Anything for which people enter a stage.
On Tuesday 2 November, Cappella Amsterdam presented a new CD at the Orgelpark. This includes Arvo Pärt's large-scale choral work Kanon Pokajanen, which was also performed live. After the concert, chief conductor Daniel Reuss was appointed Knight of the Order of the Dutch Lion. This very high royal decoration is only awarded to people "with extraordinary merits...
Unlike older colleagues, Bruno Mantovani (Châtillon, 1974) did not suffer from the modernist umbrella shadow that Pierre Boulez long cast over French musical life. He writes lyrical melodies as much as dissonant tone clusters and jazzy chords spiced with a pinch of microtonality. That he was appointed director of the Paris Conservatoire in 2010 illustrates how strong the musical climate...
It no longer buzzes, hums, sings, saws and buzzes in the Muziekgebouw aan 't IJ. The cello caravan has left. The sixth edition of the Cello Biennale Amsterdam is over, leaving the thousands of cello and music fans with a feeling of emptiness. Nowhere else does such an amazing festival of cello take place in ten days, where the audience feels like...
'He likes a joke,' says Fedor Teunisse of Slagwerk Den Haag, calling composer Brendan Faegre (1985) onto the Bimhuis stage. The young composer explains how the percussionists and the Biennale Cello Band should perform his Magical Quest for the Enchanted Armor. 'It's a game piece,' he says enthusiastically. 'The four percussionists and four cellists...
Festival Le Guess Who? in Utrecht is on the eve of its tenth edition. From 10 to 13 November, more than a hundred artists will take possession of every conceivable place in the city of Dom where you can perform with good grace. They come from far and wide, just like the visitors. Expect the unexpected, with the whole family? Is that...
From 19 to 23 October, more than two thousand music professionals gathered in Santiago de Compostella for the 22nd World Music Expo (WOMEX). I was there and came back with mixed feelings. My first music fair experience was the WOMEX in Rotterdam. In 2001, the Maas city was the cultural capital of Europe and thus had extra resources at its disposal. The Berlin organiser of...
During the sixth edition of the Cello Biennale, the Muziekgebouw aan 't IJ is a bustling place to be. Immediately upon entering on the first floor, you enter an atmospheric pop-up brasserie, with market stalls set up in every other nook and cranny. There is a selection of handmade cellos, bows, bridges, dampers and strings alongside a large selection of magazines, CDs...
Once built for a Belgian dance bar, The Busy Drone came to the Netherlands in the 1960s. Publisher De Bezige Bij placed the barrel organ at its stand at the annual book fair in the RAI in 1968, which explains its striking name. Five years later, director Edy de Wilde purchased the instrument for his Stedelijk Museum in Amsterdam, where it remained until...
Zvizdal, the documentary theatre portrait of Pétro and Nadia filmed by Berlin between 2011 and 2016, is not only in Paris, Ghent and Athens. This moving story can also be seen in the Netherlands until 11 November 2016. Near the place where an atomic experiment failed in 1986, Berlin and Zvizdal tell a moving story about an old peasant couple. They remained as...
Every morning Maarten Mostert, spiritual father and artistic director of the Cello Biennale Amsterdam, is squeezing oranges at half past seven in the Muziekgebouw aan 't IJ. The early birds among cello lovers then flock to the place to be for a free croissant with orange juice, followed by a top-notch performance of one of Bach's six Cello Suites in the Bach...
Theatre group Aluin celebrates its 25th anniversary. The company, which originated at the Utrecht acting school, celebrated at the place where it all started: Utrecht's Theatercafé De Bastaard. On Sunday 23 October, they reprised their first ever performance, a play entitled 'It', based on the novella The Beast in the Jungle by Henry James. About a man who thinks he is destined...
The Cello Biennale Amsterdam, the world's largest cello festival taking place from 20 to 29 October in Amsterdam's Muziekgebouw aan 't IJ, has begun and it is already taking a battering. For ten days, 27 international cello soloists, 6 orchestras, 11 ensembles, 1 choir and many musicians from 26 countries will give over 800 performances. From morning...
In front of a sold-out Stopera, De Nationale Opera presented its new production of Giacomo Puccini's Manon Lescaut on Monday 10 October. Directed by Andrea Breth, the musical director is Alexander Joel. The lead role is sung by Dutch soprano Eva-Maria Westbroek, who was loudly applauded afterwards. The bad news First but the bad news. The...
'Not only work has disappeared, but also knowledge and craft - the whole perspective is disappearing. While the Netherlands as a dance country was renowned in the world precisely because it had the luxury to research, to build, to stimulate.' Ronald Wintjes, the brand-new director of De Nederlandse Dansdagen, worries. What about the future of dance?....
This play is going to cost me a lot of friends, but it needs to get out. After all, the theatre industry is doing badly. And I can see more and more clearly where that is due to. And for once it's not Halbe Zijlstra. Or the VVD, or the population, or the Netherlands in general, or the zeitgeist. And it's not because of Netflix either...
Taking an idea from Marieke Stordiau, bassoonist in the Hexagon Ensemble, Joost Galema, journalist and programmer, writes texts that deal with tree dreams, music and time. This creates Diary of a Cello, a piece that challenges the listener to think about the connections between nature and music. The premiere of Diary of a cello took place at the Amesfoort theatre De...
'Let me lament my fate in tears. And let me long for freedom.' What would my preference be: book, film or play? That question fascinated me when it turned out that Toneelgroep Maastricht had adapted Arthur Schnitzler's book Droomnovelle and Stanley Kubrick's film Eyes Wide Shut based on it into a new play. Actually, it was not a fair...
A wonderful performance full of hilarity, excitement and lightness, yet it sent me out into the world with a sad feeling. It seems as if the four women in D3US/X\M4CHIN4 by choreographer/director Fernando Belfiore are in the land of infinite possibilities. Anything they can do. Do they also want everything? Are they still themselves when they can do everything? How does it feel when the earth...
On 19 February 2016, György Kurtág celebrated his 90th birthday. Though frail, the Hungarian grandmaster of soul-crushing notes is still working on his first and only opera, Fin du Partie (Endgame), based on Samuel Beckett's play of the same name. The prologue was already premiered at a grand birthday festival at the Liszt Academy in Budapest, where he himself once studied. On Thursday 13 October, the...
Nederlands Dans Theater 1 opens the season with Stage One. A triptych without resident choreographers Léon & Lightfoot, but with three mostly young, adventurous dance makers. Music is an important factor in all three ballets. The evening opens with Thin Skin, choreographer Marco Goecke's ode to punk icon Patti Smith. Culture Press reviewed the piece last year (€). The now flemish,...
The Greek-Dutch Calliope Tsoupaki (1963) strings one magnificent piece together with another. In 2008, she broke through for good with her impressive Lucas Passion, in which she organically incorporates Greek Orthodox chant into an otherwise modern idiom. Six years later, she scored equally high with the oratorio Oidipus at Kolonos, composed for the Nederlandse Bachvereniging. And recently she released the CD Triptychon on the...
Today, Amsterdam Dance City sent a fire letter to funds and policymakers. Because things are going hard in the wrong direction with talent development. Especially independent choreographers lose out in the new subsidy plans. While these artists are already struggling to survive. Their own economic situation is hopeless and there are no good independent facilities to stage performances.
While things are rumbling in the Amsterdam dance and performance world due to a total lack of solid support for development and experimentation (see Alarm Letter), choreographer Ola Maciejewska is showing the impressive Bombyx Mori at Veem House of Performance this weekend. Maciejewska is a fine example of a talented maker who has taken refuge elsewhere because of the crumbling art climate in the Netherlands. After...
'What is the relevance of dance?' Since the conference The Relevance of Dance in March 2016, this question has been haunting my mind. That weekend, the main topic of discussion was the relevance of dance as a performing art to watch. An approach that left me unsatisfied, because my main interest myself is to know what the relevance of dance as an activity...
The enthusiasm that characterised Toer van Schayk and his generation of choreographers is disappearing. With the programme Dutch Masters, the Dutch National Ballet is honouring an era. The success of Toer van Schayk and his generation If it is up to the public, the master ballets of the three great Van's (Rudi van Dantzig, Hans van Manen and Toer van Schayk) may stay for a while longer. As one man stood...
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