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Berlin 2012 - Shakespeare knew it all

Would today's revolution makers even study Shakespeare? In Cesare deve morire (Caesar Must Die), the competition entry by the Italian Taviani brothers, we witness the preparation and performance of Shakespeare's Julius Caesar. Anyone watching this with the world's noise in mind will often feel a shock of recognition. The tragedy about a coup in ancient Rome shows... 

Culture Council given little leeway

He barely showed his face in recent months, rarely engaging in debate with artists or the public. Now that the mega budget cut on culture is law, and nothing can be changed about it until 2016, we can follow Halbe Zijlstra's victory lap again. Also on twitter.

Arts colleges hopelessly divided

It was a 'roundtable discussion', so that is extremely informal. Lower house members of the ministry of OCW's 'lead committee' listen to people from the field. In this case, all people who are involved in, or lead, arts education. It was an awkward meeting.

Cultural Press Bureau opens Arts hotline

It happens regularly that you see or hear something, in the tram, on the train, on the road, on holiday. But also on the street, in your own home. And that you think: what is that? Chances are you are dealing with 'Art'. And that can have all kinds of side effects: pleasure, chills, confusion, sadness, or even indifference, and depression. Art can,... 

5-hour marathon Roman Tragedies favourite with spectators Toneelgroep Amsterdam

We were somewhat mildly ironic about it, but hats off, meanwhile, to Toneelgroep Amsterdam's PR department and the audience, who responded remarkably well to the 'choose the reprise' campaign the company launched a few weeks back. We have the hard numbers we feared we would never see. And they are credible. We quote the press release: From 2 to... 

Berlin 2012: Christian Petzold scores high marks with haunting GDR drama Barbara

Can a filmmaker born and raised in West Germany strike just the right tone in a film set in the former East Germany? I hadn't given this question much thought, but the Berliner Zeitung raised it in response to Christian Petzold's Barbara, about a Berlin paediatrician who, after requesting to go to the West,... 

Liverpool GGD saves millions on antidepressants thanks to local philharmonic

It saves Liverpool's GGD millions on dispensing antidepressants. And it only costs them a tonne and a half. They spend that much hiring Royal Liverpool Philharmonic Orchestra musicians for workshops in addiction clinics. So, no idealistic preaching, as in the countless columns and reactions to Halbes culture cut, but hard pecunia and proven effects. In England,... 

Berlin Film Festival opens with a messy Versailles

The 62nd Berlinale opened tonight with Benoït Jacquot's Les adieux à la reine, a French costume piece that does not play by the rules. The dresses worn by Queen Marie Antoinette's servants get dirty and one of the main characters stumbles in her haste and passes out twice. As the film begins we write 14 July 1789, and the... 

Ebook sales give publishers knowledge they would rather not have

We already noticed it in the daily twitter stream: when it comes to book reviews on twitter, the 'low' genres (at least according to connoisseurs) dominate the charts: fantasy, diaries of disease sufferers, 'regional work', howto's and erotica. No news, you may say, but there is more to it.

Fact-free journalism plunges into arts sector.

    According to the Volkskrant, Rick van der Ploeg was state secretary of culture in the early 1990s (in reality, he was at the end of those years), and in Het Parool columnist Gerard Mulder claims that the fact that he "thankfully knows nothing about art subsidies" need not deter him from some wild speculations... 

IFFR 2012: Raw and sensitive Serbian debut awarded twice

Smiling, she lets a boy film her with his mobile phone and she happily wriggles into lascivious curves in the process. But when he really wants to see her breasts she flinches. Yet later she will go much, much further and she gets staggeringly little in return. Jasna, the rebellious protagonist from Cliff (Clip), is a Serbian teen... 

IFFR 2012 - A small miracle in 3D

Last night, Rotterdam festival-goers in Pathé's Hall 4 witnessed a small miracle. Some film fragments from 1906 by the legendary Georges Méliès were now shown in stereoscopic 3D for the first time. So that you could, as it were, imagine yourself present on the set of this French pioneer who was the first to understand that cinema is not there... 

Versatile and elusive Writers Unlimited closes with tribute to Hella S Haasse and rain of awards

It is remarkable how a writer's sentences, once highlighted, can be given echoing interpretations after his death. Gustaaf Peek in particular, if he really wants to do justice to Haasse, must do something about his rather chest-thumping piety, but even a seasoned artist like Kees 't Hart may moderate the tone while quoting.

From insane Moroccan drum 'n bass to alienating dream sounds: Dakka al Marrakchia, Zoumana Diarra & Basile Maneka #WU12

It is incredible what an energy the men of Manar can generate. These six - dressed in djellabas - percussionists play Dekka al Marrakchia: an insanely rousing form of traditional Moroccan drum 'n bass party music and religious Gnawa. After a solemn, almost ritualistic beginning - in which the band comes jogging onto the stage of the Theater aan het Spui in a goose-step, accompanied by the menacing sounds of two huge horns - the drums erupt and the dance floor is full of swinging visitors.

Column: State of Indulgence by Patrick van der Hijden, opening debate Burger King & Citizenship

In the debate Burger King & Citizenship give Patrick van der HijdenDavid van Reybrouck, Chris Keulemans and Samuel Vriezen Their views on the state of the citizen. Public may, but need not, participate. Below is the column State of Indulgence, recited by Patrick van der Hijden - as a kick-off to the debate.

"Our life was invented in the 18th century.

Members of the upper classes - the elite - had their own homes, often with gardens. They sent their children to school, which then started further education. They had free time and generally arrived at their appointments on time, due to the watches they wore and the train barges that left on time (they complained when delayed). Citizens who lived outside the city commuted - by carriage, that is. They drank coffee to stay awake. They visited restaurants with menus. They were vaccinated against smallpox and had pets. A great source on that life is the diary of Otto van Eck, who started it at the age of 10 under pressure from his Enlightenment-obsessed parents, in 1791. I borrow the above examples from that.

At the beginning of the twenty-first century, this life is not lived by a small minority, but by a large part of the Dutch population. These do have to do without staff. That, in fact, has been replaced by technology.

Writers Unlimited showcases a new generation of African authors #wu12

There is something special about Africa. The new generation of writers from Nigeria, Ghana and South Africa walking around Writers Unlimited is different from their parents in the world. Or, indeed, the fact that they interact with it in a completely different way, with those ancestors, defines them as something completely new. They present themselves as confident, modern global citizens.

Hearing sober prophet of doom John Gray speak is always a relief #WU12

In the late 1980s, John N. Gray (South Shields, 1948) adviser to Margaret Thatcher - Gray: "I was just a small mote of dust in her administration" - now he is a fierce critic of all things neoconservative. On Writers Unlimited, publicist Bas Heijne felt him out.

In How to be a dictator in Africa, writers Helon Habila and Dinaw Mengestu are remarkably positive about the future of their continent, despite the reservations of David van Reybrouck and moderator Andrew Makkinga.

Dinaw Mengestu shares his surname with the first name of one of Ethiopia's former dictators. "For now, I am a writer, but aspire to a career as a dictator," he says. Dictators do not arise in a vacuum, Mengestu argues. "We as citizens create our leaders," he says. In his recited story, citizens hand over all their dreams. They shift all their responsibility towards those in power. And. 

Dutch pot for world writers

Sweet and quite tasty, although some of the guests said they were less enamoured with the hutspot with gravy that the Haagse Hapjes had prepared for them. Most guests would have preferred a bit more spice with their welcome meal. Tonight, Africa is on the menu. The local pepper farmer must be having a party because of increased sales, we suspect.

Big plus for the writer who can also narrate #wu12

His voice is low, and when he talks, he does so calmly and thoughtfully. He regards his humour - very British - as a side effect that is more accidental than intended. This makes Helon Habila a perfect guest for the opening night of Writers Unlimited, the Hague literature festival better known as 'Winternachten'. The Nigerian can tell stories, but... 

Henk Pröpper: 'Writers Unlimited has always opposed panting and short-term ambition.'

He is now a publisher, and the man who was director of the Dutch Foundation for Literature until last year will be quite happy with that. As director of the Bezige Bij, one of the country's largest publishing houses, he will surely never again have to submissively toast the sarcastic State Secretary for Culture Halbe Zijlstra. At least the relief was audible in Pröpper's... 

PEN Award for Iranian founder 'Stop Stoning Forever' campaign #wu12

She now lives in Norway, after she had to leave her homeland Iran for her own opinion. She was detained for five days, and in Tehran's notorious Evin prison, that is an eternity. Now Asieh Amini is free in a foreign land, and Oxfam-Novib is presenting her with the PEN Award. A great opening for the Writers Unlimited Winternachten Festival, which, with this presentation,... 

There-it is: the final legislative amendment deciding the future of 16,500 FTEs and thousands of self-employed people

We do not have much to comment on Halbe Zijlstra's explanation. Other than that the state secretary of formerly culture breathes an almost legible sigh of relief now that he can almost close the 'arts' headache file. His "masterpiece", the amendment to the Specific Cultural Policy Act, is before the chamber and if it is approved (hammer piece), the state secretary does not really need to do anything more.

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