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5 hidden gems in Holland's top literature festival #ILFU

Of course: Hugo Borst, Suzanne Vega, Herman Koch. Enough reason to travel to Utrecht between 11 and 13 May. But there is much more to experience at the International Literature Festival Utrecht. And it doesn't even always have to do with books. I will show you a few things I am definitely looking forward to in festival palace TivoliVredenburg. The... 

Ingmar Heytze on Joni Mitchell: 'Crushed at seventeen' #ILFU

'Stop it. The fewer awards people give each other, the better.' Ingmar Heytze, poet, is clear: 'Within every conceivable genre, there are already big enough prizes. If you ask me, they should restrict that Nobel Prize to science from now on.' So on the final evening of the International Literature Festival in Utrecht (ILFU) next Saturday, it will be all about those... 

Ode to the office man. The brand manager is still a mystery. #ILFU17

Arjan Peters talks 12 May 19.30 during ILFU in Utrecht with Paulien Cornelisse, author of the office novel De verwarde guia, and Gerd Busse, who translated Voskuil's ultimate office novel Het Bureau into German. There, office workers are usually not portrayed too positively. High time to change that. Office worker and writer Suzanne Brink takes... 

Collecting egg cartons! Why we need a jazz club like Persepolis.

Wondrous story: Utrecht had a famous jazz club between 1957 and 1967. It was founded - including egg cartons on the vault - by jazz-loving teenagers. Not only the fine fleur of Dutch jazz performed there, but also many an international big name. As part of Utrecht's Cultural Sundays, last Sunday (23 April), a wharf cellar on the... 

Culture outside the Randstad: Amersfoort's struggle

Displaced paintings by Armando. Artists fleeing the city. A tinpot that brought financial disaster and summer festivals that attract tens of thousands of visitors every year. And you thought Amersfoort was boring? A footnote along the A1 motorway? Forget it. Let me tell you about this city struggling with its cultural identity. A story in eighteen impressions. Guilty landscape In his youth... 

The Passion - not for idle followers

Boring, all those films, commercials and YouTube videos that always draw on the same (background) music. In a tranquil scene or pathetic documentary, the viewer is served Pärt. Exciting sounds like this, and when disaster strikes you hear this. Ordinary people Ah, even film-docu-& TV-makers are like ordinary people and like to reach for the same thing. Dommage! Because there is so much more... 

Avontuur in Den Haag: 5 redenen om naar Rewire te gaan (zwoele gekkigheid is er 1 van)

Rewire staat weer voor de deur. Van 31 maart tot en met 2 april speelt het festival zich af in de binnenstad van Den Haag. Het jonge festival doet dat met een keur aan kleuren en smaken, (net) buiten de mainstream. Dus: daar waar avontuur en het grote ongewisse juist pré’s vormen – diametraal tegenover Guus Meeuwis op het hoofdpodium.… 

How fuss in theatre can lead to intercultural dialogue

A dance performance for youth (6+) recently caused a stir. Pupils from groups 5 to 8 of the Islamic Aboe Daoedschool in Utrecht visited IJspaleis (6+) by dance theatre group plan d-. At a dance of two penguins in love, one of the teachers requested that the performance be stopped. This scene was not considered suitable for the pupils, the explanation said. It... 

Jan Martens in Utrecht: bravado, unintended honesty and unabashed desire

While Jan Martens' latest work, The Common People (2016), was at Amsterdam's Stadschouwburg last weekend, Utrecht's Theater Kikker is showing two older hits this week: Sweat Baby Sweat (2011) and The dog days are over (2014). Sweat and Dogdays are blockbusters and have already toured the world. At Kikker, they can now be seen as part of a... 

Hymn to St. Cecilia by Britten: state dangerous (c)ode?

On Friday 10 February in Utrecht, the Nederlands Kamerkoor will kick off its concert series Sacred and Profane, based on Benjamin Britten's choral work of the same name. The programme also includes his popular cycle Hymn to St Cecilia, which he composed during World War II. The score was confiscated by the US Customs Service in 1942 because it allegedly contained codes that were dangerous to the state. The American fear of a... 

Gerrit Rietveld's Red and Blue Chair in original and later condition (source: commons.wikimedia.org)

The Rietveld chair was brown - 10 things you didn't know about De Stijl #MTDD

Something with straight lines and planes and primary colours. We all get that far with De Stijl. But did you know that there was also Style music and that a mechanical figure danced to that, er, Style? Let's get things straight before the Mondrian to Dutch Design exhibition season begins. 1. Mondrian was not the big man of De Stijl Piet... 

Artists, get out into nature, before it's too late (and other reasons for hope)

There are those, including in the arts, who still think the world has not changed for good. Who suspect that a vote for a culture-friendly party will at a stroke turn back the clock eight years. Those people will wake up after 15 March to a new world, even if the Netherlands has suddenly chosen whether or not... 

'But everyone actually wants to die, don't they?'

Actress and cabaret performer Yora Rienstra (35) knows at first hand what depression can do to a person's life: her grandmother was manic-depressive. That is why she agreed when she was asked to perform in the solo show PAAZ, even though after seven years of cabaret she did not want to be on stage alone again. 'But I found Myrthe van der Meer's book... 

Moving Futures festival seeks new audience for modern dance

'Many people find contemporary dance difficult. Especially performances by young makers who experiment and seek new ways. At the Moving Futures festival, everyone can discover how dance can touch you. We do this not only by showing good performances by young makers. We also offer activities around it, context programmes. By doing so, we give the audience tools to make a connection with... 

Gerard de Kleijn makes Museum Gouda more accessible

Gerard de Kleijn is leaving on 1 February after six years as director at Museum Gouda. The flamboyant, eloquent and erudite director leaves behind a financially and artistically healthy Museum for his successor Marc de Beyer. De Kleijn made the museum more accessible to Gouda residents and art lovers from outside the historic city. In 2016, the museum attracted around 40,000... 

Amsterdam has run out of things to do: now Stedelijk Museum topper gone too

Bart Rutten becomes the new artistic director of Utrecht's Centraal Museum Bart Who? Bart quite an important figure. Bart Rutten was the man behind some great blockbusters at Amsterdam's Stedelijk Museum. That he is going to Utrecht after Malevich and Matisse says a lot about the good work of his predecessor Edwin Jacobs. It says even more... 

Guess who is Utrechter of the year: exciting festival in line with FC and Daphne

Johan Gijsen has been elected Utrechter of the Year. The organiser of the Le Guess Who? Festival succeeds FC Utrecht owner Frans van Seumeren (2015) and athlete Dafne Schippers (2014). The election for Utrechter van het Jaar was held by the AD Utrechts Nieuwsblad. Six columnists selected ten nominees who could be voted for. Gijsen founded Le Guess Who? in 2007.... 

Huub van der Lubbe and Christine Otten on love in times of racial hatred

We Had Love, We Had Guns by Christine Otten is about black resistance fighter Robert F. Williams, who fought for black equality. In the theatre adaptation of the same name, white actors - including Huub van der Lubbe - play black characters and vice versa. Double talk about personal sacrifice, skin colour and connection. Idlewild It is a remarkable coincidence. America is taking... 

My 2016, and why it scared me to death. (A list)

Five art experiences will always stick to this bizarre year for me. And one thing really scared me. Whether the worst is now behind us? At least the most extraordinary is still on view until 5 February 2017. A chronological overview of what was unbelievable, unthinkable, inconceivable, unbelievable and perhaps untrue. Much of it, by the way, will be in 2017... 

(Un)heard in December: So close the hammers hit your forehead

Each month, in the (Un)heard series, I present extraordinary sound that does not go unnoticed and unsung. In this December edition: Brume, Cinema Perdu, Emanuele de Raymondi, Mark Fell, Zeno van den Broek and James O'Callaghan. Like a vise around the neck Brume - Mother Blast (LP, Grautag) Nicolas Moulin's Grautag label guarantees dystopian soundscapes. Those landscapes the label presents... 

5 reasons to avoid (or not) Theatre Kikker's Winter Collection

From 6 December, theatre Kikker will show a week-long anthology of talented and diverse young theatre makers. We looked ahead to this Winter Collection. Hannah Roelofs, herself just over 30, issues five warnings for people over 29. 1. Twenty-somethings! 'This is the generation that's losing his or her... 

Ballet dancer Andrew Greenwood: 'Healthcare needs dance'

'What is the relevance of dance?' Since the conference The Relevance of Dance in March 2016, this question has been haunting my mind. Above all, I want to know why more people should dance. Therefore, I decide to put the question to inspiring and progressive dance teachers. The second one I question is Andrew Greenwood, who six months ago... 

With Broekmans & van Poppel, Amsterdam loses icon again

Until 31 December, classical music lovers can browse the unprecedented amount of sheet music, CDs and music books at Broekmans & van Poppel. The iconic shop, stately located next to Brasserie Keyzer and the Concertgebouw on the Van Baerlestraat in Amsterdam, will close its doors after 102 years. The family-run business will continue in Badhoevedorp, where the central warehouse is already... 

Netherlands' largest war memorial aims to become symbol for refugee reception

The Belgenmonument in Amersfoort is the largest war memorial in the Netherlands. Construction started a hundred years ago. It was recently restored, but no longer has a function. New meaning is being sought. Architecture centre FASadE organised a design competition for this purpose. The aim: to give the Belgenmonument renewed meaning as a memorial but also as a symbol for the reception of contemporary displaced persons. The jury led by... 

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