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Wijbrand Schaap

Cultural journalist since 1996. Worked as theatre critic, columnist and reporter for Algemeen Dagblad, Utrechts Nieuwsblad, Rotterdams Dagblad, Parool and regional newspapers through Associated Press Services. Interviews for TheaterMaker, Theatererkrant Magazine, Ons Erfdeel, Boekman. Podcast maker, likes to experiment with new media. Culture Press is called the brainchild I gave birth to in 2009. Life partner of Suzanne Brink roommate of Edje, Fonzie and Rufus. Search and find me on Mastodon.

Just a few reasons to come to @tfboulevard in Den Bosch in early August.

If the weather holds up a bit, the upcoming edition of Theatre Festival Boulevard will be the most tropical in history. The smart ones among us, who opted for a staycation in West Balkonia this year, can indulge their cultural heart in Den Bosch. Not for nothing regularly called 'The Avignon of the Netherlands'. Theatre festival Boulevard is unpacking 2018 with a truly overwhelming... 

Podcast: why Billy Wilder may have been more important than Alfred Hitchcock.

What does Billy Wilder have to do with Mad Men and Breaking Bad? Or with a football team in a cave? Everything, it turns out. The filmmaker, who died in 2002, appears to be far, far more important to our visual culture than someone like Alfred Hitchcock. At least: it is beginning to look very much like that. Eye, the striking film theatre and museum in Amsterdam, is from now until... 

Amsterdam has the @HollandFestival. Ask yourself why that is. And whether that's ok.

Last week, while walking the dog, my neighbour Stefanie asked, "What is that anyway, this Holland Festival?", and I almost caught myself wearily going to explain that it was the most important performing arts festival the Netherlands and its environs and that everyone with a bit of education should know it. But I held back. And wondered: how... 

'Renew yourself, or languish.' How the @hollandfestival gives regulars a refreshing kick in the ass.

That's at least one mistake you can make: booking for a Christoph Marthaler performance and then expecting something new to happen. Yet I did it, on my last visit to this year's Holland Festival. Someone had said that the Swiss playwright, who has been creating performances in which lost souls are... 

Geeks and mouse arms at the Muziekgebouw. The bar is high for @hollandfestival's new bosses

Then suddenly there is a very different audience in Amsterdam's Muziekgebouw aan het IJ. Gamers. Or rather developers. And hardcore new-music aficionados. 'I only come for Maze,' said my neighbour petulantly. He came for the music ensemble. Not for the games, that is, not for the computer graphics. And maybe not even for Claron McFadden. That famous, hyper-pliable opera singer who appeared in... 

The @Hollandfestival Proms are many, bold and full. Every now and then, that's quite nice

That George Benjamin is this year's Holland Festival court composer makes perfect sense. And I say that as a non-expert. After all: the way contemporary classical music is often written and talked about scares laymen like me. Would I ever have enough knowledge to appreciate those gourmet sounds? On Saturday night, I made my first live acquaintance... 

Gesualdo at the @hollandfestival: a hell of a match made in heaven.

Pizza Napolitana is not going to taste the same again. After all, mozzarella can be anything. We owe this enrichment of our lives to De Warme Winkel, the anarchic theatre company hired by the Nederlands Kamerkoor to enhance their Holland Festival programme. We knew it. And you can go and check that out for yourself, because after that... 

It's up to us to offer Octavia E. Butler's sower fertile ground in the @hollandfestival

First of all, the chairs have to leave the auditorium of the Muziekgebouw aan 't IJ. Then some discomfort, those two hours that Octavia E. Butler's The Parable of The Sower lasts. At least it would make for some shared sorrow, and possibly some awkward swinging. Because the way things were going, that first night of Toshi Reagon's debut at the Holland... 

The real @hollandfestival special #3 about Bowie. And Bausch. How the recent dead keep us alive.

Nothing defines us like our taste. And especially taste in music. We find that music taste defines exactly who we are and can easily distinguish us from people who have distinctly different, and therefore lesser, tastes. Pinkpop, a pop festival with several world-famous headliners, experienced this. Each world star plays to their own audience, which schi... 

Podcast: Would the Netherlands ever be ripe for Science Fiction? @Hollandfestival provides context with Octavia E. Butler

Of course, we have Chriet Titulaer. But it kind of ends there. And to say we took those very seriously, back in the day? No. The future, and fantasising about it, is not really a thing in the Netherlands, at least not with the big publishers and broadcasters. A writer dealing with science fiction will never join a big... 

No free tickets for journalists in the cultural sector: censorship or just a matter of business?

Menno Pols, reporter for De Gelderlander, was denied accreditation (free ticket and other benefits) for the three-day Manana Manana festival in Vorden this year. Reason: an article he wrote last year about the money flows within the club behind the festival. That club earns millions mainly from Zwarte Cross, the biggest festival in the Netherlands with 220,000 tickets sold. The accreditation... 

Panic is contagious, sex is not. About my anxious hours during and after Sex and Anxiety at the @hollandfestival.

Panic. On the tram between Leidseplein and Amsterdam Centraal, I suddenly lost the Dutch translation of 'string quartet'. So I typed 'violin quartet' into my facebook update, trying to make a connection between a blow job and Ligeti. Joking, perhaps, but there was something much deeper behind it, in that tram, after the music and theatre event 'The String Quartet's... 

Our only unique @hollandfestivalspecial #2: inspiration and constriction in the first week #hf18

Our Thea Derks sat watching a traffic light for a few hours on Thursday 7 June and observed that the music was better. It happened during the opening of the 2018 Holland Festival. In the tradition of Ruth Mackenzie, the opening was of mixed reception, and that is actually a good thing. Even at a time when the Amsterdam Arts Council is in a... 

Kunstraad has profile for new Stedelijk Museum board ready: an Amsterdam rascal (m/*/f).

The cultural sector is sometimes behind, but more often ahead. In the - otherwise very much to be welcomed in terms of content - advice issued by the Amsterdam Arts Council on the future of the local Stedelijk Museum, you can read that job security in the art sector is once again under pressure. Especially for young entrants from 'diverse' backgrounds: 'Preferably, the museum will make greater use of... 

Podcast. Love cures in Scheveningen. You don't need LSD or magic mushrooms for transcendence.

The miracle happened right at the first location. On a bare piece of dune in front of beach café Oscars there are rocking benches. From one of those benches I looked, swaying, over a slope of marram grass, then a couple of terraces and beyond that the sea. As it was a weekday, but summer warm, some bathers had already settled into beach chairs. Crowded it was... 

Podcast: Sometimes it's also just allowed to be about love, in The Hague. Although: in spectacle Ondine, nothing is ordinary.

'You simply cannot, as a big company, just bring journalistic theatre.' So says Jeroen de Man, who now directs the watery spectacle performance Ondine at the National Theatre. 'A bit of diversity is just fine.' So not everything in The Hague has to be as socially relevant as The Nation of Othello. Sometimes it can also just be about the... 

The Netherlands is festivalised. And why that is a very good thing. Collaborating festivals come out with a pamphlet (and ask for money)

Grandpa tells. In 1989, a committee of experts chose a different theatre course in my city, Utrecht. The just-risen festival Theater aan de Werf would get more money, the marching theatre would disappear from 't Hoogt and the rest would have to take care of the newcomer with fewer days of programming. Then we took to the streets against the so-called 'festivalisation',... 

Ruth Mackenzie's latest Holland Festival promises to be just one of the most exciting

Here it is. The one and only interactive Culture Press Holland Festival Special. A special that has already been deployed over the past few months, and will be added to in the coming month. During the festival, we have regular reviews and reports, and podcasts. A new edition of this Special will appear every week. On Mondays. And then you can also subscribe via... 

Poets with evergreens and hits make a poetry festival. But what about the table talk? #pifr

Alí Calderón has written quite a body of work, but I didn't hear much of it during my stay at Poetry International. However, the poem 'Democracia Mexicana' did come along three times. A formidable poem, as it ends with a rotting baby corpse, so not for the soft-hearted among us. Democracia Mexicana is Calderon's hit poem. Like pop singers can make a hit... 

Podcast: Hear the Buddingh Prize nominees and results here #pifr

Welcome to the culture press podcast. Episode I don't know how many. Today, once again, I am keeping my mouth shut, because the floor belongs to the new poets of the Netherlands. I saw and heard them on Thursday, 31 May 2018, during poetry international. The evening was dominated by the presentation of the Cees Buddingh Prize. The prize for the best Dutch poetry debut of 2018.... 

'Fleshy, divinely bawdy at times.' - Buddingh Prize 2018 for Radna Fabias during sizzling Poetry International (#pifr)

Danez Smith is quite something. Or rather two, because the American poet likes to be addressed in the gender-neutral, or rather gender-plural plural form. A form of address not yet very common in Dutch, and thus avoided by everyone. Thursday night, 31 May at the former ro theatre, now Theater Rotterdam - Witte de With, fell around the... 

Podcast: This is how to freshen up the opening of a poetry festival. Poetry International Rotterdam successfully deploys rejuvenation.

The lectern. The lectern. The paper holder, if possible with its own light, which, shining upwards, draws stern shadows of the reading glasses on the poet's face. It is the kind of necessary evil that every poetry or literature festival has to deal with. Only the powerpoint is missing to make it a boring seed onion conference. Poetry International Festival Rotterdam has in... 

Hope for the Metropole Orchestra. Thanks to News Hour.

Minister Ingrid van Engelshoven will 'do something' for the Metropole Orchestra this autumn. She made this known in a letter to the House of Representatives today. Literally it says: 'I will include the solution to the Metropole Orchestra's problem in my consideration around the deployment of the 2019 coalition agreement funds tranche. My consideration in this regard is that in the coalition agreement,... 

Theatre boards want more money for 'difficult' offerings.

More operas and classical concerts are offered in Dutch theatres and concert halls. More theatre was also offered for young people. Nice developments, but the increase in supply (3 per cent) did not directly lead to a proportionate increase in audiences. That increased by only 1 per cent. The number of spectators for theatre and cabaret even fell. Therefore. 

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