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Mozart

Concordia still continues to show theatre performances

In the coming weeks, you can enjoy the following livestreams at Concordia: Storyteller, Shaffy, Next Generation, Most Beautiful Songs and Cameretten finalists. More information about the performances below. BOI AKIH - Storyteller Theatre programmer Ellen saw this band at Podium Witteman a while back and thought it was so cool that she immediately booked them. Especially for this evening, there will be a... 

'A structural show of love for the arts and culture from The Hague is needed in the Netherlands.'

Dear outgoing Prime Minister Rutte, Dear Mark, In my capacity as a self-employed person working in the performing arts, I am writing you this letter. This is my first letter ever about the situation of the cultural sector, culminating in corona time. First by way of introduction: we met when I played a Scarlatti sonata especially for you at the TV programme Podium Witteman, and also... 

Gaudeamus: as a 75-year-old younger than ever

Anno 2020, Music Week is buzzing like never before. Even corona has barely caught on. How many 'Mozarts' have emerged by now I will leave open, but the rich and varied off- and online offerings create some choice stress. At 75, the organisation is younger than ever: Gaudeamus is the place to be.

Down with the veil! Three gutsy girls found Iranian Women Composers Union: 'We want to form a global home front'

Things can change. In 1979, Iran changed from a Western-oriented secular state to a spiritual dictatorship, where Islamic leaders call the shots. Women must henceforth go through life veiled and music is banned as extremely sinful. Four decades later, three women founded the Iranian Female Composers Association. In America, though. 'Music is like a drug, those who feel... 

HOLLAND FESTIVAL ONLINE PROGRAMME 2.0-2.0

From 11 to 21 June, the Holland Festival will present an online programme as close as possible to the core and essence of the original programme, which was cancelled due to the corona crisis. Together with artists from around the world who were due to perform in the 2020 festival, an alternative online programme has been put together. The festival theme, suggested by... 

A great 2020 with the Holland Festival, vacancies and aus LICHT Opera of the Year

The Holland Festival wishes you a happy 2020! The full programme of the 73rd festival edition will be announced on 11 February. You can already order tickets for the five productions below. Also in this newsletter: vacancies for a head of operations/controller, an employee development and interns for the communication & marketing and production departments; and aus LICHT named Opera of the Year 2019.... 

Lazarus in Dutch premiere: it's Valentine's Day!

Before I say anything substantive about Lazarus, Sunday 13 October the musical premiere for people who never go to musicals, a few misunderstandings the world over. First of all, the album Blackstar, which David Bowie released three days before his death on 11 January 2016, is NOT the soundtrack to Lazarus, his musical that was released a month before his death.... 

Pity the Poles! Intense suicidal sadness in stage adaptation of Kafka's 'Trial'.

You must be a Pole. That, as the Dutch premiere of 'Process' at the Holland Festival showed, is no laughing matter. This performance, an adaptation of Franz Kafka's famous novel of the same name, conveys that feeling very poignantly. Five hours long, interrupted only by two half-hour intermissions, during which a mackerel sandwich can be eaten. Or a bowl of mixed nuts. Observant... 

Why it's good that De Nederlandse Reisopera is coming to you with Die Tote Stadt.

In 1920, Erich Wolfgang Korngold experienced triumphs with his psychological opera Die tote Stadt. The work was performed in more than eighty cities at the time, with unanimous critical acclaim. The opera then disappeared from the stage for a long time but is nowadays performed again sparsely. So it is good that the Nederlandse Reisopera is bringing this almost forgotten piece back to the stage.... 

Music publicist Maarten Brandt: 'For one note from Mahler's Ninth, I would give the gift of Shostakovich's entire oeuvre'

Sounding Alchemy, is the name of the chunky volume recently published by music publicist Maarten Brandt (1953). It has 715 pages, including illustrations and an extensive index. In 98 articles, Brandt unfolds his views on music and music programming. He dedicated the beautifully designed book to his admired Marius Flothuis, programmer of the Concertgebouw Orchestra for many years. His heirs received a first copy during... 

Martin Crimp on Lessons in Love and Violence at the @hollandfestival: 'The past is a playground, in which I can escape from the rolling news.'

No love without power relations. And certainly not when that love takes place in a royal bedroom. That bedchamber is now the setting for a tragic love triangle between a king, his lover and his wife in Lessons in Love and Violence, the third opera by English composer Georges Benjamin and playwright Martin Crimp. The Elizabethan drama Edward II... 

Composer Marijn Simons: 'Everything is about timing'

Although the press picks it up only sparsely, not only the NTRZaterdagMatinee pays much attention to Dutch composers. Indeed, they are also well represented in the AVROTROS Vrijdagconcert (formerly De Vrijdag van Vredenburg). In 2014, for instance, Joey Roukens wrote The building of the temple to mark the reopening of TivoliVredenburg. Two years later, the season opened with Atlantis by Robin... 

La clemenza di Tito: scorching performance by Teodor Currentzis & musicAeterna

Classical music matters again. - At least if we judge by the protests against the Stockhausen project and the fierce polemics about opera directors' interventions. Teodor Currentzis and Peter Sellars' La clemenza Di Tito, for instance, caused controversy even before its Dutch premiere. They deleted the interminable recitatives and added music from Mozart's Mass in... 

Peter Brook: everything in the universe can be extraordinary.

In the early 1990s, I am sitting in a small auditorium at The National Theatre in London. Before the performance starts, someone on stage asks if you want to greet the visitors next to you. This immediately creates a different, more intimate dynamic in the auditorium. On a tight stage with only a few props are four actors and an Arab musician. Yoshi Oida... 

Between nappy and dishes - the (in)visibility of female composers

Amsterdam, 8 March 2018. Today is Women's Day, no one can fail to notice. The media are brimming with articles about women's unequal pay and their still limited representation in prestigious positions. Whether in politics, business, academia or the arts. Perhaps the most conservative is the classical music world. There, the female composer has yet to... 

Save and destroy: charge against squandering cultural heritage

A Saudi prince is paying $450 million for a mediocre painting by Leonardo da Vinci; a Dutch politician is pledging a crate of beer for a new composition. In a nutshell, these two extremes capture our current dealings with culture. Total contempt on the one hand and unimaginable overvaluation on the other are two sides of the same coin. We do not judge art for its... 

Mantra (I): Pushing for Jussen brothers swaying Stockhausen #HF17

Lucas and Arthur Jussen are 'hot'. You could call the young piano brothers the headliner of this Holland Festival Proms. Well before the start of their concert, visitors are therefore already gathering in the corridors around the main hall of the Concertgebouw. Everyone is out for a good seat. To sit, because standing, as we know it from... 

Jussen piano brothers step out of their comfort zone at Holland Festival #hf17

Among classical music-loving audiences, the two young pianists Lucas (1993) and Arthur (1996) Jussen need little introduction. For many years, the talented piano brothers have been filling halls like the Concertgebouw with four-handed or otherwise, interpretations of classics such as Beethoven, Mozart and Schubert. With the avant-garde piece Mantra by Karlheinz Stockhausen (1928-2007), to be performed as part of the Holland Festival,... 

Composer George Crumb gives like button a break #HF17

The doors are closing and the society of spectacle, as described by Guy Debord, remains outside. George Crumb (1929) - in focus at this year's Holland Festival - unpacks contemporary man with his Metamorphoses, Book I (which has its European premiere Friday night). Gone, then, goes the shell of the ongoing pandemonium in which a diarrhoea of word, image and sound meet... 

Don't leave respect to the free market

The SER report published on Friday 21 April rubs it in nicely: the cultural sector is on the verge of collapse. It is even worse than a year ago. This shows that the patience of a PvdA culture minister over the past four years has not helped. Indeed: Halbe Zijlstra's multiplier of misery is doing its job entirely as expected.... 

The Britten Youth String Orchestra is 10 years old. Conductor Loes Visser: 'I'm still learning every day'

Already during her studies, Loes Visser (1959) formed the Alpha Chamber Orchestra. In 1990, she initiated the Adamello Ensemble and, seventeen years later, she founded the Britten Youth String Orchestra, with which she is now celebrating its second anniversary. What drives her and what are her best experiences? Chamber orchestra "I founded the Alpha Chamber Orchestra because there was a need",... 

How I found love for opera in Sexyland. (And how you can too) #0FF17

A prelaunch of the Opera Forward Festival OFF [hints]From 18 to 31 March at De Nationale Opera (formerly the Muziektheater/Stopera)[/hints], among other venues, was organised last night at Amsterdam's new society Sexyland. I was impressed. Pretty surprising. Opera Nopera Disclaimer: the author of this one is not an opera director. The last two operas I saw were both by Philip Glass (the true... 

Stop whining about ageing audiences at classical concerts

Last weekend, I attended a coffee concert by the baroque company The Continuo Company. At 53, I was one of the youngest visitors. Around me wrinkled faces and grey hair. I increasingly hear that ageing audiences for classical music are a problem. I think this is big nonsense and am becoming increasingly annoyed by this... 

Ivo Pogorelich shocks Eindhoven and streams on Idagio

'It took me 18 years to make a new recording,' Croatian pianist Ivo Pogorelich (1958) says with a modest smile. 'Just as much time as it takes a baby to come of age.' It is Wednesday, November 2. A special moment, because on that day Pogorelich's CD-less new recording of Beethoven's Piano Sonatas No 22 and No 24 will go on... 

toer-van-schayk-requiem-het-nationale-ballet-hollandse-meesters

Choreographer/artist Toer van Schayk is an inspired human being

The enthusiasm that characterised Toer van Schayk and his generation of choreographers is disappearing. With the programme Dutch Masters, the Dutch National Ballet is honouring an era. The success of Toer van Schayk and his generation If it is up to the public, the master ballets of the three great Van's (Rudi van Dantzig, Hans van Manen and Toer van Schayk) may stay for a while longer. As one man stood... 

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