Things we do for members and partners.
It may be a crisis and the cultural winds may also be blowing from the wrong right corner, but that doesn't stop The Dodo from flying. The festival day newspaper we launched two years ago as a new commercial product is ready for another 10 days of Springdance. We're going to review a lot of performances, and compare even more. And we're going to make a journal. It...
"What the fuck should I do with this?" was choreographer and performance artist Ivo Dimchev's (1976) first thought when confronted with the artworks of Austrian artist Franz West. After Dimchev's solo performance Some Faves (2010) in Vienna, West, a multi-awarded creator of bizarre sculptures and objects, sought contact with the choreographer. He asked him to make an improvised video based on his...
She has been busy. Highly pregnant, Yasmeen Godder (Jerusalem, 1973) worked on her first choreography for Batsheva Dance Company. In a month, she stomped out her new show The Toxic Exotic Disappearance Act under the wings of Batsheva, and in between gave birth to a healthy daughter. For the third time, Israeli choreographer Yasmeen Godder presents her work...
Hein Janssen (Volkskrant) wrote a column in response to a couple of performances with BN stars in the subsidised circuit in which he argued that subsidy was not meant for that. The association for actors thought this was reason enough for a debate. We made a short film to go with it. We formatted it in storify, a feature that allows you to put tweets and other social media messages together and...
Art subsidies are better abolished if artists have to reach large audiences. Because then, after all, you distort the market. Logical. You could also decide to subsidise everyone. And that sounds stranger than
This year, Springdance will be held for the last time. After almost 30 years, it was time for something new, if only because the wind in The Hague is suddenly coming from the right and that is bad for business. At least if you want to show innovative art. That is why Springdance is merging with the other Utrecht-based...
Brazil has 10% more every year for arts, sports and entertainment, plus an extra 600 million this year. If we in the Netherlands ever start growing the economy again, we can choose between the Chinese and Brazilian models. In China, growth goes mainly to puissant wealthy entrepreneurs, and wealthier citizens buy mass-produced luxury goods. For...
"It is currently not possible to reliably predict the development of these characteristics of the cultural sector, let alone the impact of budget cuts on them. Movements in the things mentioned in the question depend on many factors. First, there is no
Last night the awards for best short films were presented at festival Go Short in Nijmegen. Winner of the Dutch competition is Woensdagen by Aaron Rookus, a small feature film that approaches the heavily charged subject of sexual abuse in the most subtle way. What begins as an emotionally stunningly well-struck impression of eight-year-old Kris' weekly outing...
Peter de Graef is not only a wonderful actor, he can also tell compelling stories. He also brings that talent with him as a writer. So in Boiling Frog, the show now on tour in the Netherlands, there are six Peter de Graefs on stage, and that is no punishment. Especially not because those six Peter de Graefs also...
For the unions, it is not all that bad: because of the mega-cuts to the arts, they have to 800 people laid off will be. That is almost nothing compared to, say, the bankrupt Nedcar, where redundancies at a single location may be double or more.
To bring in an extra five tonnes, the Netherlands Symphony Orchestra and the Gelderland Orchestra are pulling together. And with success: the provincial governments of Overijssel and Gelderland are absorbing the state's subsidy cut. However, it now turns out that the plans used to rake in that bailout are dubious. Politicians have hardly looked into it. Questions about the business plan came mainly from the PVV in Overijssel, but in Gelderland that same party enthusiastically agreed to the injection of millions after a - remarkably damning - counter-expertise.
Nearly thirteen million The Gelderland Orchestra (HGO) asked for the province of Gelderland. It got three-and-a-half. Just enough to absorb the reduction in the state subsidy for the next two years and to work towards a new organisational structure and a new revenue model, as described in a very ambitious business plan, which...... wait for it. We have already written about this, haven't we?
The last opportunities for grant applications for 2013 and beyond closed today. Numerous mergers have been announced, new collaborations, high-profile relocations (Amsterdam in particular is emptying out). Many arts media now also carry news about those plans. News that is often presented as fact, while in almost all cases these are wishes. Applications are even fewer than ever...
Copper is expensive, and bronze, the material from which many statues on the street are made, is largely copper. And if it's on the street, you take it with you. Even if it is bolted down. Rodin's Thinker in Laren was sawn down and partially melted down, and the same happened to Simon Carmiggelt and his wife. At Boris van der Ham's request,...
They were great days, the four days we reported on Writers Unlimited (v/h Winternachten) in The Hague. We saw a new self-aware generation of writers from Africa, experienced debates and played - in the foyer of The Hague's Theater a/h Spui - for VJ during the salsa dancing class. Daniël Bertina and Wijbrand Schaap did their best to attend as many...
On 28 February, Pierre Audi will present the programme of the 2012 Holland Festival at the City Theatre. As in 2010 and 2011, we will follow that festival closely with our online festival daily newspaper at www.dedodo.nl. That daily newspaper has now proven its right to exist, as more and more festivals want to collaborate with the Cultural Press Agency on this unique initiative. To the 'product-range'...
A website is nice, but often less suitable for quiet reading. And although our mobile themes now seem to work well, it is often still a lot of clicking and searching before you can read everything in sequence. We have now found a solution: ebooks. A handy way to read all kinds of related articles: on...
You can hardly claim it was a surprise result, because for weeks - what shall I say, months - The Artist had been mentioned as a surefire Oscar favourite. Still, the crowning of this largely silent French black-and-white film that pays tribute to the end of the silent film era in Hollywood is proof that originality still counts in...
We already wrote extensively about the name change of the Orchestra of the East in the Netherlands Symphony Orchestra (NSO). The curious opera grant application based on a business plan that carries huge risks had our full attention. Regular partner the National Travel Opera was not amused.
It looked like it was going to be something. With a church of huge Lego blocks and a programme that seemed to matter. But alas, Grenswerk, the festival that was supposed to bring the region around Enschede together, is no more. After three years. And it won't stop until 2013, like most arts institutions, but already in 2012. Too much had to change for that to happen. The municipality suggested...
Connoisseurs know: often actors spend two months rehearsing a play with only one goal in mind: to recover the freshness and surprise of the 'first reading'. After all, at that first reading, actors hear the text for the first time from their colleagues, read the words aloud for the first time, and everything sounds new and unexpected....
Towards the end of this Berlinale, it could be heard in the corridors that the Danish costume piece A Royal Affair about a nipped-in revolution was surely going to win the Golden Bear. However, the jury did not care about that and designated Caesar Must Die by the Taviani brothers as the best film. The jury chaired by...
Dutch film Hemel was chosen as best film in the Forum section for young cinema by the jury of international critics at the Berlin festival. This is a fine success for director Sacha Polak who delivers her first feature-length film with this drama about a young woman who has lost her way in search of love. Heaven, after a...
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