Only minimal recovery of Dutch film in good 2019 cinema year The Lion King best attended.
With over 38 million visitors, 6.5% more than in 2018, 2019 was a good cinema year. Unfortunately, the recovery of Dutch cinema is still minimal.
ACTUAL
All about politics, policy, society and how those things relate to culture and art.
Boreal at the top: our best-read posts of 2019!
A week before the end of 2019, Culture Press' membership stands at nearly 150, up from 40 exactly a year ago. A growth of more than 300 per cent is quite extraordinary. So we have demonstrated that we matter to a rapidly growing group of decision-makers in the cultural sector. So good that they are happy to contribute to...
Being engaged does not only mean presenting interesting work, it is also about those you show it to.
A man walks down the theatre corridor with his daughter in a wheelchair. Stops at an usher. Hesitates, then says: 'I don't want to nag, but she can't go on the disabled toilet. I'm looking for a place to change her.' So this usher, he helps search. Moments later, they are behind a rack in the pantry. Sugar sachets, coffee, speculoos, tins....
Why measuring leads to knowing less and measuring even more. On the futility of trend reports and indices
They have learned something at Boekman. The foundation, which since this year has had the honour of managing the culture index, understands that trend graphs say precious little. We have observed this several times on this site, and the researchers now confirm this wholeheartedly. So this year the club is doing things differently. For the past few months, sixty wise men and women have been...
Why a sooty coat should always be explained. (Without tour guides, ushers and interpreters, art loses any raison d'être.)
Art has always needed explanation. Even 'easy' art, even 'art that sells itself'. Art has needed that explanation ever since the first caveman found out that her sooty smudges on the cave wall looked very much like a bison. Actually, this is why it is wrong to speak of 'explanation' and 'need'. Art and story are one, since the...
Threatened theatre directors speaking: 'It literally hurts me when I hear that something like this is going to be abolished.'
'I didn't know you could also be digitised away in this sector, but so you can.' Susanne Visser and Annemiek Lely sounded the alarm on Saturday 7 December. Their jobs as ushers at theatre performances are in jeopardy. Companies would rather keep people engaged through podcasts, and such an usher only costs money. On Monday, December 9, we obtained...
Open letter from theatre directors: 'Spectators want human contact'
Over the past year, we, Annemiek Lely and Susanne Visser, heard various noises about boring introductions and useless fringe programmes that would add nothing. Such comments pass the revue in the artist foyer, at the bar or find their way onto social media. 'I want after-shows led by a local presentation talent instead of a drawling dramaturge,' wrote an already established director
'At many theatres, you don't have to arrive if you don't bring your own audience.'
I spoke to Peter Pluymaekers, artistic director of Theatre Group Zep, about what it is like to make theatre for vmbo students. The occasion was the not-so-jubilant performance of Cleopatra. Listen to the podcast on anchor: 'I'm always a bit reluctant to do Shakespeare. I find him difficult, and young people often find him corny. I felt the same about the...
Promotion critical interview with Amersfoort alderman hampered by Facebook
In the ongoing series of interviews with leading figures from Amersfoort's cultural sector, I interviewed D66 alderman Fatma Koser Kaya. It turned into an animated conversation. Strangely enough, De Stadsbron, Amersfoort's local journalism site, is not allowed to promote the interview from Facebook, the editors announced yesterday. It is unclear why. Here is an excerpt, the whole story of course on De Stadsbron: 'I believe...
New parents are born every year! (Why theatre programmers need to take much more risk)
With red cheeks, I hang up the phone a little bewildered. Just now I had a telephone appointment that took a completely different turn. I had a brief conversation with a theatre programmer who is still unknown to me. She unfortunately told me not to programme anything with our impresario, because there was really no need for artistic performances in her city. This lady stated that her...
'It is crucial that people who mature here - also as artists - can stay connected to Amersfoort'
For De Stadsbron, Amersfoort's journalistic background site, I chart the cultural sector of the Keistad. On that site now, an interview with Friederike Weisner, director of Theatre De Lieve Vrouw. 'According to Weisner, the lack of a university or college ensures that the need for knowledge is visible: 'You will always have to be innovative as a city. There ...
'The decision to underpay freelancers is incomprehensible and a blot on the record' - 'Leaders in Culture' call for fair payment of freelancers
'How many more talented creators do we have to lose to other sectors because they cannot reconcile the undervaluation with the quality of their product? People choose eggs for their money in the long run, when children need to be fed or mortgages paid. The sector is hollowing itself out if we don't take better care of our talent.' Thirty leaders in the cultural sector speak out
Performing arts happy with Chamber's clamour
Modest cheers in the performing arts world. A motion tabled on 18 November by Corinne Ellemeet (GroenLinks), together with PvdA, CDA and D66, forces minister Van Engelshoven to investigate the consequences of the cuts to the Performing Arts Fund before the subsidy is distributed. The House approved this on 26 November. Wonderful, you might say, because if clear...
Patrick Nederkoorn: 'We have everything in order and don't excel at anything.'
For De Stadsbron, I interviewed Patrick Nederkoorn, comedian but in a previous life also politician, about his city, Amersfoort: You had a decisive role in politics here for eight years. In your programme, you reckon with that a bit. You argue that you were very much on form, and sometimes sold content where later you didn't... at all.
After the budget debate, the performing arts sector will have to be even more patient. Until spring.
The culture sector will have to be patient for a while yet. Minister Ingrid van Engelshoven had no intention of changing any of her policies on Monday 18 November, during the discussion of the culture budget in the Standing Parliamentary Committee on Culture. Despite a fairly widely supported desire, especially from the opposition, to do something about the 8.6 million cut in the...
'Library has no respect for artists!' Sale of works from Art Loan against sore leg Amersfoort art world.
This weekend, gallery owner Henk Logman discovered to his horror that artworks from the Amersfoort Art Loan were being offered for sale on a Belgian auction site. On his facebook page, he reports: 'The extraordinary thing about the whole thing is that the now still living artists were not informed of this. I would at least have expected that to have happened....
Animation festivals in Amsterdam and Utrecht join forces and are now KABOOM
Holland Animation Film Festival and the Amsterdam animation festival Klik! have joined forces. The new festival is called KABOOM.
With sound. Honours for Marga Klompé; Action Tomato finally buried during commemoration.
The myth just had to end. Nan van Houte, former director of Amsterdam's small theatre Frascati, has buried Action Tomato. During Requiem for Tomato, on 4 November 2019, she made it crystal clear that this legendary event has been measured too big by our theatre historians. In 1969, when a few tomatoes were sent to the al...
Incubators we already had, but where was the incubator? Is Art-up Incubator the salvation for cultural Holland?
Fifty years ago, some tomatoes and smoke bombs flew through Amsterdam's Stadsschouwburg. This will be commemorated on 4 November at ITA, the former Stadsschouwburg, with a gathering for which, according to the many e-mails I receive, not all tickets have been sold yet. Meanwhile, voluminous essays are appearing in the trade magazine and many are wondering whether there might not be another tomato...
OK Boomer. The Diversity & Inclusion Code is going to change the art world. Or had it changed long ago?
From 42 to 18 pages. Actually, that says it all about the new Diversity and Inclusion Code that saw the light of day on Friday 1 November. After all the wooliness and ifs and buts of the original Cultural Diversity Code, the new thing is a miracle of clarity. Is perhaps also necessary, in these times of identity wars, where on the left and...
Colleges have been left out of all discussions on education for far too long.
"When you tell it, it all seems so logical," a good friend said last week, "if a board were to hear this..." Education, every day it is in the newspaper and we debate society-wide dully about the importance of good education, about teacher shortages and class sizes. While the cabinet sits mute in the hope of getting out from under...
No Time To Die? The New Cinema Conference is all about marketing - and hardly about Netflix.
What will shake up the cinema world the most in the coming years? The new James Bond film? Or a personal film tip tailored to your previous cinema visits that just pops up on your smartphone? Or perhaps a technical innovation that creates a whole new cinematic experience? Just a few things that loom around the topic of this week's New Cinema conference. A day and a half...
Why the magnificent annual figures of the theatre and concert hall managements make it clear that the system must be turned around.
Things are once again going insane for Dutch theatres and concert halls. Every year, the directors, gathered in the VSCD, manage to come out with truly fantastic figures in the autumn. This year too, the cheers are unrelenting. Everything is growing. The number of jobs, and the number of volunteers, for example. (both up by 3% in...
If no one comes up with a Plan B...
On 23 October, website Theaterkrant.nl wrote a piece on the future of the performing arts. A future that is black and gloomy when you, as a creator, count on growth, or even survival at all. In short: so much money is going away from the Performing Arts Fund, that from next year only between 50 and 60 applications can be honoured, in...
Dutch youth film in dire straits too? Plenty to talk about during the Cinekid festival
The Cinekid youth film festival opens this week with Binti, a catchy, highly topical youth film brimming with optimism. That sounds good, because optimism is what the Dutch youth film can use right now. Too bad, then, that Binti, about a girl from Congo who does everything in her power to be allowed to stay in Belgium with her father, is a largely Belgian production....
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