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Colin Benders plays Concertgebouw flat on closing night of memorable Holland Festival 2019

Stereo is primitive. Cinema operators have known that for a while, and so has anyone with a 7:1 set to go with their TV. Two speakers, no matter how good and big or small, remain two speakers. Now, of course, we also only have two ears, but they can place 360-degree sound thanks to some clever ribbing and our own smart brains. So sound should be... 

Why, as a total layman, I did three days AUS LIGHT. And came out as a different person.

Music critics were unabatedly enthusiastic. And even opera lovers came, saw and were pleased. Of course, there was the chorus of monuments, led by a Flemish antiquity, who liked Maria Calllas better seventy years ago, but its members are only the necessary minority needed for something as unprecedented as AUS LICHT, the Magnum opus of the 72nd Holland Festival. Beforehand, it seemed... 

Jimi Hendrix and Hlengiwe Lushaba: heavenly union in a requiem for Congo's freedom

Hlengiwe Lushaba, remember that name. This South African singer sings the paving stones out of the street during Sur lessons traces the Dinozord. She does so with a voice that goes from gritty falsetto to full Wagner soprano, though that term will again be resented by classical sharpshooters. But what would it be? Hlengiwe Lushaba will care little, because... 

Black, French, or African: The Welcome Table holds discussion on 'négritude' well away from Holland Festival

The ground beneath your feet is sacred. It is, in these times of left-wing identity politics and emerging right-wing blut und boden thinking, quite a risky remark, but Faustin Linyekula used it anyway, in an answer to a question from the audience. That question was about the need, to defend your own place in an increasingly globalised world. Because. 

Antony and Cleopatra, Tiago Rodrigues. Photo: Magda Bizarro.

'I have no problem at all if spectators want to see Anthony and Cleopatra. But for me, it's about something else.' Tiago Rodrigues writes theatre for dancers.

Anthony and Cleopatra is exactly the kind of repertory piece that people look forward to during the Holland Festival, or any other prestigious stage. Director and writer Tiago Rodrigues manages not so much to deflate that grandiose expectation as to reduce it to the intimacy of a duet and a play with extremely basic theatrical gestures. His two actors are dancers, an experienced choreographer duo 

13 years later, this legendary series does get a fitting finale. Welcome to f-cking Deadwood; where the fight against modernity reigns supreme

Deadwood was one of the best television series ever. Despite its many awards, HBO pulled the plug after only three seasons. After the abrupt stop, HBO promised to end Deadwood in an appropriate way through two TV movies. However, despite fans' requests and actors' insistence, the promises never materialised. Until... 

Why the most artistic film genre struggles to get off the ground. The growing pains of the dance film, part 1.

There is a lot of grumbling about Dutch cinema: it is too good, not creative enough, there is not enough experimentation. However, there is one small island where other laws apply. Where, sometimes with hefty budgets and sometimes for next to nothing, films are made that speak a different language: the dance film. No psychologising, no endless dialogue, but... 

Laundry is still hanging on the line and food is still on the tables in restaurants. The doomsday scenario of Chernobyl, now as an HBO TV series.

On 26 April 1986, an explosion occurred at the Chernobyl nuclear power plant in Ukraine. To this day, it is one of the most catastrophic disasters caused by man. The effects of the nuclear disaster are felt even today. For many, Chernobyl represents a long-forgotten memory. Places with a macabre history have always drawn people and... 

She became famous for things she didn't want. Doris Day may have been bigger than we think

My generation probably immediately gets the famous Doe Maar song in its head at Doris Day's obituary. There is no ball on TV, only a film with Doris Day. And you really didn't want that, your mother's goody-goody heroine. The wholesome star with whom you think of a glass of milk rather than wild... 

Reading in times of Netflix: why books are a must for our minds, according to bestselling author Joël Dicker (33)

'During performances or book signings, people often come up to me and tell me: "I wasn't a reader, but your book made me experience the pleasure of reading and now I really enjoy reading." I don't say that because I think my books are now so good, but because it shows that once someone experiences... 

In Gentleman Jack, Anne Lister does not let established gender roles hold her back.

Anne Lister. This 19th-century lady was a pioneer in many fields: she climbed mountains, travelled far away on her own and was successful in business. However, she gained fame mainly through her private life. Anne Lister has been called Britain's first modern lesbian. During her lifetime, she kept several diaries, in which she recorded her erotic escapades with ladies in... 

On the other side of the North Sea, it works: the national 'City of Culture'. Time to take it seriously in the Netherlands too.

Hull. Who knows that city? I only from hearsay. A boat sails there, and by train you can get there in just under nine hours. For those of us with flying shame. And it's in Yorkshire, which we know from Monty Python. But beyond that? I've been wiser since Wednesday 27 March, thanks in part to a promotional party it... 

'Stories are not that fascinating, it's what you see that matters' - Tsai Ming Liang and the art of watching

Eye film museum kicks off its Virtual Reality season with Tsai Ming Liang's The Deserted. Tsai himself was in the country for a masterclass, introductions and interviews. And although his films suggest otherwise, he is a very animated speaker. In his masterclass, he talked about his career, his collaboration with muse and regular actor Lee Kang-Sheng, and his position... 

Sacha Polak on the battered but strong woman in Dirty God, opening film 48th IFFR. Emotion is the motto this year

'Feel IFFR' is the motto of this year's International Film Festival Rotterdam. The emotion behind the image and with the viewer as a guide for our interpretation. The opening film Dirty God is a nice test case. Director Sacha Polak explains why she wanted to make a film about a scarred woman.

True Detective makes up for season 2's flop in third season (we saw the first episodes).

The 2014 first season of True Detective was a huge success. A Southern murder mystery with an occult twist. Besides the 'who did it' storyline, the season was mostly about the complicated characters of Martin Hart and Rust Cole (played convincingly by Woody Harrelson and Matthew McConaughey). There was a raw and palpable chemistry between the two. The... 

How do you film a hero? A quest in 3 parts.

How do you make a beautiful and personal documentary about a hero? And what if your hero is a filmmaker and has already made beautiful footage himself? How free can you be with your subject matter? For a long time, my problem with IDFA has been that the documentaries are so well behaved, so focused on the subject and not on the medium itself. In... 

The 5 concerts you don't want to miss at November Music

The female composer, she continues to stir minds. My article following Mathilde Wantenaar's world premiere of Damocles unleashed a fierce discussion on Facebook. 'Why should women be given preferential treatment?" an angry man asked. 'All that matters to me is quality, not whether a piece of music was written by a man or a woman.' He got icky about the m/f discussion, which... 

'Film works wonderfully motivating for children.' Booster for film education - on its way to a permanent place in the classroom

Until now, film education has mostly been a grab bag of initiatives. But now that the minister mentions it in her policy plan and extra money has been allocated, new steps can be taken. Towards a permanent place in the classroom? We ask Florine Wiebenga, head of education Eye, and Jeroen Stultiens, Film Teacher of the Year.

Why rain doesn't bother audiences at outdoor cinema Seeing Moon and Stars

It could be the ideal balmy summer evening: watching a movie under an idyllic starry sky. On the autumnal evening of Friday 6 September, however, open-air cinema Zienemaan en Sterren turns out to be more of an exercise in endurance. It is raining, the temperature is dropping, but the Groningen audience remains undisturbed: kop d'r veur and umbrella open. "Every city had an open-air cinema except Groningen. That... 

Planet Tim Burton lands in Flanders: 'A pressure cooker full of bizarre and disruptive ideas'

(Photo by Jun Sato/WireImage) The Flemish waffle baker at the Willy Wonka Wafl Factory in the Burton Cafe has seen all of Tim Burton's films, he says from between a sleek hipster beard. 'Especially since you had to prepare the menu,' I say. The menu at the - temporary - Burton Cafe in exhibition space C-min includes: Charlie Chocolate Wafl, Scissorhands Wafl,... 

A plea for watching and guessing @tfboulevard

This edition, Theatre Festival Boulevard invited the audience to reflect on the two sides of identity: its immutability but especially its malleability. All this under the heading what you see is what you guess. If there is a performance to which this applies, it has to be Goat Song. A fascinating fifty-minute wordless performance by... 

Why I suddenly missed the writers in Den Bosch @tfboulevard

Usually when I speak to someone who calls themselves a playwright, they say they are 'only' a supplier of a 'half-product'. I never get that answer from a young actor, and certainly never from a director. It is they who make theatre out of the half-products supplied by writers. Actors and directors prefer to be addressed as 'theatre-makers'. Nothing wrong with that.... 

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