'We are coming up with this heartfelt cry because we are genuinely concerned that the cultural sector is not overcoming the lockdowns of the past two years.'This is what the chairmen of the Supervisory Boards of a large number of cultural institutions are writing today in a letter to Ernst Kuipers, Minister of Health, Welfare and Sport, and Robbert Dijkgraaf and Gunay Uslu, Minister and State Secretary of...
I suspect that the decision to keep the museums, concert halls and theatres closed, while sports and Bijenkorf can open, was not born out of cultural hatred. A year ago, I would have doubted it. Now it is clear that those of you from the OMT do not actually want relief at all, but want to curb the biggest threat of civil disobedience. Sportsmen and middle-class people are more likely to throw...
The Cultural and Creative Sector Taskforce calls on the government to adopt consistent policies across sectors and assumes that: - now that commercial flow-through venues (such as the Bijenkorf) are reopening, cultural flow-through venues such as museums, monuments and presentation institutions can also open their doors. - now that indoor sports are possible again, active arts and culture will also be possible again. This...
The virus may be unpredictable, but how we respond to it need not be. The Cultural and Creative Sector Taskforce calls on the government to quickly come up with a predictable government strategy aimed at different stages of the pandemic. Indicate at which corona signal values restrictive measures for the cultural sector come into effect or can be lifted. Link...
'If you introduce a lockdown, do it at places where many infections take place. In fact, due to careful compliance with the Corona Entrance Ticket (CTB) in theatres, concert halls, museums and cinemas, there are few infections there. So targeting that measure precisely at the cultural sector is going to make little difference. Bite through precisely where the risks are highest...
Writer and publicist Henk Pröpper had only just moved to his beloved Paris when the city came to a standstill, and so did his heart almost. Once fitted with a pacemaker, he took to the city in the one hour a day Parisians were allowed. A new world opened up to him. Writer Henk Pröpper walked during the...
I have seen a lot of genre mash-ups in my lifetime. But I think a danced documentary about a musician was a first for me. The focus of choreographer Jan Martens in his new dance solo Elisabeth Gets Her Way is the famous harpsichordist Elisabeth Chojnacka. The Polish left for Paris at the age of 23. There she set her sights on...
The uncertainty of the events sector and cultural institutions, after 17 months of lockdowns and one-and-a-half-month openings, is not only disastrous for the mood of directors, artists and spectators. According to the Creative Sector Taskforce, much more is being lost. In fact, a 'Marshall Plan' is needed to get the cultural and creative sector back on its feet,...
On the day that Mark Zuckerberg, CEO of the world's Facebook, announced his launch to the 'Metaversum', in order to trounce his collegatechies Bezos, Musk and Branson, who had only had a little sniff of the Universe, I attended the performance 'Never work again' by the Nieuw Utrechts Toneel in Utrecht Leidsche Rijn. In these times of lockdown and...
In Electra, one of the finest tragedies handed down to us by the ancient Greeks, there is at least one piece of text that made history. It is the account of a horse race. You see nothing, but the language puts your imagination to work. 25 centuries later, they tried to turn the images described into real images for the...
He is known as a writer of comedy series, such as SamSam and Het zonnetje in huis, and as presenter of the satirical TV programme Dit was het nieuws. But during Harm Edens' (59) youth, there was little to laugh at. 'Even though the whole country claps for you, if your parents don't, it's still a loss.' The 'intelligent lockdown' was last...
Something about roots, and that they are cut off and that this is inconvenient. Or not, because it gives freedom. Something about men and women, but what exactly didn't quite become clear in Mailles, which I got to experience at the Holland Festival on Thursday 10 June, after another curious test-for-access episode. The great hall of the building that I just don't...
Swart Gat/ Golden Age (Dunguu olo - katibo-ten) is a theatrical installation about Amsterdam's slavery past and Maroon culture from Suriname. The concept is by Tolin Erwin Alexander, Berith Danse and designer Bartel Meyburg. The theatrical installation, which has lost none of its urgency, has been further finished and will start again in summer 2021! From 17 June (19 June...
England is closed. The culture minister happily reports that artists can tour Europe again, as long as they do not go outside Norway, Iceland and Liechtenstein. We've always taken an ambitious approach in negotiations on touring artists, including in my meeting with @AbidRaja last month. Delighted that our new trade deal with Norway, Iceland and Liechtenstein will allow musicians, performers...
For five years, writers Maartje Wortel and Niña Weijers walked endless laps through the Oosterpark every day. When that suddenly came to an end, Wortel was suddenly confronted with herself in a big way. 'I didn't feel I had anything to hold on to anymore'. Cheerfully waving, Maartje Wortel (38) approaches, a full bag of groceries in hand. 'Not handy no, for a walking interview,' observes...
Jeroen Bartelse is not only director of TivoliVredenburg in Utrecht, the former director of the Council for Culture is also a prominent member of the Taskforce that lobbies for the cultural and creative sector to support culture in times of Corona. Marijn Lems and Wijbrand Schaap look back with him on the first corona year, summarised in...
Saturday 15 May 2021 marks exactly one year since Mayor Femke Halsema opened the Amsterdam Museum's digital exhibition Corona in de Stad. A digital exhibition about the effects of the corona virus on the city of Amsterdam and its inhabitants. To commemorate 1 year of Corona in the City, the Amsterdam Museum will be showing from 15...
TivoliVredenburg is a building like a festival. countless stages, bars, a café and a restaurant, hundreds of people at work, thousands inside on a night. I always came there too little. But when I did get there, it was a party. A building run by and attended by super-motivated people with only one goal: as much music as possible for as many people as possible. Until...
From 19 to 24 April, Utrecht venues will finally - temporarily - open their doors to the public. Pilot events, 'pilots', are taking place all over the Netherlands this month. TivoliVredenburg, De Helling, EKKO, Stadsschouwburg Utrecht and Podium Hoge Woerd are also trying out how testing for access at coronaproof programmes works. Pilots will take place in the cultural sector in April
Dear outgoing Prime Minister Rutte, dear Mark, This is the first time I have turned to you, the first time at all for me to write such a letter. I have to get something off my chest, because I can no longer follow or understand it all. Before I point out what is bothering me, I will write to myself...
Hundreds of people hosted, boozed and flirted in the Flevopolder this weekend. As of old, in fact. Were we witnessing a cautious advance for what awaits us later this year, or was the Back to Live experiment an ultra-short flare-up of a life that is far from within reach? Either way, some 3,000 people experienced a...
It is a fresh and lively book, the new novel by Adriaan van Dis (74). In his characteristic humorous tone, Van Dis broaches the big themes of our time in KliFi: climate change, the refugee crisis, political populism, (im)freedom. When in the republic of the Netherlands a crushingly hot summer turns into a hurricane and a village of refugees is wiped out, silence...
Every Sunday morning is like a lockdown. The city streets are deserted. I encounter only characters from my stories. Two men and a woman with phone numbers on their chests walk around lost. They no longer know who they are or where to go. A retired writer searches desperately for the pages of a lost story....
Shall I just start straight to the point? I am angry with my sector colleagues. Not at all of them, but at a very large proportion. I am angry at all those big youth theatre companies that have figured out from their marketing departments with fat subsidies that a registration for youth theatre is only worth 2.99. So taking the whole family to watch...
No making shows for a while as if nothing happened, but developing concepts, experimenting, boldly going where no one in this sector has dared to go so far (sorry, I watch a lot of Star Trek during the lockdown). That strikes me as an excellent use of grant money and could also bring back some momentum in these crappy times.
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