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49th edition Film Festival Rotterdam opens with Mosquito - history as a fever dream

In the trailer for the International Film Festival Rotterdam, which kicks off on 22 January, film images crumble into abstract shapes and colour patterns. It has to do, I understand, with the wonder of the irrepressible urge to make stories. Once, a cave dweller put a painted hand on the rock face. In the digital age, we conjure stories with coloured pixels. The... 

The new defence: don't talk but bring! (How a dinner argument leads to genius insights)

I am sitting at the dinner table at my parents' house. We are celebrating my mother's birthday with the whole family. I am there, but I am not quite there. In fact, I am so incredibly tired at the moment. As I jokingly tell my friends, "I can't say boo or boo anymore and am running on my gums". Suddenly, the conversation turns to... 

'Naked violin in search of a bow' - Maarten van Rossem opens 'Moesmania' in style. (with sound recording)

'All that remains for me to say is that I think it is a fantastic painting and that I find it downright criminal that the Heineken family is unwilling to display the painting in a public place. It shows what an incredible thug the Heineken family is.' Dixit Maarten van Rossem at the end of his speech at the... 

Boreal at the top: our best-read posts of 2019!

A week before the end of 2019, Culture Press' membership stands at nearly 150, up from 40 exactly a year ago. A growth of more than 300 per cent is quite extraordinary. So we have demonstrated that we matter to a rapidly growing group of decision-makers in the cultural sector. So good that they are happy to contribute to... 

Why measuring leads to knowing less and measuring even more. On the futility of trend reports and indices

They have learned something at Boekman. The foundation, which since this year has had the honour of managing the culture index, understands that trend graphs say precious little. We have observed this several times on this site, and the researchers now confirm this wholeheartedly. So this year the club is doing things differently. For the past few months, sixty wise men and women have been... 

'It is crucial that people who mature here - also as artists - can stay connected to Amersfoort'

For De Stadsbron, Amersfoort's journalistic background site, I chart the cultural sector of the Keistad. On that site now, an interview with Friederike Weisner, director of Theatre De Lieve Vrouw. 'According to Weisner, the lack of a university or college ensures that the need for knowledge is visible: 'You will always have to be innovative as a city. There ... 

Drenthe landscape fascinates and enchants in Barbizon of the North

With the storm of publicity, Vincent van Gogh's 'Weeds Burning Farmer' (1883) seems to be the star of the new exhibition Barbizon of the North - The Discovery of the Drenthe Landscape 1850-1950. The centrepiece of the exhibition, as befits a good diva, is still some time away. It is 'fashionably late'. However, a spot has already been reserved. The... 

Patrick Nederkoorn: 'We have everything in order and don't excel at anything.'

For De Stadsbron, I interviewed Patrick Nederkoorn, comedian but in a previous life also politician, about his city, Amersfoort: You had a decisive role in politics here for eight years. In your programme, you reckon with that a bit. You argue that you were very much on form, and sometimes sold content where later you didn't... at all. 

Open your eyes, watch and reflect, engage in conversation. Opening IDFA 2019 showcases the sublime extremes of documentary.

The 32nd edition of the International Documentary Film Festival Amsterdam has opened with Sunless Shadows. Confessions of young women jailed for complicity in the murder of their father or other man in the family grow into a haunting statement about oppressed women in a male-dominated society. The only Dutch film in the international competition is Rotjochies by Maasja Ooms.

After the budget debate, the performing arts sector will have to be even more patient. Until spring.

The culture sector will have to be patient for a while yet. Minister Ingrid van Engelshoven had no intention of changing any of her policies on Monday 18 November, during the discussion of the culture budget in the Standing Parliamentary Committee on Culture. Despite a fairly widely supported desire, especially from the opposition, to do something about the 8.6 million cut in the... 

'Library has no respect for artists!' Sale of works from Art Loan against sore leg Amersfoort art world.

This weekend, gallery owner Henk Logman discovered to his horror that artworks from the Amersfoort Art Loan were being offered for sale on a Belgian auction site. On his facebook page, he reports: 'The extraordinary thing about the whole thing is that the now still living artists were not informed of this. I would at least have expected that to have happened.... 

Incubators we already had, but where was the incubator? Is Art-up Incubator the salvation for cultural Holland?

Fifty years ago, some tomatoes and smoke bombs flew through Amsterdam's Stadsschouwburg. This will be commemorated on 4 November at ITA, the former Stadsschouwburg, with a gathering for which, according to the many e-mails I receive, not all tickets have been sold yet. Meanwhile, voluminous essays are appearing in the trade magazine and many are wondering whether there might not be another tomato... 

'Wikileaks has never been caught at a single fault' - Iris ter Schiphorst writes Assange: Fragmente einer Unzeit

'There is an information war going on right now, which shows how important data is. The Assange case is the most poignant example of this.' Dutch-German composer Iris Ter Schiphorst wrote a piece about Julian Assange, the now controversially declared founder of Wikileaks. She is on a mission with this: 'Although Wikileaks has never been caught at a single fault, Assange has been accused of... 

OK Boomer. The Diversity & Inclusion Code is going to change the art world. Or had it changed long ago?

From 42 to 18 pages. Actually, that says it all about the new Diversity and Inclusion Code that saw the light of day on Friday 1 November. After all the wooliness and ifs and buts of the original Cultural Diversity Code, the new thing is a miracle of clarity. Is perhaps also necessary, in these times of identity wars, where on the left and... 

World-famous 'brooding work' - why Monet's water lilies and wisteria are still so special

People used to think it was three times nothing, but today the paintings of water lilies and wisteria are the most famous canvases by French painter Claude Monet. We visited his gardens in Giverny and took a peek through the eyes of the master. Mugs and socks When you think of the painter Claude Monet, the first thoughts probably go to his colourful canvases... 

Opinion researchers: Amersfoort, see artists more as business cards!

Amersfoort is investing in culture again. This is very good news after a period when cuts dominated. So now it becomes extra interesting what the city will do with the extra money. Some research is already under way. Last week, another study was added from an unexpected source. The main outcome: Amersfoort could be a bit prouder... 

'I decided to make an unabashedly grand romantic gesture and blow people away' - Mathilde Wantenaar writes new piece for Rotterdam Philharmonic Orchestra

Being creative on demand? That's impossible, you would think. Yet it is the reality for composers and artists who work on commission. Mathilde Wantenaar (1993) therefore got acute choice stress when the Rotterdam Philharmonic Orchestra asked her for a new piece. She was just working on a commission from De Nationale Opera. 'I felt like a rabbit in the... 

'I am interested in situations or people that are overlooked in everyday life.' - Meriç Artaç two seasons guest composer of Day in the Fire.

'I always draw out my characters before I start composing. They are inspired by people I see on the street, personalities I admire, details that make someone special... I usually focus on one specific aspect of a character, a dominant mood that I then highlight in my composition.' Born in 1990 in Istanbul, Meriç Artaç was already... 

Why does the fair practice code really only apply to the arts?

Our administrators and elected representatives will not openly admit it, but they do not really care about a healthy cultural sector, let alone the position of individual creators and artists. Indeed, making a Fair Practice Code compulsory without increasing the budget for culture is a slap in the face for everyone working in the arts sector. 'Then be... 

'Art tax cuts and a cultural fund will be created as an incentive for homeowners to invest in works of art.' (How we think the throne speech should have read)

Members of the States General, This year about 72 years ago we had the first Holland Festival. After years of enslavement and tyranny, hope for a better future literally came from above, in the form of Maria Callas. Eyewitnesses who saw the lights in the Stadsschouwburg turn red that day would never forget that image. 72 years later, it seems... 

Who said modern music was humourless and cerebral again? American Kelley Sheehan wins in Music Week full of humour and reflection

For a moment, the envelope seems unopenable but then Minister Ingrid van Engelshoven conjures up the redeeming paper after all. 'The winner of the 2019 Gaudeamus Award is Kelley Sheehan!' The little American almost falls off her stool in amazement. Probably not entirely by chance, the new music organisation has positioned her right in the middle of her four fellow candidates. - She herself would... 

Ivo van Hove directed a top-notch broadcast of Zomergasten, with a wonderful lead role for Janine Abbring.

Janine Abbring has managed to pull the somewhat ramshackle institution Zomergasten out of the doldrums. She has fun, is excellently prepared, is genuinely interested in her guests and has managed to push the eternal battle element into the background without making the broadcasts less exciting. That battle element was always: does the interviewer succeed in 'breaking' the guest? Because. 

Art cannot be exclusive enough. At Festival Noorderzon, everyone can experience it for themselves 

Police sirens sound less frequently in Groningen than in a city like Amsterdam. When they sounded last Wednesday night, it was because residents of the premises behind the local art academy, Minerva, raised the alarm. Standing on the roof was not an owl, but an almost naked man shouting that he was going to rob the Coop. Mads Wittermans, the actor in question, had forgotten the... 

'Groningen has an open arts climate'

An artist creates something - but for whom and why? How does the created thing relate to society and what role does that creation want to play in it? Besides all the theatre performances at Noorderzon, there is also the critical question: 'What is actually the point of theatre?' Can art fraternise people? That's not so easy. Take theatre-goers. They are rather alike.... 

Why Noorderzon's opening performance is a gem

Some critics thought the opening performance of Festival Noorderzon in Groningen was so bad it made you cry. Others were less negative. Those certainly have a point. But then you have to look beyond what you are used to. When Bear, the hero of Noorderzon 2019's opening show, is imprisoned in a tower, he laments his fate through an eloquent yet sad... 

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