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Wijbrand Schaap

Cultural journalist since 1996. Worked as theatre critic, columnist and reporter for Algemeen Dagblad, Utrechts Nieuwsblad, Rotterdams Dagblad, Parool and regional newspapers through Associated Press Services. Interviews for TheaterMaker, Theatererkrant Magazine, Ons Erfdeel, Boekman. Podcast maker, likes to experiment with new media. Culture Press is called the brainchild I gave birth to in 2009. Life partner of Suzanne Brink roommate of Edje, Fonzie and Rufus. Search and find me on Mastodon.

Internet users can comment on plan to abolish CKV

Minister Bijsterveld of OCW is going to ask the country for advice. A so-called internet consultation was launched this week on her ministry's intention to abolish Cultural and Artistic Education for Havo and VWO pupils. 'The Field' can now respond, so we suggest you make your views, and especially your substantive arguments known to the ministry, via this link: http://internetconsultatie.nl/bovenbouwhavovwo.

We ourselves are already doing a quick foray, which natuurli...

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Netherlands closes a special embassy

This week, the curtain officially fell on Theatre Emabassy, a club of inspired people who had Dutch artists collaborate with artists in developing countries such as Honduras, Bhutan and Congo. The performances that resulted were only sporadically seen in the Netherlands, but every now and then a project made a broad impression here too, such as 'Op Hoop van Zegen', played by real fishermen, but from Mali.

It was one of the first of the many funeral ceremonies on Wednesday (October 3),...

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Archives Wim Kan and Louis Davids not in dumpster

The Theatre Museum's entire collection has been saved. The archives of such luminaries as Wim Kan and Louis Davids, as well as 50,000 theatre reviews, 30,000 theatre posters, 146,000 photographs of 22,000 performances, 26,000 portrait photographs of 2,450 theatre-makers and an extensive audio and video collection will be housed at the University of Amsterdam.The move is possible now that the Ministry of Education, Culture and Science (OCW), with its ever-money-hungry outgoing State Secretary for Culture Halbe Zijlstra, has not ...

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Culture Council knew about 'Hole of DUS'

Theatre company the Utrecht Games, city company of the Netherlands' fourth largest city, is on the brink of bankruptcy. It was recently revealed that the company led by artistic and business director Jos Thie has a deficit of €2.1 million. Correspondence that has since surfaced shows that it was already clear in May this year that problems were getting out of hand. That was a month after the Utrecht subsidy advisory committee issued its laudatory opinion, and a few weeks before the Council for Culture issued its very thrifty advice.

Drama awards party in year of gloom

It had to be a party, because there has been enough shouting and complaining and it doesn't help anything anyway. After a year in which the theatre sector in particular felt the hard hand of Mark Ruttes happy crisis policy, awards had to be handed out again. So the already not-so-huge crème de la crème of the Dutch theatre world gathered again for the gala at Amsterdam's Stadsschouwburg. It was a valiant attempt at optimism, while in the corridors it was also briefly revealed again that it was no ko...

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VVD gets it right: theatre closed for two days

Quite a few VVD people were angry with us, because last year we caught the Rotterdam alderman for culture in a silly trick: she claimed that cultural institutions did not have to open during the week at all, because hardworking people only had time for art in the weekend anyway. In doing so, she flattened out schools, tourists, old people and part-time workers from the possibility of enjoying art on their own time, and thus also closed off the possibility of art institutions to open on a n...

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Order of the Day renews theatre

I did it just like that. Proclaimed a show as the most important theatre innovation for 20 years. That's daring. Even though I made the term a bit more vague in a subsequent tweet, because, yes, there has been quite a lot of innovation in recent years, left and right in theatres. So let's stick to 'the last few years'. And then... 

State-of-the-art robot dances to old reggae

On show from Friday 7 September in the Amsterdam Stadsschouwburg foyer: this dancing copy by artist Leonard van Munster. A nice combo of dance, technology, theatre and art, we thought.

Incidentally, he only dances to traditional Jamaican Reggae, the artist's original told us over the phone. A dubstep version is being worked on.

...

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Bold p***o on the euro note?

There has been another interesting cultural twist to the 'Europe debate'. Someone has shouted that the watermark of the new series of euro notes will include a picture of 'the rape of Europe' by the Greek supreme god Zeus. The anti-Europe and anti-Greeks in the various timelines need no more to frame the conspiracy of the banking mafia against European citizens.

Enough of that. I was just wondering how it could suddenly be about the 'rape' of Europe,...

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Eric de Vroedt: 'Eventually reached Obama too'

Winning two awards in one weekend, that doesn't often happen to a person, not even in the award-winning art world. Eric de Vroedt is a theatre-maker and writer to whom it has thus happened. Entering his final season of 'MightySociety', he was awarded the Amsterdam Prize (35,000 euros) and the Prize of Criticism (a statuette), determined by a jury of newspaper critics.

In this skype interview, he talks about his motivations, and about how, with a performance that sometimes...

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'Windfall cuts': bricks saved, people sacrificed

The major research and management consulting firm Berenschot has calculated that, on balance, the cuts to the arts turn out to be not too bad. Client of the study, De Volkskrant, then headlined that big. And indeed, it is kind of good news that the pile-up of cuts (the state 24% less, the provinces 20% less and the municipalities only 9 % less) is so low in net terms. We were surprised for a moment, but when we asked around, we found out

Theatre on demand offers British quality

Lots of bobbing on boards. That's what drama on television is mostly. And actors with weird reverberations in intimate scenes. That too. It is easy to shoot at attempts to bring successful performances to the TV or cinema screen. They almost always make viewers feel that their medium is shooting back 80 years in development. This is also why every attempt by the Dutch Public Broadcasting Service to make our fairly highly regarded stage art attractive to a wider audience via TV fails....

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Cronyism at the Performing Arts Fund?

In the small Dutch art world, it is impossible to put together a committee of experts that is completely independent. Everyone with expertise also has knowledge of people, or has worked at an institution that is now to be judged. Or works there now. Reason enough, then, for speculation and conspiracy theories.

'Johnny Quid', incognito member of the culture bashing and anonymous commenter weblog Geenstijl.nl thought at least an Amsterdam, white conspiracy ...

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Edelkoort signals development of animation art better than she thinks

On 12 August 2012, during the worst watched Summer guests-broadcast of all time (343,000 viewers) told trend forecaster Lidewij Edelkoort about The Johnny Cash Project. A great example of what crowdsourcing can do for creativity: in 2010, everyone was invited to add a drawing to an animated music video to Johnny Cash's latest song. We now know what and who is behind this:

Maastricht on slippery European ice with arts subsidy

Maastricht is going to do things differently. Starting next year, the city council will determine what art is needed, and art institutions will be allowed to submit plans that fit within that framework. If their plans do not comply, they will not get any money. Sounds nice, but the capital of Limburg is treading on thin ice.

Volkskrant fails: not 'region' but Randstad suffers

This one I'd like to share with you. Quote from this morning's Volkskrant, where editor Harmen Bockma makes a valiant attempt to list all the figures of the cultural carnage, but fails a bit. It also remains difficult to add up the dropout in basic infrastructure to the dropout in the fund, but it turns out to be even more difficult to distinguish exactly what are 'regions' and what are 'cities'. At least, I can't figure it out.

I quote:
"By emphasising topin...

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Tate London has 100,000 members. Fortunately not all of them are active

Martin Barden realises that an old model works, where everyone is always clamouring for new forms. As marketing boss of the Tate museums in London, he created a large network of friends. So that museum has more than 100,000 members. people who feel part of the club, and whom you need to pamper.

Nancy Wiltink: 'a good story has to smell like blood'

People asking for clarity often clamour for "names and (back) numbers", but in classical music, that fuss with names and numbers is precisely why nobody understands anything anymore. So, according to ex-marketer and now storyteller Nancy Wiltink, it's not just about your story, but also whether that story is applicable.

Together with internet and marketing agency wecross, we interviewed a number of hotshots about their stories at the Performing Arts Congress (late May 2012 in Rotterdam). And Nan...

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Theatre Museum collection to be lost for good

[July update: the 2nd chamber passed a motion instructing the cabinet to save the collection from destruction. Where this is to be paid for, however, is still unclear]

It is now becoming clear where the laissez faire-laissez mourir (let it be done, let it die)-policy of Halbe Zijlstra, Martin Bosma and Mark Rutte is going to lead. Of the dozens of institutions that will close, downsize or die in the coming months due to vacancy of quality presso...

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Extremely imaginative Master and Margarita gets cheering reception on #HF12

Shakespeare had it, Oscar savage had it, Monty Python had it and Simon McBurney has trucks full of it. So it is British and it is called humour, or rather the ability to show the absurdity of life as simultaneously hilarious and deeply tragic. And let that also apply to Russian Mikhail Bulgakov. So his unfinished novel The Master and Margarita has now had to wait almost 75 years for a director like Simon McBurney to turn it into theatre.

Without electric guitars, Bryce Dessner's orchestral music sounds best; Greenwood's 'There Will Be Blood' a highlight of #HF12

It is not usual, but it must be said: the Amsterdam Symfonietta is a tremendously beautiful ensemble. The musicians all look beautiful, they handle their instruments beautifully and they play beautifully. They look alert, active. That helps with being liked, we all know, and that active look is down to their formula: they usually play without a conductor and so have to be incredibly attentive to what is going on around them. Looking dully at the conductor makes you ugly.

Classical musicians: stop thinking in money, think in ideas

Classical music audiences have been declining by 1% a year for 20 years. Structurally. That means that since 1992, 1/5 of the audience has already disappeared, without anything else taking its place. According to Johan Idema, strategist and author of a useful book on new methods for early music, the sector is entirely self-inflicted.

In a collaborative project with the friends of wecross, the Cultural Press Bureau interviewed a number of speakers, gurus and veteran...

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Blood-soaked Macbeth fits festival theme perfectly but fails to touch #HF12

Imagine Arjan Robben. The much-troubled frontman of the Dutch national team has just seen a brilliant move rewarded with a penalty and he is ready to take it. Out comes a field hand with a new set of adhesive letters for his shirt because the numbers are no longer legible from the stands. Lots of lashing, shirt off, seconds glue. Circumstances, in short. After two minutes, the fielder is gone, the number readable and the referee's whistle sounds. Then try to hit the target.

Dodo Holland Festival journal becomes Dodo Holland Festival Hangout #HF12

 We've already had one episode on it, and it was obviously a huge success, but right at the climax you have to start something new. That's why tonight at 22:30 we have a new thing: The Dodo Holland Festival Hangout. Live, interactive and online. Innovative, in other words, as you know it from us. You know them: those reporter trucks with metres of spaghetti... 

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