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Antony and Cleopatra, Tiago Rodrigues. Foto: Magda Bizarro.

'I have no problem at all if spectators want to see Anthony and Cleopatra. But for me, it's about something else.' Tiago Rodrigues writes theatre for dancers.

Anthony and Cleopatra is exactly the kind of repertory piece that people look forward to during the Holland Festival, or any other prestigious stage. Director and writer Tiago Rodrigues manages not so much to deflate that grandiose expectation as to reduce it to the intimacy of a duet and a play with extremely basic theatrical gestures. His two actors are dancers, an experienced choreographer duo 

Read More "'I have no problem at all if spectators want to see Anthony and Cleopatra. But for me, it's about something else.' Tiago Rodrigues writes theatre for dancers.

Podcast: This is how to freshen up the opening of a poetry festival. Poetry International Rotterdam successfully deploys rejuvenation.

The lectern. The lectern. The paper holder, if possible with its own light, which, shining upwards, draws stern shadows of the reading glasses on the poet's face. It is the kind of necessary evil that every poetry or literature festival has to deal with. Only the powerpoint is missing to make it a boring seed onion conference. Poetry International Festival Rotterdam has in... 

Read More "Podcast: This is how to freshen up the opening of a poetry festival. Poetry International Rotterdam successfully deploys rejuvenation.
Scenefoto Rishi. Foto: Joris Jan Bos

The sharpest theatre of 2017 comes from The Hague: Rishi of Firma Mes

If theatre can do anything, it is to put us outside reality. Not even to make you dream away, but to stop that reality for a moment and look at it in a different way. Call it the Ti-Ta-Wizard moment. To stop the action at the dramatic climax, to take the sting out of the wasp, or the fuse out of the powder keg.... 

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Why it's good that the Holland Festival gets this general manager #HF17

Annet Lekkerkerker is one of the few women in the cultural sector for whom the glass ceiling is no longer an obstacle. That she is now, after several years as 'business director', formally becoming top woman of the country's most important performing arts festival is wonderful for more reasons. She is not only the first woman at that high position. Her appointment also makes clear why... 

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Eef van Breen for President (why politicians should not miss this concert)

Shimmering. Wondrous, ferocious. Poetic, powerful. Creative and humorous. Musical. Engaging. Layered. Spirited. A few days after my concert visit, words like these keep bubbling to the surface. And even though the Eef van Breen Group (EvBG) with Chapman for President is a typical case of 'especially go there', 'hear for yourself' and 'cannot be described', I'll make an effort. In the beginning My... 

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Meg Stuart throws very ordinary bodies into the fray

Meg Stuart's two-hour heroic epic Until Our Hearts Stop, showing at the Rotterdam Schouwburg this week, does not engage in dramatic construction according to the rules of Aristotle's Poetics. We don't know who those people are there on stage. Nor do they seem to have been given any special assignment, although they are clearly being... 

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ISH Fonds Podiumkunsten toekenningen

Performing Arts Fund cuts dance subsidies. Not enough, according to some.

The Performing Arts Fund announced the awards for the 2017-2020 period. What does this mean for the dance sector? Pluralism and 'bleeding through'. While everyone is on holiday, the Performing Arts Fund announced the grant awards for the performing arts for the 2017-2020 period. And it was reiterated: the fund is facing a previously initiated budget cut of 30 per cent. That would... 

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Now Live: Aase Berg, Luis Chaves, Sinéad Morrissey at Poetry International

Aase Berg from Sweden, Luis Chaves from Costa Rica and Sinéad Morrissey from Northern Ireland read their full selection of festival poems. Translations into Dutch and/or English will be projected directly along. The readings will be preceded by an introduction to the poets' work. Presentation: Feline Streekstra. Ever since her first collection Hos Rådjur (1997), Aase Berg has been writing direct, hard and compressed poetry full of... 

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Opening night Poetry International showcases sprightly poetry #PIFR

Perhaps the first words man ever uttered were poems. In any case, man will have sung first, before using words. If we can at least describe the primal sound expressed at the time to indicate that that dove is really yours after all as singing. The fact remains, Poetry International the festival that had a wonderful opening night yesterday, is dedicated to one of the oldest art forms in the world: poetry. But just how sprightly is that art?

Read More "Opening night Poetry International showcases sprightly poetry #PIFR

'Poetry is always political'. Poetry International explores 'framing'

Is the language of poetry still free from ideology and manipulation? Or is it nonsense to think that poetic language escapes framing, the ideological loading of words? That is the main theme of this year's Poetry International poetry festival, which kicks off on Tuesday 7 June.

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Theatre Rotterdam is going to do it all over again

On Monday 14 March, Theatre Rotterdam will present its plans for the upcoming arts plan period. On Thursday 10 March, Bianca van der Schoot already told about it during a public meeting with a class of Utrecht theatre scholars. What became clear from her story is that she has little desire to start bringing world repertoire with the old Ro theatre share in Theatre Rotterdam. She has a lot of... 

Read More "Theatre Rotterdam is going to do it all over again

Moisio's choreography 'Mum's the Word' makes you yearn for peace and freedom

Mothers and daughters: is there a closer bond? Their lives are an extension of each other. Mother treads the same path her daughter will later follow. She is a friend, to whom one can always fall back. But under the skin, a suffocating power struggle rages in which they hold and attack each other. Jealousy and competition gnaw at the domestic idyll. Escape is impossible. It is a... 

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something raw logo

This was Something Raw 2016: less rebellious, more social

The raw in Something Raw can mean all sorts of things. The first thought might be something rough, as in the effect of sandpaper on skin or the havoc left by an elephant in the china shop. But rough is a derivative meaning. Raw first of all means unprocessed and fresh. There is a certain hope in the combination of rough and raw: artists who like... 

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Loïc Perela and Jan Martens: As a spectator, you are finally faced with a question again

As I wrote in my earlier article about the Nederlandse Dansdagen, choreographer Loïc Perela won this year's Nederlandse Dansdagen Maastricht Prize. It earned him 12,000 euros to put into his new project HASHTAG. The award has helped some previous winners on their way (Monique Duurvoort, Joost Vrouenraets, Erik Kaiel, Muhanad Rasheed, Joeri Dubbe,... 

Read More "Loïc Perela and Jan Martens: As a spectator, you are finally faced with a question again
henry

Scapino jubilees with Henry: dance that is true

With Henry by Itamar Serussi, Scapino Ballet Rotterdam makes an exciting statement. After all, the kickoff of the anniversary season is not a corny look back at 70 years of dance history, but stands in the middle of the present and looks ahead. Scapino does so with a relatively unknown choreographer delivering his first full-length work, in an unusual dance style. Mars Not entirely unknown is Israeli Itamar Serrusi. He is... 

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Dutch Dance Days show artistic challenge only on fringes of programme

The first weekend of October saw the Netherlands Dance Days (NDD) take place in Maastricht. As Ruben Brugman reported, important prizes for the dance world are awarded there. But the Dance Days seem mainly intended to promote Dutch dance, more than being a critical evaluation or artistic boost. At the Dance Days, no pithy speech on the State of Dance as... 

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The Great War Machine and Swamp Club: contemporary activist theatre

In early March, The Great War Machine, the new play by director Joachim Robbrecht, premiered at Theater Frascati. A week earlier, at the Rotterdam Schouwburg Swamp Club to be seen, by French director Philippe Quesne. Both performances address the current political climate. Whereas Swamp Club is explicitly silent about the world it calls into question, The Great War Machine is instead a rhetorical spectacle, constructed from quotes from TEDtalks. Both performances make mechanisms felt, rather than pointing out culprits. Voluntarily withdrawing or being shut out, the neoliberal order does not seem to allow much more choice. There is no question of resistance.

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Reisopera's Pearl Fishermen: sober but effective

Even before the Noord Nederlands Orkest's final chord has fully sounded out, the audience in a well-filled Theater Carré stands up as one to cheer on the cast of Bizet's Parelvissers. We are writing 24 February 2015 and this is one of the last performances of this austere but effective production by the Nationale Reisopera. Tonight, this... 

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Rotterdam alderman: 'subsidy system needs a shake-up'

According to Rotterdam alderman Visser, the current subsidy system is unsustainable. The system, in which cultural institutions submit a plan every four years and thus have to look years ahead, no longer fits with the times. Nowadays, there is a need for flexibility and change, not rigidity and certainty. The alderman said this during the presentation of the sector analysis by the Rotterdam Council 

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Get rid of those discounts. Voluntarily pay more for art

Through the local theatre's website, I want to order tickets. I click on the performance of my choice. Select a date. Select the desired number of tickets. Click on "to pay". And there I can choose from at least 3 options to pay less for my tickets. Five euros discount with a CJP or as a person over 65. Four euros discount with... 

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Super-sympathetic performance by Phillipe Quesne: Next Day

The children introduce themselves one by one. They build sets, make music and play scenes. A catastrophe is imminent. They speculate loosely: will it be a nuclear or biological attack, a plane or a missile, a tsunami or a bombing? In Next Day, shown last weekend at Theatre Frascati, they rehearse an attack by 'aliens'. That... 

Read More "Super-sympathetic performance by Phillipe Quesne: Next Day

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