Skip to content

APPRECIATE & DONATE!

Culture Press does things differently. We bring you professional journalism, but don't put a pay wall around it. Instead, we ask you, the reader, to decide for yourself what these stories are worth to you. Want to post a general donation? You can: Contribute to Culture Press!

Aurora Venturini's nieces: confusing, alienating, eccentric and fascinating

Argentine writer Aurora Venturini was 85 when she received the Premio Nueva Novela for The Cousins, which she had submitted anonymously. She finally got the recognition she craved, with this eccentric, fascinating story with equally eccentric and fascinating characters. In The Cousins, Yuna tells of her monstrous family of 'misfits'. Yuna herself is retarded and her younger... 

Little eyes and a filled heart after brilliant 39th Night of Poetry

The night of the sweet-soft child's voice of Marieke Lucas Rijneveld, of course; but also the night of Joke van Leeuwen; of Maria Farantouri and Mikis Theodorakis; of 'illusory poet' Hans Klok even; and of the families of Nisrine Mbarki and Ivo de Wijs. I will try to explain the latter in a moment, in my unpoetic style, forgive me. On my... 

Lightness was in the genes. Dieuwertje Blok discovered her Jewish mother's war diary

Fourteen years after the death of her Jewish mother, presenter Dieuwertje Blok found her war diary. With her debut Dragging Lightness, Blok pays a warm tribute to the woman who gave her life. A profession in the spotlight - Dieuwertje Blok is no stranger to it. Her grandmother Saartje, who as the daughter of fishmongers grew up in the Joden Houttuinen... 

With each novel, Jan Siebelink lays a new piece of the puzzle of his childhood

In Brengschuld, Jan Siebelink returns to his familiar Sievez family, adding a new chapter to the story of the downfall of their nursery. Ever since his biggest success novel Knielen op een bed violen, writer Jan Siebelink has regularly returned to his characters Hans and Margje Sievez, their son Ruben, and especially to their nursery in Velp. Also... 

'When I read all these observations about myself, I was in shock.' Ariëlla Kornmehl on her new novel 'The taxman'

For her new novel The Taxman, Ariëlla Kornmehl did not have to look far for her inspiration. From one day to the next, she herself became a protagonist in a story, as it turned out that her tax consultant harboured a silent obsession for her. "When I read all those observations about myself, I was in shock," she says. After the publication 

Night of Poetry already two-thirds borne by receipts

On 8 October 2022, ILFU will organise the Night of Poetry in Utrecht for the 39th time already. It is almost sold out which means that two-thirds of the cost is borne by visitors. "The night costs roughly 100,000 euros. If we sell out, the vast majority of the revenue already comes from tickets and about a third... 

Trapeze Annemieke van der Togt

Circus forms perfect backdrop for Kees Prins' tragicomic 'Trapeze'

Stop or keep going until you drop dead? And can you build on the other? Serious life questions that the occasional duo Peter Blok and Bas Hoeflaak will answer from a trapeze on the ridge of their circus, joking and snarking. The dry humour and mugshots of Peter Blok (experienced stage, film and TV actor) and actor-cabaret artist Bas Hoeflaak (Snipers) are... 

'I Say Sorry' masterfully makes tangible what a madness our slavery past is.  

Saying sorry seems to be difficult, if the songs about it are to be believed, and if we measure the time it takes Dutch governments to do it. But sorry is also very easy, if you consider how often you are not pushed aside in the queue for something or other, after the word 'sorry' has sounded behind you, or -... 

For me, the Bijlmer disaster is a grim memory that comes back every year.

It is not an everyday topic: where were you when the Bijlmer disaster occurred? But this disaster, of 4 October 1992, is discussed every year, especially by eyewitnesses. For me, it is a grim memory that comes back every year. And now for the 30th time. 'The Bijlmer disaster is the name given to the air disaster that took place on Sunday evening, 4 October 1992. A... 

Don't confuse autonomous arts with creative industries

Since the budget cuts from 2011 onwards, policymakers have been setting the so-called 'creative industries' as a model for the arts. Industrial design, architecture, graphic design and the gaming industry: the creatives have been nuked as a 'top sector'. This, I believe, is the deeper cause of the unease expressed in this newspaper's Cultural Supplement: the increasing instrumentalisation of the arts by policymakers. The piece 'Why the... 

KMSKA

KMSKA: Antwerp's 'new' museum: 'a muscle-white spaceship descended through the roof, after which the old building closed again like an oyster.'

Two museums for the price of one. With a Mona Lisa in the making. 20 km from the Dutch border. Which is more beautiful? The building or the collection? Last weekend, Antwerp's Royal Museum of Fine Arts reopened after no less than 11 years. And that resonates far beyond the port city. I walk inside with a Danish art historian,... 

I was in Sander Schimmelpenninck's country and didn't just see fascists

Almelo has been on the map for a few years now thanks to theatre. I went to see Van Katoen en Water on Thursday, an open-air spectacle with well-timed downpour and a full-moon rise like you can only experience in the almost gentrified old-industrial heart of Twente's poorest city. Mashed potatoes were served beforehand, with a johmas salad. Wine flowed profusely. In... 

'I wanted to be like Jesus'.' 6 life insights from Ellen ten Damme

Her life has become what Ellen ten Damme (54) once dreamed of: free, exciting and she can make a living from her music. Like a troubadour, she is touring the country in the coming months with her new show Barock. 'Only in my French home do I do normal things.' 1. I can take myself seriously 'As a 3-year-old, I was already hanging from the highest lamppost. I... 

This bizarre labour dispute in Zeeland is just the tip of the iceberg

Alex Mallems, the artistic director who put Zeeland on the map in this century (since 2001), has left both the Zeeland Nazomer festival and its associated production house Zeelandia. This is the outcome of a protracted conflict with the business director appointed since last year, Sylvie Dees. According to a report in Theaterkrant, according to Dees, he would 'without permission make commitments... 

Disgusting image or boomer panic? Amsterdam Fringe Festival causes a stir with campaign image

Some things that used to be fun cannot be done now. Things like smoking in class, posters of David Hamilton in the dorm room, underpaying women, driving a car with a bottle of gin behind it, you name it. This week, an interesting riot was added. The Amsterdam Fringe Festival, the naughty sister of the Dutch Theatre Festival, chose a campaign image that, to... 

What I learned from Alida Dors and the Dutch Playwriting Prize

Of the 122 stage texts read by the jury of the Dutch Toneelschrijfprijs, just under 30 were written by female authors. In a field where the number of female workers is huge, this is striking. Because, the jury rightly stated, in written Dutch theatre, the male gaze is still dominant. While the theatre audience percentage-wise more women... 

Lessons from Weimar (2): how in Germany politics and art celebrate an uneasy marriage.

"The government is demanding that we only show artists from our own region. That would be a huge loss for us, as we are an international art space. But we have found a way around it. We now invite top international artists who live here, or we offer them a residency, so they live in the city temporarily. That way, ... 

A climate code for the arts? Ticks have a hard enough time as it is!

"We firmly believe that a well-developed and widely implemented Culture, Climate & Environment Code helps the worlds of art, culture and creation to take up their role within the most pressing issue of our time. That role is one of social innovation and creativity in the service of the arts, but also in the service of society and a liveable... 

Kunstfest Weimar opens with commemoration of Buchenwald concentration camp. Why this is important for us too

"That we find today's culture of memory uncomfortable finds its cause already in the concept of 'remembering'. After all, in the strict sense of the word, we can only remember something we have experienced ourselves. But what should 16-year-old schoolchildren remember when they visit the Buchenwald memorial site? Upon them comes the call to remember something that even... 

Podcast! Edition 2022 bathes in summer heat and finds a new heart (lyrically? Yes.) #tfboulevard

We take stock halfway through this edition of Theatre Festival Boulevard in Den Bosch. Host Wijbrand Schaap does so together with Dana Kibbelaar, since this year a member of the two-headed management (with Tessa Smeulers), writer and journalist Jowi Schmitz, dance critic Helen Westerik, and makers Oscar Kocken and Jellie Schippers. We talk about what is so special about... 

Into the open: dancing on stage and in the auditorium

A dance concert with a standing audience promises to be something new. Because how often does it happen that in the audience, whipped up by music and dance, you have to sit on your hands. This sounds like the outcome! We get to watch and move ourselves to Krautrock, mixed with trance-like repetitive parts. Lisbeth Gruwez and Maarten van Cauwenberghe invite us... 

Louise LeCavaliers Stations is a dialogue with space and the limits of the body

Expectations are high for Stations, the latest work by dancer and choreographer Louise Lecavalier. She has been a household name in the dance world for decades, first as dancer and muse of Edouard Lockes La La La Human Steps, and since 2006 with her own Fou Glorieux. Her intensity and athletic abilities are impressive, she terrifies the limits of her body. Also. 

Small Membership
175 / 12 Months
Especially for organisations with a turnover or grant of less than 250,000 per year.
No annoying banners
A premium newsletter
5 trial newsletter subscriptions
All our podcasts
Have your say on our policies
Insight into finances
Exclusive archives
Posting press releases yourself
Own mastodon account on our instance
Cultural Membership
360 / Year
For cultural organisations
No annoying banners
A premium newsletter
10 trial newsletter subscriptions
All our podcasts
Participate
Insight into finances
Exclusive archives
Posting press releases yourself
Own mastodon account on our instance
Collaboration
Private Membership
50 / Year
For natural persons and self-employed persons.
No annoying banners
A premium newsletter
All our podcasts
Have your say on our policies
Insight into finances
Exclusive archives
Own mastodon account on our instance
en_GBEnglish (UK)