Things we do for members and partners.
On Friday 12 February 2021 from 12:00-17:00, the Amsterdam Museum, together with its various partners, is organising the Refresh Symposium on the Amsterdam art climate. A symposium in which makers such as Bas Kosters, Massih Hutak and Raquel van Haver together with representatives of cultural institutions such as NDSM-werf, AFK and Amerpodia will critically examine the art climate in the city. The symposium...
News arrived this week that Andreas Fleischmann, the highly esteemed director of Amsterdam's DeLaMar Theatre, has now officially become director-director of Stichting MusicalMakers, the foundation he had set up last year, a day before the deadline for grant applications for four-year state funding. And that is not allowed.
Het schmiert. Het rammelt. Het staat in Brabant. En mijn naam staat eronder, met ‘vrij naar’ als schaamlap ervoor.
More than 1,500 hours were spent by theatre critic Marijn Lems last year in theatres, in front of TV and, most importantly, with games. That's a lot of time and it raises questions. Questions especially about how you organise your time as a journalist, and how you divide it between watching art for work and what we will call 'normal life'. That's what this podcast is about, for just under three quarters of an hour.
To get a subsidy in the Netherlands, you have to jump through a lot of hoops. Every farmer knows that, and so does every artist. In the cultural sector, for instance, it is important that you have a form of organisation that is controllable and approachable. You cannot have a profit motive either. That is why you can usually only apply for funding as a foundation, so you have statutes, a board and a...
Cinecitta Tilburg gets 280,000 euri a year from the province of Brabant, or rather, the founder's mother. Despite there being quite a lot wrong with the application.
Good news from Friesland. The five larger theatres in the Netherlands' most independent province are going to cooperate intensively to tackle the corona crisis together.
Holland Festival's Supervisory Board appoints Carolien Gehrels as its new chair from 1 March 2021. Carolien Gehrels (1967) is well known to the Holland Festival as a regular visitor of performances and concerts and through her role as Amsterdam alderman responsible for art and culture from 2006 to 2014.
With the lockdown in full swing and the curfew shackling us to our homes, the theatre performances at Concordia Film | Theatre | Visual Arts in Enschede continue as usual. With no less than three diverse, musical performances in the coming week that can be followed via a livestream, so you can still get your much-needed dose of culture.
Animation came under accelerated attention as a replacement option for live-action in early 2020 thanks to Covid19 measures. While many film productions came to a standstill, several animation productions continued to work solidly 'just at home' on series, short and longer films. Of course, in the industry, we very much encourage the idea of using animation more, but how simple is it really to just switch...
Every writer dreams of being translated. Into English (world language), Chinese (big market) or, if necessary, into Icelandic (always wanted to go there on holiday). Sometimes it is necessary to give that dream a helping hand.
Yesterday, I finally saw 'Away with Eddy Bellegueule', the theatre hit of the previous broken and devastated theatre season, and saw that its creators had effortlessly bridged the gap between youth and grown-up theatre. The show is a nineties grunge concert with brilliant actors and intense visual direction by rising star Eline Arbo.
It is no coincidence that I am rereading The Twelve Year Wedding just now. Because the tightness in the story resembles the tightness of our own time. Like Delia and Martin Bagot, we are trapped in a suffocating existence. Shun contact with fellow human beings. Miss the fresh air of visits to cafés, museums, film houses and theatres. Dublin 1917 is the Netherlands 2021.
It is remarkable to see two productions bringing together dance and faith in a short time. Dancer Marijn Rademaker (former soloist Het Nationale Ballet) portrays the suffering of the apostle in Di Lasso's Tears of Petrus by Nederlands Kamerkoor and Dance Company Nanine Linning, dancer and recently assistant artistic director of The Dutch Don't Dance Division Kiran Bonnema portrays the change in the life of the still-young patriarch Jacob in EO's National New Year's Blessing.
Can you experience magic at home the way the Dutch National Ballet promises with its online stream of the Christmas Gala? If the comments during the stream are to be believed: yes.
Germany has 80 million people, the Netherlands 17 million, so we can multiply the Dutch aid by five if we want to test the German claim. Still, we arrive at an amount three times higher.
Four years ago at the Winternachten Festival in The Hague, we spoke about it with Egyptian writer Alaa al Aswani, who was disarmingly upbeat despite the fact that he can barely publish in his own country. On lack of freedom of expression and fiction in times of fake, this year's theme, Al Aswani could have a word. 'Freedom of expression is even worse now than under dictator Mubarak.'
With The Home Show, we want to provide our visitors with a cool programme no matter where or with whom they are. TivoliVredenburg is a place that connects people. If that's not possible in real life, we do it virtually. A moment like New Year's Eve, especially after a bizarre year like this, is then extra important'.
I have come to realise that guilt creates a distance. To others, I sometimes come across as cool and reserved; this is because I unconsciously shut down to suppress my feelings and desires. I don't want to get in the way of others with my emotions. But that also means I rarely let the other person get close.
In this podcast, I talk to Marjolein Verhallen and Paul Adriaanse from Public Administration, Nanna Verhoef from Media and Iris van der Tuin from Philosophy, and artistic directors Lars Ebert and Jente Hoogeveen about what that is: leadership. And we talk about how you can learn it.
The awarding of the Boyer Trophy took place at Theater Bellevue in Amsterdam during A Theatre Author Thing You Must Attend, following the Boyer Lecture organised by the Authors' Union, which this year was delivered by Jetse Batelaan.
For a while, corona seemed to throw a spanner in the works, but thanks to the flexibility of the makers, speakers and artists as well as the crew, we recorded the Night Mass coronaproof. With extra intimate footage and beautiful atmosphere, for the Night Mass feeling at home on the couch.
These actors sit at their kitchen table and we fly through space with them. Art can be that simple because we, the viewers, actually make the story.
Earlier this year, Cinekid was in danger of dropping out of the basic cultural infrastructure due to a 'no, unless' advice from the Culture Council. An updated application has now changed the Council's mind. If the minister adopts it, Cinekid can go full steam ahead for four years. An interview with Cinekid director Heleen Rouw.
When it talks about 'some adjustments', of course, you have to be careful. They know that at the province, so they don't mention details. And those details include a cut of 1.3 million from previously promised amounts.
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