All about politics, policy, society and how those things relate to culture and art.
Travelling makes you a better person. Everyone thinks so, and it is a great favour to be able to travel. A privilege to be able to do it. If you go to England by train, the last few minutes before you disappear under the Channel at Calais, you see more and more fences appearing. And we are not talking about the average...
While I was walking around Manchester with some cultural sector leaders, minister Ingrid van Engelshoven sent a letter to the House, telling it how much it would cost to enable state-subsidised arts organisations to get fair pay at the current offer. So that letter contained quite a few omissions: the minister was silent on the role played by regional and...
Toen ik laatst aan middelbare scholieren probeerde uit te leggen hoe weinig de orkestleden betaald kregen die bij het Eurovisie Songfestival de muzikale verrassingsact verzorgen, keken ze me verwilderd aan. Immers, het was meer dan je als 16-jarige verdient als vakkenvuller bij de gemiddelde grootgrutter. Dus wat was eigenlijk het probleem? Daarom nu maar even een andere rekensom, dankzij de…
That in the Netherlands the government's distrust of citizens has reached bizarre proportions is proven by the hassle with benefits at the tax office and the state of affairs at the UWV. Or your average housing landlord where you want to report a leaky tap. Thanks to a politics influenced by false entrepreneurialism and rabid populism that treats citizens as fraudsters...
Those who want to be musicians have to bleed. Earlier, we reported that the highlight of the Dutch edition of the Eurovision Song Contest was going to be performed by professional musicians and conservatoire students who would receive 100 euros a day for it. Outrageously little, when you know that full days of work were going to be involved anyway, for eight days. Well: it's even worse than...
In april 2020 stopt de Persgroep, tegenwoordig DPG Media omdat dat internationaal beter bekt, met regionale kunstbijlages in zijn kranten. Geen kunstreportages en interviews meer, nauwelijks recensies. Lokale boekwinkels verliezen hun podium in alle Nederlandse regio’s, want de uitgever van Volkskrant, Trouw en AD heeft een regionaal monopolie. Het bericht, gebracht door een verslaggever van het Eindhovens Dagblad, viel op…
The new year often starts with new insights and resolutions. A critical reflection can then help. We were therefore delighted to read the Volkskrant of 2 January, in which columnist and theatre critic Merlijn Kerkhof concludes that in 2020, he wants to enjoy all that the Netherlands has to offer in terms of culture a bit more often outside 020. And that is only right,...
Last December, we had no internet and no TV/netflix for a week. The Customer Disconnection Department of KPN, formerly XS4All, had not understood that a broken cable in our neighbourhood could have had anything to do with it. One of the funny effects of these fibre-less days was, I finished reading four books. Something I normally do only on...
I am sitting at the dinner table at my parents' house. We are celebrating my mother's birthday with the whole family. I am there, but I am not quite there. In fact, I am so incredibly tired at the moment. As I jokingly tell my friends, "I can't say boo or boo anymore and am running on my gums". Suddenly, the conversation turns to...
We got some confusing messages last weekend. The reason was the festive announcement of the organisation of the Eurovision Song Contest that a special symphonic happening would take place at the finals in Rotterdam. Third year and master students of the Rotterdam Conservatoire, part of Codarts, as well as young professional musicians were invited. A 'fee' would be available for...
Where is the Metropole Orchestra? A unique orchestra, the only one in the world that can pull off the complete repertoire from classical to pop and jazz? The orchestra that used to accompany the Dutch acts at the Song Festival when everything was still live? The orchestra, which as recently as December was on tour with our new Song Contest candidate,...
[update: they get even less, see post below] We received confusing news last weekend. The occasion was the festive announcement by the organisers of the Eurovision Song Contest that a special symphonic happening would take place at the final in Rotterdam. Invited were third-year and master students from Rotterdam Conservatoire, part of Codarts, as well as young professional musicians. For the performances...
In the first version of this post, we assumed 100 euros for 8 days. We turned out to be misinformed. The application of the remplaçants' collective agreement, mentioned in the explanation by the Song Festival, gives a bit more leeway, although its hourly and daily rates are still controversial. But 1,000 euros for eight days is now apparently the going rate....
With over 38 million visitors, 6.5% more than in 2018, 2019 was a good cinema year. Unfortunately, the recovery of Dutch cinema is still minimal.
A week before the end of 2019, Culture Press' membership stands at nearly 150, up from 40 exactly a year ago. A growth of more than 300 per cent is quite extraordinary. So we have demonstrated that we matter to a rapidly growing group of decision-makers in the cultural sector. So good that they are happy to contribute to...
A man walks down the theatre corridor with his daughter in a wheelchair. Stops at an usher. Hesitates, then says: 'I don't want to nag, but she can't go on the disabled toilet. I'm looking for a place to change her.' So this usher, he helps search. Moments later, they are behind a rack in the pantry. Sugar sachets, coffee, speculoos, tins....
They have learned something at Boekman. The foundation, which since this year has had the honour of managing the culture index, understands that trend graphs say precious little. We have observed this several times on this site, and the researchers now confirm this wholeheartedly. So this year the club is doing things differently. For the past few months, sixty wise men and women have been...
Art has always needed explanation. Even 'easy' art, even 'art that sells itself'. Art has needed that explanation ever since the first caveman found out that her sooty smudges on the cave wall looked very much like a bison. Actually, this is why it is wrong to speak of 'explanation' and 'need'. Art and story are one, since the...
'I didn't know you could also be digitised away in this sector, but so you can.' Susanne Visser and Annemiek Lely sounded the alarm on Saturday 7 December. Their jobs as ushers at theatre performances are in jeopardy. Companies would rather keep people engaged through podcasts, and such an usher only costs money. On Monday, December 9, we obtained...
Over the past year, we, Annemiek Lely and Susanne Visser, heard various noises about boring introductions and useless fringe programmes that would add nothing. Such comments pass the revue in the artist foyer, at the bar or find their way onto social media. 'I want after-shows led by a local presentation talent instead of a drawling dramaturge,' wrote an already established director
I spoke to Peter Pluymaekers, artistic director of Theatre Group Zep, about what it is like to make theatre for vmbo students. The occasion was the not-so-jubilant performance of Cleopatra. Listen to the podcast on anchor: 'I'm always a bit reluctant to do Shakespeare. I find him difficult, and young people often find him corny. I felt the same about the...
In the ongoing series of interviews with leading figures from Amersfoort's cultural sector, I interviewed D66 alderman Fatma Koser Kaya. It turned into an animated conversation. Strangely, De Stadsbron, Amersfoort's local journalism site, was not allowed to promote the interview from Facebook, the editors announced yesterday. It is unclear why. Here is an excerpt, the whole story of course on De Stadsbron: 'I believe...
With red cheeks, I hang up the phone a little bewildered. Just now I had a telephone appointment that took a completely different turn. I had a brief conversation with a theatre programmer who is still unknown to me. She unfortunately told me not to programme anything with our impresario, because there was really no need for artistic performances in her city. This lady stated that her...
For De Stadsbron, Amersfoort's journalistic background site, I chart the cultural sector of the Keistad. On that site now, an interview with Friederike Weisner, director of Theatre De Lieve Vrouw. 'According to Weisner, the lack of a university or college ensures that the need for knowledge is visible: 'You will always have to be innovative as a city. There ...
'How many more talented creators do we have to lose to other sectors because they cannot reconcile the undervaluation with the quality of their product? People choose eggs for their money in the long run, when children need to be fed or mortgages paid. The sector is hollowing itself out if we don't take better care of our talent.' Thirty leaders in the cultural sector speak out
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