Amsterdam, 10-10-2012 - Already last summer, the Dutch Chamber Choir (NKK) through our country, working with amateur choirs at surprise station concerts to draw the attention of the general public to its seventy-fifth anniversary. In the coming weeks, this anniversary will be celebrated with a series of concerts in seven different cities, under the recruiting title 'A tradition of renewal'.
'Pearls' is an exhibition with the limitlessness, fantasy and dreamlike vistas that come with a fairy tale. Associations with the pearl roll in all directions. Those who wander around in 'Pearls' forget for a moment everything to do with sober everyday reality. Pearls appear everywhere. The works of art accompanying this exhibition are scattered among the fixed...
It is now becoming clear where the laissez faire-laissez mourir (let it be done, let it die) policy of Halbe Zijlstra, Martin Bosma and Mark Rutte will lead. Of the dozens of institutions that will close, downsize or die off in the coming months due to vacancy of quality staff, the demise of the Theatre Institute of the Netherlands (TIN) is starting to take on very tragic proportions.
The press presentation of the open-air opera Orfeo ed Eurydice at Soestdijk at the time attracted just under a hundred people press and sponsors. At the presentation of the performance 'Much ado about nothing', The Utrecht Games attracted only a handful: someone from weblog cultuurpodium.nl, two people from the Stadsblad Utrecht and an indeterminate camera crew who had come exclusively for Suzan Visser....
Imagine Arjan Robben. The much-troubled frontman of the Dutch national team has just seen a brilliant move rewarded with a penalty and he is ready to take it. Out comes a field hand with a new set of adhesive letters for his shirt because the numbers are no longer legible from the stands. Lots of lashing, shirt off, seconds glue. Circumstances, in short. After two minutes, the fielder is gone, the number readable and the referee's whistle sounds. Then try to hit the target.
Maybe it is also just the wrong choice to see part three immediately after the first two parts. Maybe after a day of you or some settling down you will be able to appreciate Petry's text, on its own merits. Imagine a three-star dinner. A sensuous succession of small and medium-sized dishes, prepared with the...
Young people from Guatemala, nightingales from Northern Ireland and theatre-makers from the interior of Peru. Just some of the guests at the Community Arts Festival to be held in Utrecht in June 2013. Music, film and theatre with ordinary people behind and in front of the scenes, accompanied by professional artists. What else do they have in common?
She has been busy. Highly pregnant, Yasmeen Godder (Jerusalem, 1973) worked on her first choreography for Batsheva Dance Company. In a month, she stomped out her new show The Toxic Exotic Disappearance Act under the wings of Batsheva, and in between gave birth to a healthy daughter. For the third time, Israeli choreographer Yasmeen Godder presents her work...
Art subsidies are better abolished if artists have to reach large audiences. Because then, after all, you distort the market. Logical. You could also decide to subsidise everyone. And that sounds stranger than
To bring in an extra five tonnes, the Netherlands Symphony Orchestra and the Gelderland Orchestra are pulling together. And with success: the provincial governments of Overijssel and Gelderland are absorbing the state's subsidy cut. However, it now turns out that the plans used to rake in that bailout are dubious. Politicians have hardly looked into it. Questions about the business plan came mainly from the PVV in Overijssel, but in Gelderland that same party enthusiastically agreed to the injection of millions after a - remarkably damning - counter-expertise.
In Amsterdam, Holland Festival, Theaterfestival, Toneelgroep Amsterdam and a few more clubs will 'work closely together'. In The Hague, this applies to Het Nationale Toneel and youth theatre house Stella Den Haag, while in Rotterdam
His voice is low, and when he talks, he does so calmly and thoughtfully. He regards his humour - very British - as a side effect that is more accidental than intended. This makes Helon Habila a perfect guest for the opening night of Writers Unlimited, the Hague literature festival better known as 'Winternachten'. The Nigerian can tell stories, but...
Delightful news from the world of Christmas packages. 1/3 of interviewees said they did want to find a cultural experience in the Christmas package, as they visited a cultural actvity less often than they would like: 43% because of the crisis and 35% because of lack of time. Respondents said they would go more often if they got a discount. The proposed merger of...
'Amsterdam loses 127 million arts subsidy' (...) The 127.1 million euros is a sum of cuts from the state (70 million), the increase in VAT to 19% (45.6 million) and the announced municipal cuts to the 2013-2016 Arts Plan of 8 million annually. In addition, the so-called ID jobs (subsidised jobs) are being phased out more quickly. This will give Amsterdam's arts and cultural institutions another...
Arnhem - Scepticism over success of cultural heart Rijnboog Arnhem city council has many doubts about the financial feasibility of the Rijnboog arts cluster. (...) [Alderman] assumes 16 million subsidy from the province and another 4 million in contributions from sponsors for the new arts centre containing the Museum of Modern Art Arnhem, the Schouwburg and Focus Filmtheater....
Lower House approves Tax Plan 2012 (...) Furthermore, the adjusted Giving Act was also passed. The 7 million euro tax support shifts from cultural institutions to sports and music associations. Source: Belasting.nl 18 Nov 11 Utrecht - Culture may cost something - by Wouter de Heus (...) this week, when I finally saw the renewed operating plan for the Music Palace in...
Haarlem - Money new policy: national cuts softened (...) [theatre, film and production house] Toneelschuur Productions will lose its national subsidy from 2013. This threatens the disappearance of this unique production house. (...) Haarlem is economically heavily dependent on culture. The cuts will therefore not only lead to the impoverishment of our cultural climate, but also to fewer jobs and a blow to the creative economy in...
The New York Times reports that the Metropolitan Opera in New York has brought in record donations this fiscal year. The tally stands at $182 million. This is 50 per cent more than the previous year. However, revenue from ticket sales has been declining for a few years. In addition, since general manager Peter Gelb took office, spending patterns are soaring....
There was a time, when art did not have to draw full theatres to be accepted by the population. After all, out of the total budget of a municipality, something like art costs no more than a penny, so you don't get worse, while at best you can only get better. So is...
Has state secretary Halbe Zijlstra the Lower House lied or misled in June when he stated that rushing through the culture cuts was necessary to absorb friction costs? Or does it just turn out to be improper governance?
Often, publicity texts conjure up an inappropriate image of the performance they refer to. "The air base as a no man's land: a military state wiped out and where nature has taken over the area," is one such. The text belongs to Welcome in the human zoo, an experiential theatre performance created by Suze Milius and Bram Jansen. Such a sentence evokes associations....
Pim van Klink is his name. He has been popping up everywhere lately. Especially when the malicious subsidy orientation of the cultural sector needs to be pointed out, every medium calls Van Klink first. Last week, he once again threw his hobbyhorse into the henhouse in the NRC and was invited to join Buitenhof. And according to our trench-coat-clad...
'And why do all these art institutions have to open on Mondays, Tuesdays, Wednesdays and even Thursdays? I don't understand that. I'm far too busy working on those days.' Just a question during the Paradiso debate,
In very different places, people can sometimes have the same idea. And even more sometimes, those similar ideas both lead to something wonderful. A couple of years ago, thanks to Brabant theatre Bis, mime company Kassys performed the beautifully sad tragedy 'Kommer', in which colleagues spent pointless time in a mourning room full of lease plants. Every gratuitous phrase was magnified by powerfully helpless gestures to the...
'Your audience will love it.' That was the last thing Liz Lecompte of the Wooster Group heard from the heirs of playwright Tennessee Williams shortly before the premiere of Vieux Carré. Since then, the trustees of the estate of this American monument have been keeping quiet about the performance Lecompte created. It was the end of a long period in which...
English (UK) 
Nederlands 
Français
You must be logged in to post a comment.