het water tegen de wand. Hij lijkt een toerist maar is in Albanië voor werk. Zodra ik hem vraag of het leuk werk is… 

5 Bargains the cockerels left behind at major auction houses

It was ball again just before summer at Christie's, Sotheby's, Phillips and Bonhams. Contemporary art auctions are the showpieces of see-and-be-seen. And the place to throw loads of money. For the happy few, in other words. Or better: a pissing contest for men (mostly - really - men) who get the measure of hedge funds and mega-corporations. Score-driving, in other words;... 

So you'll never leave Den Bosch again (why holidays in your own country can be fun)

Would like your interpretation of the cover girl's look on the Theatre Festival Boulevard programme book. It may be projection, but I see a slightly overwhelmed desperation in those eyes, whose eyebrows have been replaced by two playfully placed arches of St John's, above: Den Bosch on my mind. Where to start, mostly. In the book, especially abundance. Glassily designed... 

'World-famous outside the Netherlands'. Top piece of 'veduta painting' to Amersfoort

Het Amersfoortse Museum Flehite heeft bij Christie’s in Londen de gouache (een met dekkende waterverf gemaakt schilderij) Gezicht op Amersfoort van de 17de-eeuwse schilder Caspar van Wittel aangekocht. De aankoopprijs voor dit Amersfoortse kopstuk was inclusief heffingen ruim 200.000 euro. Van Wittel werd in Amersfoort geboren en vertrok na een leertijd bij Withoos op 21-jarige leeftijd naar Italië, waar hij als… 

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