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The 'weird life' of all-rounder Jef Last is not over

Better to die standing than to live kneeling. The statement is fresh in memory after the murder in the Lange Leidse Dwarsstraat, as a mantra in praise of Peter R de Vries, his fearlessness, non-conformism, straightforwardness and honesty. This same statement jumps out even from the first paragraphs of the introduction to the biography of poet Jef Last, written by Rudi Wester.1.... 

Narrative concert on Shostakovich: here you can hear how much humanity, character and creative spirit communism tried to kill.

The greater the resistance to be overcome, the greater the achievement. This wry wisdom is expressed in the Russian narrative concert 'Living under a tyrant'. Cellist Lidy Blijdorp adds another beautiful, personal and original episode to her Cello 020 series with this programme around the life story of composer Shostakovich. She performs in this concert together with... 

Baudet's art vision blamed for old battle between Rotterdam and Leiden

For those who like to be around art, politics has become a bit more fun again, since 15 March. Since the 2017 elections, Thierry Baudet has been in the House of Representatives. Thierry Baudet knows a lot about art, he thinks, and we will come to know it, too. In fact, Thierry Baudet is the best thing about art these days... 

The Dark Ages: beautiful investigative theatre by Milo Rau. #HF16

When we think of 'The Dark Ages', we think of the rough raw dark Middle Ages, with church and king and no hygiene. However, Swiss director Milo Rau refers to a much more recent piece of European history with his show, now showing at the Holland Festival. In a recent interview with the Culture Press, he said:

"The United States of Europe is too big to fail, but I have an idea that we are heading for a moment of catharsis after which a lot will change. I wanted to ...

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Conductor Han-Na Chang: 'Music never offers just one answer'

'She is the embodiment of the incredible lightness of existence, agile, alert and precise on the beat.' So says one critic about Korean-American conductor Han-Na Chang (Suwon, 1982), who led just about every major orchestra after her debut in 2007. In 2014, she scored highly at the renowned BBC Proms with her fresh interpretation of the Fifth Symphony.... 

Susan Neiman chief guest at Winternachten 2016: Why the atomic bomb really fell on Hiroshima

Propaganda is not just something that occurs in, say, Russia, but also in the West - more so than we ourselves realise. For example, is it widely believed today that the atomic bombs were dropped on Hiroshima and Nagasaki to force Japan to capitulate and thus end World War II, nothing could be further from the truth. In that respect, Germany goes... 

A vital and pitiful procession: William Kentridge at EYE

With its latest retrospective If We Ever Get To Heaven, EYE again convincingly and confidently presents itself as a museum that looks beyond film history. This was already evident in previous exhibitions such as Expanded Cinema, which showcased visual artists working at the intersection of film and art. Now William Kentridge has been given the honour of... 

Sharp, comic and vulnerable: Kris Verdonck and A Two Dogs Company do Daniil Charms at Spring Utrecht

The fun of absurd gestures and everyday stupidity are very close to each other. Kris Verdonck performs the razor-sharp lyrics of Russian Daniil Charms (or Harms, as Verdonck says - hence the title 'H, an incident') as if it were cut cake. The

Prokofiev's satirical fairy tale is a visual feast

What makes an opera a success? The eccentrics, airheads, comedians, lyricists and tragedians think they know, proclaiming their point of view at the craziest moments and not even bothering to intervene in the action. Welcome to the wonderful world of Prokofiev's L'amour des trois oranges, back on stage at Amsterdam's Music Theatre this month.

At the centre seems to be an absurdist fairy tale about a hypochondriac prince who is tricked by a sorceress into falling in love with three orange...

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A lot of Oz & a little Van Dis on impossible dreams and ideals #wu13

During the kick-off of Winternacht 1, publicist Bas Heijne brought the two literary giants Amos Oz and Adriaan van Dis closer together. What remains of their former idealism? Oz's barrage of wonderful one-liners proved difficult to tame and made for a hilarious but somewhat unbalanced conversation.

A recalcitrant teenager, Israeli Amos Oz ran away from home at the age of 15 and joined a kibbutz. He lived there for years. Adriaan van Dis, too, once spent time as a ...

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Anna Mikhailova: 'Black Perfume is about addiction and fear'

Amsterdam, 10-12-2012 - Last weekend saw the start of the Babel Festival at the Ostadetheater, an initiative of the Diamantfabriek. Founded two years ago, this production group offers young makers the chance to develop small-scale musical theatre. This weekend sees the premiere of Black Perfume, by Russian composer Anna Mikhailova and Dutch director Annechien Koerselman, based on Mikhail Bulgakov's story Morphine.
Mikhailova (Moscow, 1984) studied with the notorious Tichon Chren...

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Mahler Chamber Orchestra happily flirts with Haydn, but Russian composers will make you laugh #hf12

True story. There is laughter in classical music. At many an orchestral rehearsal, the viola jokes are all over the place. And in the Concertgebouw, you might catch some mock chuckles. But classical composers are not known for their humour. Except Joseph Haydn. The Viennese composer brought a cosy witticism to his works here and there. One of his... 

Gergiev comes to Rotterdam with a top orchestra and top repertoire, but audiences are used to that from him

Russian conductor Valeri Gergjev was back in Rotterdam for a while, for one concert. He conducted his own orchestra, the London Symphony Orchestra (LSO), in de Doelen. The famous orchestra played repertoire that we in our country know inside out: Gustav Mahler's 1st symphony and Dmitri Shostakovich's 1st piano concerto. A now historic combination: because the Netherlands has become fused... 

Conductor Ono does not stand with his boots in the blubber and therefore does not go home with a passing grade

Rotterdam - That every disadvantage 'hep' its advantage is often apparent with symphony orchestras. A principal conductor, for instance, is usually in charge of his own orchestra for no more than about 12 weeks a year. He divides the rest of his time among the other orchestras he is also already chief of. Yannick Nézet-Séguin, for instance, is now not only principal conductor of the Rotterdam Philharmonic... 

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