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ACTUAL

All about politics, policy, society and how those things relate to culture and art.

Pieter Bruegel the Elder, Dutch proverbs, oil on panel, 1559, Staatliche Museen zu Berlin

'Playwriting is flourishing,' says the Language Union. Time for an exploration among playwrights.

On 6 December 2017, the Taalunie Toneelschrijfprijs was awarded to poet, writer and playwright Ilja Leonard Pfeiffer. With his play about Bram Moszkowitcz, titled 'The lawyer', he was the preferred original work among 47 submissions. According to the Taalunie, Pfeiffer's play 'balances magisterially on the fine line between tragedy and comedy, realistic drama and meta-thought, slapstick and emotion.... 

Performing Arts Fund subsidy leads to more performances for fewer audiences

Currently, the amount a performing arts company receives in subsidy depends on the number of times it plays. The Performing Arts Fund, which is responsible for that subsidy, has now investigated the effect of this. That research shows that companies are increasingly struggling to sell performances of a single production. This causes companies to... 

Mirjam Koen, Adorno, why on earth theatre about Adorno!

Beethoven and Bach brought the true music. Karl-Heinz Stockhausen the future. The rest, from Beatles to hoempa, was 'jazz', commercially capitalist and therefore pernicious. Very briefly, this is what we should know Theodor Adorno from. Paul R. Kooij now plays this art-philosophical sharper in a performance by Mirjam Koen. Just when the division based partly on Adorno's thinking between... 

The current distribution of grants across genres and institutions

Culture Council: 'No more distinction between high and low art' (and much more)

Musicians are no longer allowed to perform for a pittance. At least, not if the club they work for, or in which they perform, receives a subsidy. In a sector opinion released today, the Culture Council argues that the structural underpayment of workers in the creative sector is no longer sustainable. 'If that means fewer programmes can be made (or that there... 

At last: a piece with real vision from the Culture Council

'Successive interventions have stripped, juridified and amended the BIS and the state funds. But more importantly than that, trends and developments in and around cultural life are making new demands on the cultural system. It is out of date in several respects.' So says the Council for Culture in its 'reconnaissance' published today. In it, the contours of the future... 

Dear Minister @ivanengelshoven, my dream is that the Dutch government would have a real cultural vision.

'What do you desire from Ingrid van Engelshoven, the Minister of Culture?" asked Culture Press in a newsletter to subscribers. Good question! Especially after that first nod she made by generously pledging an extra 10 million to the Performing Arts Fund for the well-performing but not yet receiving anything, 'because the money had run out'. Very nice that band-aid, but... 

Minister Ingid van Engelshoven (centre) superior in first culture debate (Photo: screenshot livestream Lower House)

House: 'Minister van Engelshoven has passed baptism of fire'. (Why the VVD needs to find a new culture spokesperson)

The debate on the 2017 culture budget on Monday 13 November was a breath of fresh air. Not because there was suddenly a lot more money coming out of any top hat, but because there was a minister with vision. And with room to express that vision. After seven years full of pushing and pulling and rejected motions, cash shift operations and bicycle bell trading, there was finally... 

10 million back. Van Engelshoven means business.

Of course, this is really actually better news than what was already in the coalition agreement. The extra 10 million fought over last year for performing arts institutions that were good enough but fell below the saw line because of running out of money will get structural money added. Good news for a few clubs that would really be out of business otherwise, such as Orkater. The good news... 

New leaders in arts and culture: fourth generation of LinC graduates.

A new generation of leaders in culture rose at the Utrecht Academy Building on Thursday 9 November. The 39 leaders come from the Stedelijk Museum Amsterdam to Schunck in Heerlen and from the VPRO in Hilversum to the Utrecht festival Le Guess Who. In a year and a half, they discovered new working methods and formulated new vistas for the arts. That could ... 

4 reasons why 'cultural entrepreneurship' and subsidy don't mix.

Afterwards, it actually dawned on me what had gone wrong at No Man's Land. The event, a sort of combination of networking drinks, symposium and mega workshop was set up from the best of intentions. Initiated by The Cooperative, the club not to be confused with The Cooperative. The latter De Coöperatie is based in Amsterdam and is an alliance of freelance... 

Good that the Amsterdam Arts Council wants to invest in culture, but more is needed.

Well in advance of the March 2018 municipal elections, the Amsterdam Arts Council has come out with an Advisory Cultural Investment Account. The advice actually comes just too late to serve as input for the various election programmes of Amsterdam's main political parties. It is, however, well in time to possibly play a role in the coalition negotiations that will follow the... 

Amersfoort, O Amersfoort. My cultural vision of lack

In een verloren uurtje de Cultuurvisie Amersfoort 2030 gelezen. Geen lectuur om op het puntje van je stoel te zitten, maar uitermate geschikt voor een treinreis. Ik ben het niet gewend om beleidsstukken te lezen. Het viel me op dat de toon van de Amersfoortse Cultuurvisie zelfverzekerd, doelgericht en vastbesloten was. Ferme taal. Geen ruimte voor twijfel. Ik vroeg me… 

New Cabinet confirms with agreement culture line Rutte I and II

The Rutte III Cabinet is finally in place after long negotiations. It is a cabinet that will govern in financial prosperity, but that prosperity applies to a very limited extent to the Arts & Culture sector. Step by step, the cabinet will work towards an extra 80 million euros for the Culture sector from 2020, it says. But if this were to be enough... 

Also for Supervisory Board: many ancillary positions not necessarily an advantage

The commotion about Beatrix Ruf's ancillary position, or rather just second job, touches on some important core values for the proper functioning of society in general and the cultural sector in particular. Firstly, that cooperation is based on trust. The Supervisory Board was justified in assuming that Ruf would not run a consultancy company alongside her... 

'Crusade' by Artemis is top theatre that will make any layman a fan.

Jetse Batelaan has spent pretty much this entire century making the most extraordinary theatre in the world. At least, of my world. Often with very few words, always with a great sense of bare aesthetics and usually sympathetic with a weird twist halfway through. His latest masterpiece is an adaptation of Thea Beckman's Crusade in Jeans. Though we need at least three quarters of... 

Add 100 million for art. But then sing the national anthem.

It succeeded. And that's even though we really didn't have a cent's worth of confidence left here. But still. It is there, in the financial section of the 'Confidence in the Future' coalition agreement: 'Intensification of 0.1 bln euros for the benefit of the cultural sector and historical democratic awareness. (RA_631)' That's 100 million euros, which is exactly what one of... 

Museum Association juggles numbers. (Why all our museums are doing great)

Museums in the Netherlands are doing well. Today, the Museum Association released a kind of annual report in which this was made abundantly clear in tables and graphs. Visits are increasing. Between 2015 and 2016, the sector counted 2.5 million more visits. Mainly by foreign tourists. At the same time, more and more museums are running at a loss. According to the Museum Association, that negative balance now hits for... 

Fair Practice Code is beta version. (Why it will remain unsettled in the arts for a long time to come)

De bezuinigingen op de kunstsubsidies zijn afgewenteld op de zwakste schouders. Minister Jet Bussemaker wond er in een van haar laatste publieke optredens geen doekjes om. ‘Ik heb vaak de veerkracht van de sector geprezen, en dat mogen we ook best vieren,’ verklaarde ze gisteren bij de presentatie van de Code Fair Practice, ‘maar ik zag ook dat gesubsidieerde instellingen… 

Public broadcasting is salvageable. (Why football should go to commercial)

Our public broadcasting system is unique in the world. Unfortunately, it is not something to be particularly proud of. The system and the thinking behind it are virtually incomprehensible. Or, as NTR director Paul Römer put it less diplomatically in August: we have 'a backward system that cannot be explained to anyone (anymore)'. It was a sideline in his interview with... 

Five weeks of Bambie in Utrecht? Could just be the way to a more diverse culture

Speaking of diversity, within the dominantly white theatre audience, it is also full of bubbles. Over the past two weeks, for instance, I have just let it dawn on me how little overlap there is between the audiences of the two art theatres in my city, Utrecht. At least: for a while I sort of immersed myself in the world of... 

The theatre world is divided, but not diverse. A call to authors.

This week, two things already became clear about the Dutch theatre world. One: the topic of diversity is finally really on the map and two: the theatre world, however small, is hopelessly divided. During Het Theaterfestival, there were two debates/ meetings/ symposiums on the lack of diversity in theatre. One on Monday, the other on Thursday. Bit much in one... 

Research shows: 96% of Dutch people are hopelessly idiotic (of poetry)

We like to be touched, we Dutch. And if we are not touched ourselves, we want to touch others. These are the two main reasons why people seek out poetry. This memorable fact has come to light thanks to research by Utrecht scientist Kila van der Starre. She will soon receive her PhD on a quantitative study into... 

Culture Council doesn't have plans ready yet

This summer, all was well. In Theatererkrant, house organ of the performing arts, an article appeared, apparently also on behalf of the Council for Culture. It showed how a hitherto unknown company called The Transition Office had pretty much completed the new sector plan, employed by the Council for Culture. Many people had been spoken to and now there were still... 

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