In navolging van Denemarken heeft nu ook Nederland zijn eigen Dogma-manifest. Een bescheiden, maar ook ambitieus statement van twee jonge filmmakers die na een seizoen vol rumoer en zorgen over de Nederlandse film een verrassend helder plan presenteren. Of het een kiezelsteentje of een grote kei in de vijver is, zal moeten blijken. Ze gaan in ieder geval iets doen,…
Our administrators and elected representatives will not openly admit it, but they do not really care about a healthy cultural sector, let alone the position of individual creators and artists. Indeed, making a Fair Practice Code compulsory without increasing the budget for culture is a slap in the face for everyone working in the arts sector. 'Then be...
'If we continue at the current rate, the fund will be exhausted in the foreseeable future.' This can be read in the 2018 annual report of the Performing Arts Social Fund. Plenty of reason to sound the alarm, indeed. Is this yet another victim of the cabinet's cuts? Not really, it turns out. When you look at the documents in detail, you see mainly that...
‘Hier ga ik niet iedereen blij mee maken.’ Deze woorden sprak minister Ingrid van Engelshoven uit tijdens het debat over haar uitgangspuntennota, vorige week donderdag. Ware woorden. De glans van haar ministerschap is er inmiddels inderdaad wel af. Van Engelshoven is, na Bussemaker, de tweede cultuurminister die Mark Rutte’s cultuurbeleid moest uitvoeren, en niets anders te bieden had dan een…
How harrowing the payment of artists, musicians and theatre actors, screenwriters and all those other 'creators' is, became clear again in recent weeks. In newspaper Trouw, a musician - finally - came out of the closet of poor working conditions. Against the prevailing mores, she revealed how much she earned. What transpired: top national institutions like the Concertgebouw allow musicians to perform for free, orchestral musicians...
The dance film occupies a unique place among the film offerings. Not driven purely by psychologising or text, it offers every opportunity for experimentation in form and content. But that also means it is difficult to place. And therefore difficult to make. The second part on the growing pains of the dance film features 2 dancers and performance artist....
Er wordt heel wat gemopperd op de Nederlandse film: hij is te braaf, niet creatief genoeg, er is te weinig experiment. Er is echter één klein eilandje waarin andere wetten gelden. Waar soms met stevige budgetten en soms voor een appel en een ei films worden gemaakt die een andere taal spreken: De dansfilm. Geen gepsychologiseer, geen eindeloze dialogen, maar…
The Cinéma Arabe festival is a stage for Arab cinema and aims to contribute to social debate. It celebrates its 15th anniversary this year, but is struggling with a tight budget.
Dankzij een tip van een lezer zagen we dat in Eindhoven gedoe is rond subsidies. Nu gebeurt dat wel vaker, maar hier was iets speciaals aan de hand. Het Eindhovens Dagblad meldde (Blendle link €) dat de voltallige Raad van Toezicht van de Stichting Cultuur Eindhoven was opgestapt. Er was stront aan de knikker omdat, zo schrijft het ED, de…
On 11 April 2019, the Council for Culture put a shovel in the dykes of the polder that is the Dutch cultural system. After all, the basic infrastructure, established in 2009 to finally bake renewal and flow into the system, is dead. The structure carefully conceived over years has been turned into a ruin by 10 years of cultural policy in which the...
Ook de Nederlandse cameralieden voegen zich in het koor dat zich zorgen maakt over de Nederlandse film. Het New Deal-manifest draagt suggesties voor verbetering aan.
In 2014, Morgan Knibbe (1989) made the short film Shipwreck, about the aftermath of a horrific shipwreck on the coast of Lampedusa in which 350 refugees drowned. Shortly afterwards, he made his first feature-length documentary, also about refugee issues: 'Those Who Feel the Burning'. This very impressive, original and visually strong film was one of the best Dutch films of the last...
When the Council for Culture released its long-awaited musical advice a month ago, its president Marijke van Hees was remarkably nervous. This was particularly evident in her choice to act as moderator at her own presentation. When there, at Amsterdam's Allard Pierson Museum, came (very mild) criticism of the advice, she shot to the defence. That became...
Uit een enquête blijkt dat Nederlandse filmmakers zich grote zorgen maken over de productieomstandigheden en kwaliteit van de Nederlandse speelfilm. Het Filmmakersinitiatief wil de discussie aanzwengelen en oplossingen aandragen. Een symposium als aftrap.
The art world needs to be more entrepreneurial. The VVD thinks so, D66 thinks so, in fact the entire Lower House thinks so. But how do you get that combined with the 'intrinsic value' that the last two culture ministers say it should also be about? The Council for Culture has now, in response to a question from minister Ingrid van Engelshoven in March last...
The Performing Arts Fund is failing to professionalise and make the music theatre sector sustainable. So says the Council for Culture in an advice leaked yesterday on the future of music theatre in the Netherlands. The advice presented today to the rest of the Netherlands therefore wants to transfer more different music theatre makers and companies from the Performing Arts Fund to the Cultural Basic Infrastructure. This partly...
Some people read Christmas stories over Christmas, others the interview supplements of newspapers, and a few do so with policy documents. So, quite a few people have read our Culture Minister's 'Advice Request' in the past few days. I, at least. Those who 'officially' cannot have done so are the members of the Culture Council, because the whole package came...
'Indecent and rude,' is how Miep van Diggelen, former chairman of the board of the Performing Arts Social Fund (SFPK), calls the actions of the board of that same fund. That board, or at least about five members of the seven-member board, decided - outside the official meeting - to withdraw a subsidy application they had initiated earlier, without having read it. The promising...
Linda Huijsmans and yours truly catch you up in half an hour on what matters in the art world. From now on, biweekly on this channel, and of course you can listen via Spotify, Apple Podcasts, Google, you name it. You can find the whole rundown here. And we also have a call at the end. For someone who will help us raise funds for...
Goed nieuws van de cultuurfondsen: ‘diversiteit’ wordt een serieuze voorwaarde bij de vraag of je subsidie krijgt voor je culturele ding of niet. Natuurlijk zal een en ander tot discussie leiden. Om te voorkomen dat mensen terugvallen op het Jeroen Pauw-argument (wij willen wel vrouwen in de uitzending, maar er zijn niet genoeg goeie die ook willen), stelt de groep…
This is an extraordinary story about crowdfunding avant la lettre and an urban 'bourgeoisie' that for once does not vote by refendum against throwing money at modern art. In Switzerland, no less. Kunstmuseum Basel made a small, fine, incisive exhibition about it, on show until 18 August, 2018. Ideal for a stopover on the way to Italy. If you do have a moment...
The cultural sector is sometimes behind, but more often ahead. In the - otherwise very much to be welcomed in terms of content - advice issued by the Amsterdam Arts Council on the future of the local Stedelijk Museum, you can read that job security in the art sector is once again under pressure. Especially for young entrants from 'diverse' backgrounds: 'Preferably, the museum will make greater use of...
Thursday 17 May opens SPRING Performing Arts Festival in Utrecht with, among others, Sic Transit Gloria Mundi by Dries Verhoeven and to come (extended) by Mette Ingvartsen. Over ten days, more than twenty-five international dance and theatre productions, installations and performance works will be on show in public spaces and urban environments. A week earlier, festival director Rainer Hofmann looks relaxed. 'Until now...
Whether the artists performing on DWDD got paid for their performance. Esther Ouwehand of the PvdD did not know. She was not the only one, at the roundtable session on Wednesday 25 April on the labour market in the cultural sector. None of the MPs, fund managers, trade unionists present knew. So we asked on facebook and twitter how it was even done....
Opinions differ on the size of the pot of money waiting for them, but 'urban' makers in particular do not yet know how to find their way to our art subsidy system. That is why the three cultural funds that deal mainly with performing arts have appointed ambassadors in a number of Dutch cities. These 'Matchmakers' should narrow the gap between The Hague and 'the region'....
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