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The Hague

Winternachten Festival offers the best chance to see great writers up close. And Francis Broekhuijsen.

From 18 January, The Hague will be all about Winternachten. We think this is the most fun literature festival in the west of the Netherlands. This year, it is about Freedom, Equality and Brotherhood, the motto of the French Revolution, among other things. But also about Karl Marx. Under the motto 'we the people', Winternachten is therefore about populism and secession,... 

More diversity in the cultural workplace? 'They are not there' does not exist. The ball is now in employers' court: look outside your own box and show guts. #LinC

When I write vacancies in the cultural sector, I receive wonderful letters. Candidates are usually graduates in an arts-related subject from a college or university and have internships or work experience at cultural institutions of repute. They are usually female, white and have completed their studies with good grades. Yet I struggle with a problem. i... You can... 

Leila Slimani and Fatma Aydemir: two young writers who are really changing my view of the world. You can meet them at Winternachten 2018

During the upcoming edition of Writers Unlimited/Winternachten in The Hague, two writers who are making exciting news with their work and their success will drop by. Fatma Aydemir, journalist from Berlin, wrote with 'Ellebogen' an abrasive debut about a Turkish girl who is a little less prepared for her future than everyone would like. Parisian author Leila Slimani won in... 

Save and destroy: charge against squandering cultural heritage

A Saudi prince is paying $450 million for a mediocre painting by Leonardo da Vinci; a Dutch politician is pledging a crate of beer for a new composition. In a nutshell, these two extremes capture our current dealings with culture. Total contempt on the one hand and unimaginable overvaluation on the other are two sides of the same coin. We do not judge art for its... 

A déjà vu as fresh as an oven bun: The Hague is truffled with artworks by Jan Goeting. But you don't see them until you know

Every city in the Netherlands has artists who enjoy local fame and glory but just beyond the city limits yield only questioning looks. Take the Goeting family of painters from The Hague. They are Jan Goeting (1918-1984), his wife Catharina (1912-1987) and son Joep (1946-1986). The nice thing about this family is: every Hagenaar or Hagenees over 55 knows many works by at least Jan... 

Where is Norman Rockwell when you need him? Ode to The Grumpy Hallkeeper, the Peanut Butter Floor and Ms Koons

Classic joke about the attendant: "Proudly, the Rijksmuseum's new attendant reports to the museum management at the end of his first working day. 'Mr director, I think you will be pleased with me. I have already sold two Picassos and one Apple today!' " (Source: www.debestemoppen.nl) Thus illustrating the supposed relationship of the traditional attendant to the modern... 

Kate Moore wins Matthijs Vermeulen prize - as first woman ever

On Saturday 2 December, Australian-Dutch composer Kate Moore (b 1979) will receive the Matthijs Vermeulen Prize for her composition The Dam. The prize money is €20,000, made available by the Performing Arts Fund. The prize was established in 1972 and named after the Dutch composer and critic Matthijs Vermeulen (1888-1967). Until now, it invariably went to men, some even getting it two... 

Suddenly feeling the urgency at Dancing on the Edge

As soon as I, as an art consumer, begin to suspect arbitrariness in the artist or his creative process, I drop out. Incidentally, this observation now surprises me. After all, I am no fetishist of form, nor am I a canon junkie, and I am not qualified in any of the standard artistic disciplines. Not a composer, not a performing musician and not an actor. Neither filmmaker nor director, nor a lyricist graduate.... 

Dobrinka Tabakova writes double concerto for Lucas and Arthur Jussen: 'It shimmers with energy'

The AVROTROS Friday Concert cherishes mainstream masterpieces as well as less heard and new repertoire. In the 2017-18 season, no fewer than five (world) premieres are on the programme, three of them composed by a woman. - Come and see that among the national orchestras. Friday 17 November will hear the brand new double concert Together Remember to Dance by British/Bulgarian Dobrinka Tabakova. She composed it on... 

Maria Kraakman: "You have Couperus before and after Bas Heijne"

In recent years, the artistic director of Toneelgroep Amsterdam, Ivo van Hove, made three performances of works by Couperus. In three short interviews, I look back at the last part, Little Souls. Despite the long meandering sentences and the romantic, sometimes very passive characters, this book (or actually it's four books)is a timeless masterpiece that, as far as I'm concerned, all... 

Klaas de Vries finds neotonic heaven: 'I can't resist composing'

Dutch composer Klaas de Vries (Terneuzen 1944) pairs Stravinskyian clarity with southern sensuality. He harbours a love for poets such as Pablo Neruda and Fernando Pessoa, and his work excels in recognisable melodies and rhythms. 'However innovative, to be communicative, music must always contain a traditional element,' he said. On 28 and 30 November, Asko|Schönberg will play... 

Side B: Adrift THE HIDDEN FLOOR © Rahi Rezvani

In Side B: Adrift, The Hidden Floor completes the madness

NDT 1 concludes its triptych Side B: Adrift with Franck Chartier's new The Hidden Floor. After the performance, I literally lose my way. Different worlds "Franck?", I call out. In the rain, an unremarkable man approaches me. Yes, comes the reply from under a cap. It's Franck Chartier, on his way to the studio in... 

Sadettin Kırmızıyüz. Photo: Joost de Haast

Dutch version of The Wire moves from Rotterdam to The Hague

Nationale Toneel Theatre is working on its mission to bring society to the stage. The Nation, that insane marathon with Romana Vrede about a disappearance in the Schilderswijk neighbourhood, and Mark Rietman, will be ready this autumn. Anyone who thought it was time for another slice of tedious retro hag comedy after that is wrong. We do have a classic coming up in... 

Culture Council doesn't have plans ready yet

This summer, all was well. In Theatererkrant, house organ of the performing arts, an article appeared, apparently also on behalf of the Council for Culture. It showed how a hitherto unknown company called The Transition Office had pretty much completed the new sector plan, employed by the Council for Culture. Many people had been spoken to and now there were still... 

Cornelis de Vos, portrait of Abraham Grapheus (detail, author's photo)

Southern neighbours at the Mauritshuis: you'll never look at portraits the same again

You know that? That sometimes you look at the caption longer than at the painting? And then especially at who the artist is, because we don't usually know the person portrayed anyway? The Flemish portraits in the exhibition Zuiderburen at the Mauritshuis intelligently turn that around. But first, more on the Mauritshuis' extensive collaboration 

Scenic photo Rishi. Photo: Joris Jan Bos

The sharpest theatre of 2017 comes from The Hague: Rishi of Firma Mes

If theatre can do anything, it is to put us outside reality. Not even to make you dream away, but to stop that reality for a moment and look at it in a different way. Call it the Ti-Ta-Wizard moment. To stop the action at the dramatic climax, to take the sting out of the wasp, or the fuse out of the powder keg.... 

Broken throats thanks to Loes Luca. Scheveningen sings again in 'Hard Hands'

The Zuiderstrand Theatre is having a nice time. When the theatre was built on the coast, there was a lot of resistance and grumbling from Scheveningers. 'That bunker' it was called. But with the (reprise) hit 'Harde Handen', free after Heijerman's 'Op hoop van Zegen', this own production touches a sensitive chord. For and by Scheveningen On Scheveningen, much has changed. The fishing village with... 

Boukje Schweigman makes you feel how weird time is at Theatre Festival Boulevard.

Industrial estates are weird. They lie souring on the outskirts of one city, only to seamlessly morph into the same site on the outskirts of another. Once they were A-locations, places of visibility and the incarnate dream of reconstruction. Now they are low-grade structures, halls with a front door, a visible office for the Dirk and a pathetic... 

Why The Hague Central Station square is again failing to get the allure it deserves.

Ever travelled to The Hague by train? Then you must have been surprised when you walked out of The Hague Central Station. A more desolate square than the Koningin Julianaplein hardly exists. And that in the capital. Rough and crooked paving, a few hundred haphazardly parked (and sometimes broken) bicycles, some sales carts for flowers or snacks and hardly any place to... 

The new theatre system is just about finished. Only seven 'dilemmas' remain.

[This post was already online under the title 'Save us from the Transition Office', but has been updated in a few details] While you are preparing for a well-deserved holiday, people in the arts sector are working on a new model. That new model is needed because the old model is no longer adequate. That old model, and we are of course talking about our... 

Celebrating Kylian

Everyone is celebrating Jiri Kylian's 70th birthday in full. Except NDT.

Even abroad, it is noticeable that Jiří Kylián's work is not showing at NDT. Even though the so-called embargo is expiring and this is his anniversary year. No Kylián past three years The Financial Times reported. Laura Cappelle describes a fine performance by Nederlands Dans Theater in Paris and concludes that Kylián's work is not among the... 

Mantra (I): Pushing for Jussen brothers swaying Stockhausen #HF17

Lucas and Arthur Jussen are 'hot'. You could call the young piano brothers the headliner of this Holland Festival Proms. Well before the start of their concert, visitors are therefore already gathering in the corridors around the main hall of the Concertgebouw. Everyone is out for a good seat. To sit, because standing, as we know it from... 

Tip from The Hague Mauritshuis: 'This is how you present a herring!'

One benefit of the Museum Year Card not easily mentioned is the uninhibited free access to clean and comfortable restrooms in the centre of major cities. 'Fifty-plus urinals with MJK' an experienced museum porter called this group of visitors, who, by the way, are very welcome: every pull with the scanning gun means extra cash. Big advantage: you get to see something extra. A second or... 

Go see how Romana Peace takes The Nation to the highest level. #HF17

At last. The Nation, the hyperactual theatrical serial with which the revamped Nationale Toneel, sorry Theatre, presents itself to the country, feels like a refreshing splash of water on a soggy day. Newly appointed boss Eric de Vroedt lives up to his reputation by delivering a work that will no doubt draw new audiences into the theatres. An audience spoiled by... 

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