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SPECIALS

News about events and festivals, backed by the industry but independent in content. Find out more: info@cultureelpersbureau.nl

2001 is a film you should see again every 10 years. The sf epic even stands up to live orchestra

Does live accompaniment with choir and orchestra make Kubrick's 2001 a different or better film? Not necessarily, but as an homage and event, it is a wonderful gesture. Even on the hard bucket seats in the Gashouder, it is once again a breathtaking experience. Last night, at the Gashouder on Amsterdam's Westergasfabriek grounds, finally revisiting Kubrick's science fiction epic 2001: A Space Odyssey. This... 

Read More "2001 is a film you should see again every 10 years. The sf epic even stands up to live orchestra

Extremely imaginative Master and Margarita gets cheering reception on #HF12

Shakespeare had it, Oscar savage had it, Monty Python had it and Simon McBurney has trucks full of it. So it is British and it is called humour, or rather the ability to show the absurdity of life as simultaneously hilarious and deeply tragic. And let that also apply to Russian Mikhail Bulgakov. So his unfinished novel The Master and Margarita has now had to wait almost 75 years for a director like Simon McBurney to turn it into theatre.

Read More "Extremely imaginative Master and Margarita gets cheering reception on #HF12

Those who are not already become Kubrick fans now. Exhibition and all films at EYE, kicking off on #HF12 with 2001 plus orchestra

Hear Vera Lynn sing as the atomic bombs explode in Dr Strangelove. Stanley Kubrick did wondrous things with the music in his films. Rightly so, the Holland Festival is making space for a special screening of 2001 with orchestra. Space ships to Strauss' waltzes, prelude to a Kubrick summer. Much has been written and speculated about the films of Stanley Kubrick (1928-1999),... 

Read More "Those who are not already become Kubrick fans now. Exhibition and all films at EYE, kicking off on #HF12 with 2001 plus orchestra

The Red Kimono: a fine painting but mediocre musical theatre #HF12

It begins beautifully. Prominently displayed on stage is Breitner's painting The Red Kimono. And not a copy, but the real thing, which is further underlined by the Stedelijk Museum's large number of crates, on which the musicians of the Hexagon Ensemble are also placed. Actor and dancer Michael Schumacher casually walks up to it and looks at the painting for about a minute - the average time a museum visitor looks at a painting.

Read More "The Red Kimono: a fine painting but mediocre musical theatre #HF12

In Accordion Wrestling, 10 Finnish wrestlers compete with 1 accordion player. The weirdest show on #hf12

One by one, Helsinki Nelson's wrestlers come running onto the stage of the City Theatre. On the mat is the biggest of the bunch, lying on his stomach, stretched out in a defensive position. Alternately, his opponent tries to tip him, pushing him flat on the mat with both his shoulders. In vain. Accordion punk rocker Kommi Pohjonen comes on, and... 

Read More "In Accordion Wrestling, 10 Finnish wrestlers compete with 1 accordion player. The weirdest show on #hf12

Less is more? No, less is FAR too much, by Michael Nyman's Potemkin. #hf12

Two days later... Sometimes you don't quite know what to write: even reviewers have writer's block from time to time. Fortunately, Jenny Diski of London Review of Books published a blog just Friday about the functionality of not being able to write (yet). Apparently, more time was needed. Anyway, at some point you have to tie the knot. ... 

Read More "Less is more? No, less is FAR too much, by Michael Nyman's Potemkin. #hf12

With her heavenly voice, Shara Worden seems to transcend time and space #hf12

Shara Worden bounces lithely across the Bimhuis stage, dressed in a weird, multicoloured fairy outfit with plush balls. And she sings the stars from heaven, with insane timing and agility. Her heavenly voice seems to dance with amazing dynamics. From frighteningly subtle and rarefied, from warm and deeply resonant to shuddering high notes at hurricane force. She... 

Read More "With her heavenly voice, Shara Worden seems to transcend time and space #hf12

Without electric guitars, Bryce Dessner's orchestral music sounds best; Greenwood's 'There Will Be Blood' a highlight of #HF12

It is not usual, but it must be said: the Amsterdam Symfonietta is a tremendously beautiful ensemble. The musicians all look beautiful, they handle their instruments beautifully and they play beautifully. They look alert, active. That helps with being liked, we all know, and that active look is down to their formula: they usually play without a conductor and so have to be incredibly attentive to what is going on around them. Looking dully at the conductor makes you ugly.

Read More "Without electric guitars, Bryce Dessner's orchestral music sounds best; Greenwood's 'There Will Be Blood' a highlight of #HF12

#hf12: Addio alla fine is matchless dance, but the boat trip there and back does not bring the message out strongly enough.

We live in destructive times. Nature, art and culture, the inner life: they are breaking down under the tyranny of money, commerce and efficiency. Emio Greco and Pieter C. Scholten take a stand against this. Addio alla fine is an all-in experience in the form of a boat trip to an unknown place, where the audience is immersed in dance, music and... 

Read More "#hf12: Addio alla fine is matchless dance, but the boat trip there and back does not bring the message out strongly enough.

#hf12 Shara Worden speaks about All Things Will Unwind. And sings a new song

Multi-instrumentalist and singer-songwriter Shara Worden - also known as My Brightest Diamond - is waiting for me, armed with her ukulele. Just before the interview, she wrote a new song. Worden laughs: "There are way too many videos on the internet of me playing the same songs over and over. I thought I should try something new." The Dodo was there... 

Read More "#hf12 Shara Worden speaks about All Things Will Unwind. And sings a new song

Nearly dies Wunderbaum's Detroit Dealers from an overdose of ideas, but survives through unexpected musicality #HF12

In Detroit Dealers, Wunderbaum mixes a personal family story with the decline of Detroit, once one of the most influential industrial cities in the world, and philosophical musings on the car, as a romantic metaphor of progress and the American Dream. The show swings in all directions. Detroit Dealers is part documentary film, jazz concert, performance, spoken word poetry, rap battle, and theatre. This overdose of... 

Read More "Nearly dies Wunderbaum's Detroit Dealers from an overdose of ideas, but survives through unexpected musicality #HF12

Passio-Compassio calls for philosophical reflection. A socratic dialogue. #hf12

Dodo reviewers Maarten Baanders and Mariska van der Meij both attended the performance Passio-Compassio, and struck up a conversation. - From the programme book of Passio-Compassio - All people experience suffering, regardless of religion or cultural background. Like love, suffering also results in passion. Art and religion are both capable of transcending the cycle of suffering and passion. If... 

Read More "Passio-Compassio calls for philosophical reflection. A socratic dialogue. #hf12

Faustin Linyekula stages the "fundamental resemblance between Negroes and ballerinas" with "La Création du Monde" (Fernand Léger, Darius Milhaud), #HF12.

The 1923 Afro-Cubist dance classic can be seen at Music Theatre today and tomorrow, commented on by Congolese choreographer Faustin Linyekula. "Europeans have no idea that they are denying the shared history of Africa and Europe. Belgium is part of everyday life in Congo, but Belgians hardly know anything about Congo, or it is the clichés about poverty 

Read More "Faustin Linyekula stages the "fundamental resemblance between Negroes and ballerinas" with "La Création du Monde" (Fernand Léger, Darius Milhaud), #HF12.

How a Martian looks at opera

Or: the familiar becomes utterly alien here. Or: embracing meaninglessness as the first principle. One hundred years after his birth, John Cage takes centre stage in HF weekend.

Ever since Reinbert de Leeuw played it in the fastest talk show on Dutch television, John Cage's 4'33" has been a well-known composition in our country. For exactly four minutes and thirty-three seconds, the musician does not play a single note and the audience hears nothing but the ambient sounds.

Read More "How a Martian looks at opera

No-nonsense audience does not care for tour de force of anti-pale dance in Révolution

Eleven poles are atmospherically lit like a nightclub. Dancers enter and make their way to their work stations. They will walk around their poles in a two-hour shift. They are not the only ones: audience members also start walking, towards the exit. Yet the dizzying repetitions of the hard-working ladies are effective. However, the transcendental minimalism will turn into a... 

Read More "No-nonsense audience does not care for tour de force of anti-pale dance in Révolution

Fedja van Huet's lost dinner jacket and other Toneelgroep Amsterdam mysteries #HF12

Anyone who might think that making a stage show is a simple one-two punch of a genius director with a good team of creatives and perfect actors is wrong. Only, as a spectator once attending the performance, you don't notice any of that. And that is just as well. You come for the performance and you won't care if... 

Read More "Fedja van Huet's lost dinner jacket and other Toneelgroep Amsterdam mysteries #HF12

Blood-soaked Macbeth fits festival theme perfectly but fails to touch #HF12

Imagine Arjan Robben. The much-troubled frontman of the Dutch national team has just seen a brilliant move rewarded with a penalty and he is ready to take it. Up comes a field hand with a new set of adhesive letters for his shirt because the numbers are no longer legible from the stands. Lots of lashing, shirt off, seconds glue. Circumstances, in short. After two minutes, the fielder is gone, the number readable and the referee's whistle sounds. Then try to hit the target.

Read More "Blood-soaked Macbeth fits festival theme perfectly but fails to touch #HF12

Waiting for Miss Monroe a feast for the mind. But with earplugs in. #hf12

Soon, Twitter brought an initial reaction to Waiting for Miss Monroe, Robin de Raaff's opera that had its world premiere at the Stadsschouwburg last night. @DavidMPinedo: What an atrocious opera Raaff's 'Waiting for Ms. Monroe' is. An atonal fart that has NOTHING musical. Just screaming. And a second. @sandraeik: Exciting world premiere Waiting for Miss Monroe - incredible performance by Laura Aiken as Monroe.... 

Read More "Waiting for Miss Monroe a feast for the mind. But with earplugs in. #hf12

Popcorn polishes off rock 'n' roll #hf12

Popcorn wants to build bridges and dissolve borders; away with the differences between high and low culture. Covers of the band's favourite songs are interspersed with new compositions, thus blurring boundaries. Unfortunately, they do not succeed in this and the band sounds mostly academic and soulless. Popcorn is an experimental performance in which a composite band seeks to bridge the gap between... 

Read More "Popcorn polishes off rock 'n' roll #hf12

Enfant terrible Boris Charmatz puts finger on sore spot with confrontational choreography about the elusive child

 With enfant, choreographer Boris Charmatz broaches a difficult topic: how do we as adults deal with ourselves, and how do we deal with children? Charmatz draws on the French philosopher Lyotard, who pondered the "inhumanity" of adults and saw real people in children. The current image about physical contact with children is distorted and it is... 

Read More "Enfant terrible Boris Charmatz puts finger on sore spot with confrontational choreography about the elusive child

Mahler Chamber Orchestra happily flirts with Haydn, but Russian composers will make you laugh #hf12

True story. There is laughter in classical music. At many an orchestral rehearsal, the viola jokes are all over the place. And in the Concertgebouw, you might catch some mock chuckles. But classical composers are not known for their humour. Except Joseph Haydn. The Viennese composer brought a cosy witticism to his works here and there. One of his... 

Read More "Mahler Chamber Orchestra happily flirts with Haydn, but Russian composers will make you laugh #hf12

As gentle and intelligent as the very young dancers are handled, reactions to Boris Charmatz's 'Enfant' #HF12 are often wild.

Youth these days mostly evokes the thought of danger. Society suffers from a distorted ideal image that leaves real children little room to play. Eventually, therefore, they rebel in Enfant. But until then, the very young performers still mainly have the role of adjunct or capstone, complement or extension of the nine adult dancers. The new... 

Read More "As gentle and intelligent as the very young dancers are handled, reactions to Boris Charmatz's 'Enfant' #HF12 are often wild.

In the wonderfully subtle The Speaker's Progress, Shakespeare's farce suddenly becomes a revolutionary weapon #hf12

Tight-lipped. Freshly cut. And with a beatific, apt voice, The Speaker - played by director Sulayman Al-Bassam - looks like a slick public relations man. Or better: a civilised Arab dictator with an Oxford degree. One of those who is supported by the West and deeply hated by his own people. He steps behind a lectern and narrates. Once upon a time,... 

Read More "In the wonderfully subtle The Speaker's Progress, Shakespeare's farce suddenly becomes a revolutionary weapon #hf12

Dodo Holland Festival journal becomes Dodo Holland Festival Hangout #HF12

 We already have one episode on it, and it was of course a huge success, but right at the climax you have to start something new. That's why tonight at 22:30 we have a new thing: The Dodo Holland Festival Hangout. Live, interactive and online. Innovative, in other words, as you know it from us. You know them: those reporter trucks with metres of spaghetti... 

Read More "Dodo Holland Festival journal becomes Dodo Holland Festival Hangout #HF12

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