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one-and-a-half metres

The cultural sector would do well to listen a little better to the audiences that are now staying away. 

Today in Trouw a few useful tips to culture bringers. They are responses to the reader question from a few days back, about why the halls remain empty in our museums, concert halls and theatres. Five responses are included, and each one is excellent. They also show something, and that is that the eagerness, with which the halls are vacated by the directors... 

Museum association sounds alarm: even strong museums will not get out of the one-and-a-half-meter without support

Last weekend's #unmuteus parades might lead you to believe that, as soon as the weather allows, the cultural world will be out of its misery in less than no time. The tens of thousands who took to the streets are quickly populating the halls again, and with a little more water with the beer, and slightly more expensive mints, the night and event industry - which is also there for the... 

Theatre Festival Boulevard provided a stage for the stories we hear too little. #tfboulevard

According to Linde van Schuppen, philosopher and linguist, medics do not really listen to people with psychosis. At least, they do listen to someone suffering from obvious delusions, but that is to establish that the person is indeed off the track. 'But, how then?" is the question a psychiatrist or neurologist is not trained to answer, she argues. That is why she is doing her PhD. 

Boulevard experiences second Corona edition: 'It's organising a festival in the middle of a natural disaster. Nothing is business as usual'

Theatre festival Boulevard is going ahead this summer, just like last year. Everything is adapted to 'corona': safe at one-and-a-half metres, placarded, with registration for catering, but still just about a hundred performances. In this podcast, I speak to Nina Aalders and Tessa Smeulers, responsible for Boulevard's programming. They remained at the helm after the much-loved and... 

After a year and a half at home, Boogaerdt/VanderSchoot's Fremdkörper with testing access is pretty tough

There are reasons not to live in Belgium, but yesterday I was intensely longing for an evening with my southern neighbours. After all, they have 'testing for admission' in the cultural sector just a little better regulated than here. When I attended a 'testing for access' performance in Antwerp, there was a tent in front of the theatre entrance where I walked in, with a time appointment, a... 

Nerd podcast #13: Emily Ansenk (Holland Festival) is all set: 'Until a week and a half ago, we didn't know if it could go ahead.'

'Are we ready? Yes. Is everything ready? No, far from it, because it is all very complex. But in the end the jubilation now prevails, because until a week and a half ago we didn't even know if we were allowed.' In this Nerd podcast, Emily Ansenk, director of the Holland Festival for the second year, tells Marijn Lems and Wijbrand 

Matteo Myderwyk new artist in residence at TivoliVredenburg

Dutch pianist/composer Matteo Myderwyk will be artist in residence at TivoliVredenburg in June and July 2021. Over three weeks, he will play four different concerts in four different venues.* Matteo Myderwyk was trained as a classical pianist, but decided to throw off all musical rules and laws after the conservatory. His goal: to make music in the moment. That's how he ended up... 

Unmissable livestreams in November Music

Meanwhile, November Music is keeping its nerve: the management is betting on live concerts with up to 30 people in the audience. In an email update to press and public, she did express her concerns: 'It will be some exciting days. After next Tuesday's press conference, we will know whether November Music 2020 can definitely go ahead.

Taking off and landing softly. That's what Schweigman& offers during Sender Boulevard, and we need it

Boukje Schweigman is an artist this country desperately needs. My deep admiration for her arose with 'Klep', the performance with which she graduated from the Amsterdam mime school long ago. With eight others in a trolley, looking around through very small flaps in a world where sweet creatures are equally curious about you, after which a minimal touch has the impact of... 

'It's important for Shai to make something again.' Ka Yan Tang and Shailesh Bahoran on Illusionary Rockaz Company in times of Corona

Illusionary Rockaz Company was due to release a new work by Shailesh Bahoran this spring. A new production for the first time in two years, after a time in which the Utrecht-based choreographer was constantly winning awards. And then Corona broke out. For Shai, reason to pause for a while: 'For Shakti, the performance that is coming up now, we have to... 

Vincent Wijlhuizen is working on a coronaproof What You See Festival: 'a very large group of people are now much less visible.' 

Immediately after the lockdown was declared in March 2020, Vincent Wijlhuizen, co-founder (along with Annette van Zwol and Ieme Soes) and director of the What you See Festival, set to work to come up with alternatives for the festival, which takes place in the autumn. 'We made several plans. We already had an ordinary plan, which went to all the funds... 

Bart Rutten: we need to keep a close eye on parents in the Miffy museum in particular

'The spontaneous breeze should be planned at least 15 minutes in advance. After all, you have to buy tickets for a block of time. When you enter our venue, you immediately see all the security measures we have taken to protect staff and visitors. There are huge screens to separate the flow of visitors. There's a chance you won't get lost in... this time. 

Mattijs van der Woerd hopes to sing again one day, but is especially happy that Splendor is making music again

Musicians' society Splendor has survived the corona crisis so far, despite the fact that the two halls could not be used, rehearsal rooms fell and the bar could not open. Mattijs van der Woerd, baritone, talks about it in our podcast/video. How can that be, such a small concert hall standing so strong? The secret, which also keeps Culture Press afloat, and which this month also... 

In the Netherlands, time sings

Of course, it takes Italians to make this poetic statement about the Netherlands, the headline of this article. The old Italian saying refers to the carillon that signals time in public spaces. Typical tradition of the Low Countries. Since the fourteenth century. Nice and practical, of course, because then the whole city knows what time it is. Does everyone hear hits from the... 

Greg Nottrot is energised by the corona crisis: 'Let's enjoy the fact that there is finally room for experimentation again.'

'I did get startled at first by being so laconic under the lockdown. I thought: don't I care enough to step over it so lightly? I also fully understand that people are very sad that it's all off, but apparently I'm a bit more fatalistic about that.' Greg Nottrot, playwright and enigma maker,... 

'I don't see Le Guess Who happening on a grass field'. Johan Gijsen on postponement of critically acclaimed festival

'At the beginning of March we were still having a bit of a laugh about the virus, but a week later it became clear to me that we would be in serious trouble this year.' Johan Gijsen, director and founder of the Utrecht-based festival that brings together the most surprising artists from all genres of the international music world every November, is still visibly... 

'Deploy innovation power of arts sector for recovery to 'new normal'.' Culture Council asks minister for extra space for new plans.

'The spontaneous and creative initiatives and emergency solutions devised by creators and institutions during the current lockdown show that the sector excels in innovativeness.' According to the Culture Council, the solutions already being experimented with must be made available to everyone. The Netherlands' highest cultural advisory body considers this necessary if we ever want to move forward in the... 

Call. Let culture workers take one-and-a-half metres of Space for the Imagination

Whether the 'cry for culture' ten years ago was the best response to the cuts announced then, I don't know, but just like then, I feel the urge to do something now. In response to a spontaneous statement of mine on Facebook, a still modest group of people emerged this weekend willing to commit to an idea... 

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