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Krisztina de Chatel in A frenzied mastery

Truly something to look forward to. Krisztina de Châtel's emotions come unstuck in A frenzied mastery

'A frenzied mastery' is the name of the documentary that Manon Lichtveld and Bas Westerhof made about Krisztina de Châtel. The emotions really hit home when visiting their parents' home in Hungary. We met them in the Rabozaal of Stadsschouwburg Amsterdam. They were also filming. Bas Westerhof and Manon Lichtveld. Cameraman Leo van Emden and I followed Koert... 

Our readers' list. What we should all never forget from 2017.

Well, we're not big on hypes and traditions here, but still. The dark days around Christmas are very dark this year, so why not something with lists. This year, no list of toppers from the editors, but random entries from random readers, in random, if slightly alphabetical order. Motto of the readers' question was: which things... 

More diversity in the cultural workplace? 'They are not there' does not exist. The ball is now in employers' court: look outside your own box and show guts. #LinC

When I write job postings in the cultural sector, I receive wonderful letters. Candidates are usually graduates in an arts-related subject from a college or university and have internships or work experience at cultural institutions of repute. They are usually female, white and have completed their studies with fine grades. Yet I struggle with a problem: I live and... 

IDFA 2017: digital pioneer Jonathan Harris switches to analogue

With a 500-million-year-old pebble, Jonathan Harris began his lecture. IDFA presents the first international retrospective of this artist. As IDFA's chief guest, Harris gave the 'Master Talk' on Friday, about his life and work. His remarkably analogue vision was also the common thread during Sunday's well-attended DocLab conference. Fundamentally analogue Harris, who once started out in computer science... 

The only one - review in letter form (Why Peter Perrett is a true survivor)

Hey H., Tonight I went with J.P. to see Peter Perrett & Band at Paradiso, Small Hall. Sold out! I've told you about J. before, he was the deejay who gave me a 'crash course' in sincere music at the Eindhoven Bakery when I was 15 (1988). Before I tell you about Peter Perrett and why his music is worth... 

Films at ADE: The rock doc as an IKEA package.

On the fringes of Amsterdam Dance Event, I saw two music documentaries that expose why this genre is often problematic for the cinephile. Both films have their fine moments, but ultimately fall short for those who desire more than mere information transfer in television format. A sympathetic Goth Are 'friends' electric? is title and big hit (1979) by British synth-pop pioneer Gary Numan,... 

Conny Janssen Danst could turn the whole world into a dance set

I actually experienced it once! In the middle of a theatre performance, an elderly lady, who had nothing to do with the story, walked onto the stage. She must have got lost in the interval and ended up behind the wings through a door that was accidentally open. While the actors were engaged in a deeply serious Hamlet, she came laconic 

How intimate can choreography be? - Conny Janssen Danst celebrates anniversary with exhibition at Kunsthal

Conny Janssen Danst celebrates its 25th anniversary. To mark the occasion, the Kunsthal in Rotterdam will be stage and laboratory for Conny Janssen, her dancers and her team for three weeks. A video installation, performance, live rehearsals and an exhibition will portray the point at which the group has arrived on its development journey. Unorthodox "My start with the group 25 years ago was... 

Humour, marinated in tears on a bed of melancholy. Perfect day on Boulevard

The prize for the longest and most artful kiss of 2017 has been given away and goes to Conny Janssen Danst. In a small tent on the square below Bossche Sint-Jan, this danced kiss forms the technical and dramatic highlight of Clarity. Two dancers, spinning pirouettes while keeping their lips connected, a video artist and the floating music performed live by iET were on Saturday ... 

No man can escape Nottrots Thundering Time. (Theatre with built-in escaperoom)

'Can I ask you: do you know what time is?' Greg Nottrot's question cannot be straightforward, as I am the only spectator. MIjn spot is uncomfortable: a chair sinking into fresh gravel on the curious Utrecht plain christened 'Berlinplein' by city developers. I witness an early rehearsal of De Denderende Tijd. In that... 

Robert Lepage pulls out all the stops in '887'. (Because we forget so much.) #HF17

Twenty-five Canadians are listed for design and production of sound, video, music, lighting and stage technology. Nine Canadians are working behind the scenes for two hours. During those two hours, one Canadian is on stage. In front of six hundred spectators. What those 35 people have all managed to pull off tickles your imagination and tells... 

Boris Charmatz

Danse de Nuit in the Bijlmer: 'Of course we want to influence public space' #HF17

Boris Charmatz has been a guest at many editions of the Holland Festival with impressive, provocative, socially engaged, finely composed and conceptually strong dance performances: Aatt enen tionon and Con forts fleuve (both in 2001); 50 years of dance (2010), Enfant (2011) and Manger (2015). His latest choreography, danse de nuit, premiered in Geneva last September. During the Holland Festival... 

Rewire 2017 in 10 shots: Festival for radicalism with a smile

Do it. Make it. Don't care about others. Don't think about the consequences. Then sit on the blisters for a while, they will heal again. Starving for a while for art is not bad either. So choose your own path and enjoy every step. Above all: live in the here and now, all the time. History becomes... 

Finds inside (Misha Mengelberg 1935 - 2017)

There is sound; a notion of impotence; a programme without a head or tail; there is power, chatter, compassion; there is nothing but also a vista, blurred image full of action and opposition. Moreover, the language seems a bit overwrought here and there. Of course, incoherent drivel can be cosy, or moving. Under circumstances, meaningfulness may be possible, but it will not... 

Photographer Ed van der Elsken liked to colour outside the lines

If he could have, photographer Ed van der Elsken would have preferred to have a camera built into his head, to capture the world twenty-four hours a day. What he did manage to make are countless beautiful photographs, films and books. The Stedelijk Museum in Amsterdam shows his rich legacy at the major exhibition The camera in love. He was... 

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