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'About Animals' by Elfriede Jelinek is so unprecedentedly ruthless and dire, you wish for a way out #tf2010

'Butt-fucking at extra cost.' 'Do they also do blow jobs without a condom?' 'That one sucked my cock once and then she was nauseated all night. In the morning she puked in my bed.' Constantly they do suggestive dances and constantly they look into the room, with fixed smiles that are somewhere between amused and sneaky. The six actors of About Animals are challenging and relentless. Susanne Kennedy's direction of Nobel laureate Elfriede Jelinek's play is unprecedentedly bleak and arrives as a punch in the gut.

Jelinek's wrote a text about prostitutes and their clients, partly based on eavesdropping tapes from an Austrian escort agency, in which the men talk about women as if they were animals, or more precisely, like farmers talk about their cattle. In her direction, Kennedy places great emphasis on the viewer's gaze. 'The woman is being watched and is always an object, the man is watching and is the subject. Looking is not innocent,' She said in an interview. The three men, in foul light blue show suits, talk over the women; the women, in dresses on which little subtle emphasis is placed on their nipples and crotch, obligingly talk after them. They look at us defiantly, making us complicit in the humiliating situation.

30th Dutch Film Festival celebrates anniversary with Mirror of Holland

When the 30th edition of the Netherlands Film Festival kicks off on 22 September, the first Golden Calf will be awarded to Rolf Orthel. This was announced by festival director Willemien van Aalst at a press conference today.

Producer and director Orthel receives this award for his special merit for Dutch film culture. In 1975, he made a name for himself with the impressive documentary A semblance of doubt, about the prisoners and guards of Auschwitz and Westerbork. As a producer, he often committed to difficult projects by young makers. The documentary he produced Bastøy, about a Norwegian prison island, will premiere this festival.

Fringe Festival continues to surprise with intimate Iris Brunette and poignant I Believe #tf2010

There is no notion of time when you take your seat. It is dark. The room looks like a café, with four tables and chairs around them. Don't expect a sit-back performance, as everyone is part of the play. The intriguing Iris Brunette doesn't let you be a spectator, but gives you a role. Do not fear that you will suddenly have to take the stage. From your seat, you are influencing the play. Actress Melanie Wilson lets you choose which way to go. Do we wait here or walk on? Do we go left or right? Do we trust this person or not? The space you're in feels safe. Fortunately. Because there is no exit; walking away is impossible. A maximum of twenty spectators witness this story that takes you through time. Wilson narrates and involves you in the story in the best possible way. A more intimate performance is hardly possible, I think.

Prize of (Theatre) Criticism 2010 to musical workshop M-Lab

Just when it was announced that musical production house M-Lab is in financial distress, there comes a helping hand from Dutch theatre critics. Indeed, the annual Prize of Criticism goes to the laboratory that produces musicals that almost always matter. We quote the jury report:A laboratory is not only for somewhat unworldly scientists who are fiddling on the square millimetre... 

Director Thomas Ostermeier argues for 'dramatic non-dramatic' theatre in his masterclass #tf2010

She has just returned from a long holiday in her native Norway and, although many Norwegians find Ibsen boring these days, she herself loves his work. Maren Bjorseth is a third-year directing student at the AHK. Her Dutch is flawless; it is hard to believe she has only lived here for two years. Maren is one of four directing students chosen to take a master class from German director Thomas Ostermeier, artistic director of Schaubühne Berlin. Last year, the Stadschouwburg showed his Hamlet (starring a nasty, rather fat Hamlet) and in December, Ostermeier will direct Ibsen's Spoken at Toneelgroep Amsterdam.

The master class is a collaborative project of TF with the AHK and actors from ACT. It is the first day of school for the students and, as Maren says, they were immediately thrown into the deep end: 'It was very short and intensive, we worked from ten to three and Thomas Ostermeier came to watch twice. So it really is a work in progress.'

Roma B. brings confrontational and infectious theatre to Amsterdam-Noord and Wouter van Oord performs beautiful text theatre #tf2010

The great thing about the Fringe is the variety. On Saturday night I saw VOS, a play by Slawomir Mrozek, played sparklingly by Wouter van Oord. Dressed in a shirt of the Dutch national team, with the name VOS on the back, Van Oord plays two monologues with conviction. The tension can be read from his face before the start, but is gone as soon as the actor... 

Actors make audience laugh and gawk with intrigue in theatrical jam session 'Night Guests' #tf2010


"I am fifty-eight." Plumply, Saskia Lemming (Oda Spelbos) reveals her biggest secret to husband and jaded folk singer René Lemming (Peter Bolhuis). He married her 12 years ago, thinking she was a young blonde. In turn, he reveals that he actually wrote 'You are the cream of my crop', his number one hit, for another woman. The bomb bursts on reality show 'The Lemmings'. Or rather: on stage at De Balie, where Hadewich Minis, Peter Bolhuis, Oda Spelbos and Yorick Zwart compete in Night guests. A three-hour improvisational 'jam session'.

Roaring Lolita in Stallion Ball ends up very small#tf2010

The room is lit in red. This creates a shadowy atmosphere as you might expect at a nightclub. The music starts playing and from the stairs a young lady in a snappy outfit comes down. She serves pieces of sausage and plays with the crowd. She introduces herself as Lolita. A man in the front row may unbutton her zip. She... 

RPhO's gift to the resurrected city falls short at opening Gergiev festival

tim hugh
Tim Hugh

By Willem Jan Keizer

Rotterdam - The fifteenth edition of the Gergjev Festival officially kicked off Friday evening in the presence of Her Majesty the Queen in concert hall de Doelen with a concert by the Rotterdam Philharmonic Orchestra conducted by Valeri Gergjev. Although the festival takes place at some 20 venues across the city - not only in de Doelen but also in the Laurenskerk, the conservatory, museum Boijmans van Beuningen and numerous other unexpected locations - the festival is virtually invisible in the city.

Dutch actors relive emotional childhood memories during Shelley Mitchell's Method Acting Masterclass #tf2010


"We are artists. Acting is a vocation. Not everyone understands that. Sometimes it's a lonely existence." Understanding, almost motherly, Shelley Mitchell addresses a group of Dutch actors at De Balie. The American actress and founder of The Actors Centre of San Francisco introduces them to 'method acting' during a three-day master class. Not pretending, but becoming one with your character. A way of acting that has won many famous actors an Oscar. Think of Robert De Niro, Juilette Binoche, Al Pacino and Kate Winslet.

Poetic and pure exploration of Aardlek in Amsterdam's basement #tf2010

The search for the gem of the Fringe takes me to Amsterdam's basement. Underneath the Rokin, where work on the North/South line is going on 24 hours a day, theatre collective Aardlek plays the performance PUT. In one of the Fringe Festival's most eye-catching locations, I find myself on an underground voyage of discovery into the past, present and future.

Stunning transformations by Shelley Mitchell in poignant monologue 'Talking with Angels' #tf2010

Invisible forces, described as angels, speaking through a Jewish woman to her friends at the time of the Holocaust in Hungary. A mysterious and true story, translated into the one-woman performance Talking with Angels by American actress Shelley Mitchell. A huge success in America. Yesterday on stage for the first time in the Netherlands.

True theatre is like Storm and Cappuccino: irresistibly sublime, says Adelheid Roosen on #tf2010

'It is a wonderful thing, for instance, that every day, my body shows the same eager desire for a keigoeie kappoetzjino. That every 24 hours the desire to 'want to taste' is born in me and wants to hit me again. And I don't have to do anything for that, that desire drags me into the shower and saliva starts foaming... 

NNT's 11 minutes not only makes you lose the desire to laugh, but all lust. My wife regrets that. #tf2010

Ola Mafaalani. That's a very fierce one. So you can never ignore that. The human is so full of passion and emotion that all her stage work, because she is a director, cannot possibly leave you cold. At least, so it was until recently, with me personally finding her last play at Toneelgroep Amsterdam 'Hemel boven Berlijn' the most beautiful, because it was also the most... 

Opening #TF2010: 'Theatre should be at the forefront of discussion on society, instead of being dictated to by prevailing mores.'

On 2 September 2010, actress, writer, theatre and television producer Joan Nederlof opened the Dutch Theatre Festival with a speech that was as entertaining as it was provocative. As it was her turn to pronounce the annual 'State of the Theatre', Nederlof, born in 1962, seized the opportunity to call on her own generation to take a stand in the social debate. She did so in her own relatable way, known for her roles on TV (Deer Park) and in the theatre (Inside Out):

Drama is much more suited to interpret history than film. @RvanH writes essay on Hannah and Martin at #TF2010

Hannah and Martin by Mugmetdegoudentand is not only a heartwarming performance, played by one phenomenal actress and one inimitable theatre personality, it is also a brainteaser. Trouw reviewer and theatre scholar Robbert van Heuven felt challenged to write a short essay in response to this performance.

First ACT Award presented to casting legend Hans Kemna: 'I didn't want to come at all' #tf2010

Everyone wants to kiss him for a moment. Hans Kemna, shining centre of the 'book ball for actors', has just won the very first ACT Award. The award was presented at Amsterdam's Stadsschouwburg, during the ACT gala, the prologue to the Dutch Theatre Festival.

The downsides of a Twitter success: trending topic spam on museum action #askacurator

It was a wonderful idea, but it is already, halfway through the day, in danger of falling victim to that same success. #askacurator, The Twitter campaign by more than three hundred museums from around the world, whereby internet users can ask questions to museum directors, is suffering from an onslaught of viagra, porn and other nonsense sellers. After all, that type of internet entrepreneur is figuring out what topics... 

The only governing party with a coherent vision of culture is the PVV, reports the Green Left at the Paradiso Debate.

Sound recording available to listen to here!

You will hear successively Axel Rüger, director of the Rijksmuseum Vincent van Gogh, responding to the assertion made by VVD member Mark Harbers that the art world is not entrepreneurial enough. This is followed by responses from former CDA culture spokesperson Nicolien van Vroonhoven (consistently called Nicolien van Vroemhoven by presenter Twan Huys) and former NNT actor Boris van der Ham, now culture spokesperson for D66.

Maxima opens new home for Youth Opera House Holland Opera on 3 October

Indeed, the name Xynix was somewhat outdated. And since, thanks to the efforts of its own company and Yo! Opera, which started as a youth opera festival, opera nowadays turns out to be suitable for young people too, a more adult name is appropriate: Holland Opera. The company settled in Amersfoort in a former company building near the railway station: De Verensmederij. The building, after a renovation, is... 

Benjamin Verdonck opens Flemish Theatre Festival: artists must be environmentally aware #tf2010

We had completely forgotten about the environment. While the streets in the Netherlands are flooded and some Dutch people are already talking about Pakistani conditions, here the talk is mainly about looming austerity measures and disintegrating Christian Democrat power blocks. 'Artists of today must relate to environmental issues' is therefore a comment we do not expect to hear from an artist in the Netherlands. We... 

This is my father: flaming stab at anti-Semitism to be seen on #tf2010

In This is my father, young theatre-maker Ilay den Boer (1986) literally puts his own father in the spotlight. He does so by giving his father the lead role in a performance that is all about him. This results in intimate and voyeuristic theatre.
Before the performance, you will be given a booklet describing the life of Gert den Boer. Based on dates and events, visitors can ask questions to the men on stage. Father and son answer, open doors and tell anecdotes. But what if it turns out that they handle some events very differently? Where Jewish Ilay sees signs of anti-Semitism, his own reformed father recognises an innocent incident. How differently do father and son view issues like discrimination or hatred?

The Dodo spreads its wings in dire times for subsidised art

Then you just have to have Twan Huys. The presenter of Nova who managed to kill all Job Cohen's election ambitions in a few schoolmaster questions. He will be able to pull the same trick on Sunday 29 August with a few left-wing politicians and arts bobos in the traditional Uitmarkt debate in Paradiso.

Museum Belvedere: 'Floods in Pakistan, forest fires in Moscow, a cabinet tolerated by Wilders. How lousy can a landscape be?'

'In this museum, we so often extol the landscape, that for once we wanted to show the destruction, upheaval and impending change of the landscape.' According to Han Steenbruggen, director of Museum Belvedere in Heerenveen-Oranjewoud, it was time for an exhibition that shows what war, natural disasters and climate change do to the landscape: 'With this exhibition, we reflect and respond to... 

Branden: legendary top theatre to be seen again in Amsterdam #tf2010

The destructive power of war and hatred

Writer Wajdi Mouawad (b. 1968) fled his native Lebanon at the age of nine. At the time, a brutal civil war had been raging there for years. Together with his family, he ended up in Canada via France.

There, he develops into an internationally renowned playwright. His work is now performed all over the world. The Ro Theatre introduced Mouawad to the Netherlands for the first time this theatre season.

Director Alize Zandwijk chose the play Fires and puts on a bold and convincing version. Assisted by a talented cast of actresses and actors. You see the mother Nawal Marwan and her twins Jeanne and Simon. Nawal is dying.

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