Cultural journalist since 1996. Worked as theatre critic, columnist and reporter for Algemeen Dagblad, Utrechts Nieuwsblad, Rotterdams Dagblad, Parool and regional newspapers through Associated Press Services. Interviews for TheaterMaker, Theatererkrant Magazine, Ons Erfdeel, Boekman. Podcast maker, likes to experiment with new media. Culture Press is called the brainchild I gave birth to in 2009. Life partner of Suzanne Brink roommate of Edje, Fonzie and Rufus. Search and find me on Mastodon.
There are those who spend nights queuing for a ticket. After all, the Berliner Ensemble is mythologically big. As big as the Royal Shakespeare Company in England, or La Comédie Française in France. Monuments to cultural history, dedicated to one writer, like Brecht or Shakespeare, or to an entire history, as the French are used to. We Dutch have
You don't really give it much thought, how weird standing still in a shopping centre like Hoog Catharijne is. At least: if you don't stand still with your head towards a shop window or your fingers in a bowl of fast food. The code for glancing around a shopping mall is so common that it takes some getting used to even for yourself when something forces you to suddenly
Holland Festival
Seagull, an early play by Anton Chekhov, is about drama in the same way that his equally famous play Cherry Garden is about cherry growing or real estate fraud. Not so. It seems to be a mistake that stage artists often make and that Chekhov cites in his 115-year-old play: thinking that everything is always about you. Which is why Thomas Ostermeier, lauded German director, cannot be blamed for the fact that his direction of The Seagull at Toneelgroep Amsterdam is about theatre.
So there is figurative music. Music that, like a figurative painting, offers a fairly accurate depiction of reality. Sonic Youth guitarist Lee Ranaldo's composition 'Hurricane Transcriptions' is just such a picture:
Jet Bussemaker, minister of culture since last autumn, is slowly but surely starting to repair the damage done by the previous cabinet, supported by the Dutch culture-hating party PVV.
5 million back for culture card, 2 million for museums, something more soon
Ah, what the heck. We can, of course, study the piece for ourselves first and then come up with a peppery response and interpretation to it, and it will certainly come. But why
We saw it in March already been coming, but now it is official: culture minister Jet Bussemaker is ignoring the Museum Council's advice. So the advisory panel led by Joop Daalmeijer has not done its homework properly: its idea
Holland Festival
This month is all about the Holland Festival. Culture Press reports almost daily. What are we most looking forward to?
Holland Festival
Our king is not yet known as a lover of culture of the less bite-sized kind. The kind of performances, like the opera Quartett, with which the Holland Festival opened on 1 June. So it may have been a bit of a letdown for him, his
Holland Festival
An explosion in a crowded market square claimed 24 lives, including seven children. When the village commemorates that tragedy a year later, a little boy falls out of a window and a girl disappears before
Today, the Dutch pavilion of the Venice Biennale was opened by culture minister Jet Bussemaker. And she did so with a speech that the culture sector will appreciate. No longer the harsh and cold tone of Halbe Zijlstra's neo-conservative vacuousness, but a
Holland Festival
Simon Stone (28) wrote a new play based on Henrik Ibsen's 1884 stage classic The Wild Duck. The Swiss-born Australian provided the Norwegian play with entirely contemporary language and dressing. The actors sit
As an art journalist, art makers give me VIP treatment: free tickets, separate desks, they say YOU to me and hang on my every word when I tell them something. That's a
De Verleiders, last season's big theatre hit, heads the jury selection of The Theatre Festival 2013. The by a group of actors and cabaret artists, including Pierre Bokma and
More people go to popular art than 'high' or 'canonical' art. Researcher Andries van den Broek has researched this. Therefore, there are now figures explaining the word 'popular' and 'elite'. So
Thirty-eight singing Slovenian girls. We might expect something with colourful costumes against a backdrop of a sunny village scene. Instead
The Dutch system of art subsidies was set up in 1942 by NSB leader Tobie Goedewaagen, who also founded the Kultuurkamer. Typical of a fact that
More than a decade without national pride does a lot to a country. Could it be true that the simultaneous closure of Stedelijk Museum and Rijksmuseum helped lead to the
Nothing worse than having to play an unsuccessful play thirty, or a hundred times, just because the show has been sold to theatres so many times. That's why it would be nice if companies could decide not to do it. Because now they wouldn't be able to.
Time for some good news about art. The renovation of the Rijksmuseum may have taken years longer than expected, and also caused much more discussion than would have been necessary: the case is
The Council for Culture, recently reinforced with new members with a lot of management talent and business acumen, has to accept defeat. Indeed, culture minister Jet Bussermaker is disregarding a key pillar of the council's latest advice.
It is as persistent as the message that everything is better in Germany. Aggrieved lovers of culture who still (and rightly) detest the breaking up of the status quo by Rutte I's hate policies often shout it.
The Cry for Culture with which the Dutch cultural world launched its opposition to the scrapping of art subsidies in 2010 was, in retrospect, a publicity disaster. Perhaps not yet as unfortunate as
This was a possibility not many people initially thought of. After all, after her tropical years as director of the Amsterdam debating centre De Balie, Ellen Walraven was in need of some more substantive work and peace and quiet on her mind, So we suspected that she would stay on in
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