Skip to content

Wijbrand Schaap

Cultural journalist since 1996. Worked as theatre critic, columnist and reporter for Algemeen Dagblad, Utrechts Nieuwsblad, Rotterdams Dagblad, Parool and regional newspapers through Associated Press Services. Interviews for TheaterMaker, Theatererkrant Magazine, Ons Erfdeel, Boekman. Podcast maker, likes to experiment with new media. Culture Press is called the brainchild I gave birth to in 2009. Life partner of Suzanne Brink roommate of Edje, Fonzie and Rufus. Search and find me on Mastodon.

ITAlive reached 871,000 twitter followers via stream #romantragedies anyway. And special it was.

That Shakespeare is still relevant after four centuries doesn't even require putting him in modern clothes, but of course it helps. The worldwide success of Ivo van Hove and his 'Internationaal Theater Amsterdam' is therefore partly due to his Shakespeare adaptations 'Kings of War' and 'Roman Tragedies'. Marathons, hours of theatre with food in between. Valentine's Day 2021... 

Nerd podcast 3: Why is youth theatre often so much stronger than theatre for big people? (With Marijn Lems and Henri Drost)

Today we are talking about youth theatre. A genre I myself first encountered in 1994, thanks to 'Mirad, een jongen uit Bosnië' by Ad de Bont, performed by Theatergroep Wederzijds. Marijn Lems got his love for youth theatre from his mother, who, like his father, was a librarian in Tilburg. What we agree on, in this podcast, the... 

No one else is Micha Wertheim's best failure to date

On social media, and in mainstream media for that matter, it is not helpful to be overly clever. The adage of my father, who was a journalist and taught me not to be afraid to ask stupid questions, has been elevated to a code of honour. You only have to watch 15 minutes of Op1, or WNL on Sunday, and you make... 

'Warm Right' keen to invest in full houses - Culture spokespersons Lower House in debate

'There is no other sector in the Netherlands that is as controlled and regulated as the cultural sector.' D66 MP Salima Belhaj sighed this towards the end of the debate organised by the assembled cultural sector lobby clubs on Monday 8 February. 'It takes an incredible amount of work, time and especially money. And the basis is distrust.' The most culture-friendly party of... 

Nadia's revenge. VPRO's #onstage is the best answer to the cynics at the top of the NPO

Maybe it's the snow, and my little dog that made me so happy. Maybe it's the sledding children in 'The Pit' of Lunetten, and maybe it's the lameness that creeps up on me after so many valiant attempts to keep up the fun of art in times of Corona. But I sat through the first minutes of VPRO's Onstage... 

Marijn Lems (NRC) on doubt and loneliness of arts journalist: 'We are all highly educated, white and from the middle class. It could be more diverse from me.'

Critics by default have a different opinion than the average audience. That, says Marijn Lems, theatre journalist at NRC and Theaterkrant, is what this research shows. Reason for us to take a closer look at this in the Culture Press Nerd podcast on the deeper details of the art journalist's profession. Another three-quarters of an hour for anecdotes and exciting revelations about the private life of the... 

Yet another hassle around MusicalMakers: Fleischmann becomes director despite objection from Culture Council

News arrived this week that Andreas Fleischmann, the highly esteemed director of Amsterdam's DeLaMar Theatre, has now officially become director-director of Stichting MusicalMakers, the foundation he had set up last year, a day before the deadline for grant applications for four-year state funding. And that is not allowed.

Marijn Lems: 'I write for people who don't shy away from the adventurous in art.'

More than 1,500 hours were spent by theatre critic Marijn Lems last year in theatres, in front of TV and, most importantly, with games. That's a lot of time and it raises questions. Questions especially about how you organise your time as a journalist, and how you divide it between watching art for work and what we will call 'normal life'. That's what this podcast is about, for just under three quarters of an hour.

13 foundations and one private limited company. Controversial Brabant grant decisions raise more questions every day.

To get a subsidy in the Netherlands, you have to jump through a lot of hoops. Every farmer knows that, and so does every artist. In the cultural sector, for instance, it is important that you have a form of organisation that is controllable and approachable. You cannot have a profit motive either. That is why you can usually only apply for funding as a foundation, so you have statutes, a board and a... 

Eddy Bellegueule live. Still impressive, but also makes you yearn for the real thing.

Yesterday, I finally saw 'Away with Eddy Bellegueule', the theatre hit of the previous broken and devastated theatre season, and saw that its creators had effortlessly bridged the gap between youth and grown-up theatre. The show is a nineties grunge concert with brilliant actors and intense visual direction by rising star Eline Arbo.

Moniek Merkx bids farewell to Maas Theatre & Dance: 'I would grant it to any creator to have this audience in front of you once.'

Moniek Merkx will step down as director of Maas Theatre&Dans on 3 February this year. She co-founded this Rotterdam-based company that makes theatre for people from small to large in 2013. A forced merger with two other youth theatre houses from the Maas city, it developed under her leadership into one of the most successful and interesting theatre groups in our country. In our podcast, I talk to her for an hour about how that came to be.

Leading starts with yourself. Learn more about that in this podcast on LinC-Artistics

In this podcast, I talk to Marjolein Verhallen and Paul Adriaanse from Public Administration, Nanna Verhoef from Media and Iris van der Tuin from Philosophy, and artistic directors Lars Ebert and Jente Hoogeveen about what that is: leadership. And we talk about how you can learn it. 

No better time imaginable for Splendid Isolation. Personal initiative soprano provides unique concert in times of Corona.

Splendid Isolation is about the happiness of loneliness, but, Elgershuizen stresses, it is best experienced together. 'It needs to be performed, because as humans we need to be able to be together'.
If all goes well, it can be experienced on Saturday 19 and Sunday 20 December.

Small Membership
175 / 12 Months
Especially for organisations with a turnover or grant of less than 250,000 per year.
No annoying banners
A premium newsletter
5 trial newsletter subscriptions
All our podcasts
Have your say on our policies
Insight into finances
Exclusive archives
Posting press releases yourself
Own mastodon account on our instance
Cultural Membership
360 / Year
For cultural organisations
No annoying banners
A premium newsletter
10 trial newsletter subscriptions
All our podcasts
Participate
Insight into finances
Exclusive archives
Posting press releases yourself
Own mastodon account on our instance
Collaboration
Private Membership
50 / Year
For natural persons and self-employed persons.
No annoying banners
A premium newsletter
All our podcasts
Have your say on our policies
Insight into finances
Exclusive archives
Own mastodon account on our instance
en_GBEnglish (UK)