Mothers and daughters: is there a closer bond? Their lives are an extension of each other. Mother treads the same path her daughter will later follow. She is a friend, to whom one can always fall back. But under the skin, a suffocating power struggle rages in which they hold and attack each other. Jealousy and competition gnaw at the domestic idyll. Escape is impossible. It is a...
The raw in Something Raw can mean all sorts of things. The first thought might be something rough, as in the effect of sandpaper on skin or the havoc left by an elephant in the china shop. But rough is a derivative meaning. Raw first of all means unprocessed and fresh. There is a certain hope in the combination of rough and raw: artists who like...
As I wrote in my earlier article about the Nederlandse Dansdagen, choreographer Loïc Perela won this year's Nederlandse Dansdagen Maastricht Prize. It earned him 12,000 euros to put into his new project HASHTAG. The award has helped some previous winners on their way (Monique Duurvoort, Joost Vrouenraets, Erik Kaiel, Muhanad Rasheed, Joeri Dubbe,...
With Henry by Itamar Serussi, Scapino Ballet Rotterdam makes an exciting statement. After all, the kickoff of the anniversary season is not a corny look back at 70 years of dance history, but stands in the middle of the present and looks ahead. Scapino does so with a relatively unknown choreographer delivering his first full-length work, in an unusual dance style. Mars Not entirely unknown is Israeli Itamar Serrusi. He is...
OPERA2DAY presents the world premiere of Mariken in de tuin der lusten at the Koninklijke Schouwburg in The Hague on 11 October. An opera with the collaboration of an impressive list of artists, including composer Calliope Tsoupaki, Asko|Schönberg and actress Hannah Hoekstra as Mariken. But will you achieve success with an opera, with modern-classical music moreover and Middle Dutch text? Director and creator Serge van Veggel...
The first weekend of October saw the Netherlands Dance Days (NDD) take place in Maastricht. As Ruben Brugman reported, important prizes for the dance world are awarded there. But the Dance Days seem mainly intended to promote Dutch dance, more than being a critical evaluation or artistic boost. At the Dance Days, no pithy speech on the State of Dance as...
On 7 October, the first try-out of Calliope Tsoupaki's opera Mariken in de tuin der Lusten will go on at Theater aan de Schie in Schiedam. Sunday 11 October is the world premiere at the Koninklijke Schouwburg in The Hague. At the invitation of Opera2Day, Tsoupaki immersed herself in Mariken van Nieumeghen, heroine of the miracle play of the same name that took place exactly five hundred years ago in...
We had already announced it. This period is all about positive framing by the arts sector. Good news has to be spread, although people don't really know why. After all, there are no shareholders to be kept happy, only concerned art lovers. Enfin. On Wednesday 9 September, NRC journalist Daan van Lent presented the result of an investigation into the...
Ellen Vogel is dead, aged 93, and that is a loss. Calling her 'a monument' is an insult, so I won't do that here. Ellen Vogel was a regal actress, though: dignified and a bit posh. She was also someone who knew how to hide her anger sublimely. I experienced Ms Vogel a couple of times. The first time...
There was an air of more expensive perfume in the foyers than at a Dutch gala premiere. The women were younger and smoother, or had a better botox doctor than usual. The jewellery looked very expensive, as did the dresses. Russian sounded everywhere. It seemed as if Amsterdam's Stadsschouwburg had been moved for a while to PC Hooftstraat, a few hundred metres away....
Three Sisters by Chekhov directed by Theu Boermans is back with the Nationale Toneel. Two and a half years after its original performance, the play will play nine times exclusively at the Royal Theatre in The Hague. There is news about all three "sisters". Anniek Pheifer (Masja), Ariane Schluter (Olga) and Sallie Harmsen (Irina) talk about their careers and about Chekhov....
Europe's biggest hangout. That's the best way to describe the roof of that half-sunken car park in the heart of Rotterdam. Transformed fifteen years ago into the impression of a ship's deck, that 'Schouwburgplein' is now mostly owned by groups of skaters, vagrants, street urchins and other metropolitan troublemakers. Visitors to the Schouwburg usually rush without looking around too much to the...
The only one really remembered in Jan Wolkers' novel 'The Peach of Immortality' is former resistance fighter Ben Ruwiel. On 5 May 1980, the entry of the Canadians from 35 years earlier was celebrated in Amsterdam. The crowds, not far from where Ben lives, fill him with disgust. It is unreal. People, wrapped up by welfare society, have no concept of...
At Amsterdam's Stadsschouwburg, Hans Kesting will once again play the title role of Shakespeare's Othello, in a legendary version by top director Ivo van Hove, already 12 years ago. A stone's throw away, at De Balie, is the equally impressive actor Kenneth Herdigein in David Mamet's play Race. Why connect the two? Hans Kesting, the...
Adam and Eve. Noah. Babel. Joseph. An entire book of the Bible Johan Doesburg casts in his farewell performance with the Nationale Toneel. 'Genesis' lasts 6 hours including intermissions, has 65 speaking characters and plays with the space of Scheveningen's Zuiderstrandtheater. But above all, the outgoing director wants it to tell two stories. In conversation with Johan Doesburg and actor Dries Vanhegen, whose character Jacob plays a special role in the play.
How do you make theatre with someone who speaks a different language? The Volksoperahuis does. Hot Pepper is already the third performance Kees Scholten and Jef Hofmeister are making with artists from the former Dutch colonies. After Willemstad and Paramaribo, they now travelled to Yogyakarta. They came home with a hushed, elegantly designed narrative about the shared past...
They couldn't have picked a better time, there in Groningen. Because who do you call, when an overambitious theatre director has just blown the coffers of the once illustrious Grand Theatre dry, a Supervisory Board has been napping and then 22 people have been sacked because the money has run out? Then you're looking for someone with experience of that. Preferably...
In early March, The Great War Machine, the new play by director Joachim Robbrecht, premiered at Theater Frascati. A week earlier, at the Rotterdam Schouwburg Swamp Club to be seen, by French director Philippe Quesne. Both performances address the current political climate. Whereas Swamp Club is explicitly silent about the world it calls into question, The Great War Machine is instead a rhetorical spectacle, constructed from quotes from TEDtalks. Both performances make mechanisms felt, rather than pointing out culprits. Voluntarily withdrawing or being shut out, the neoliberal order does not seem to allow much more choice. There is no question of resistance.
Even before the Noord Nederlands Orkest's final chord has fully sounded out, the audience in a well-filled Theater Carré stands up as one to cheer on the cast of Bizet's Parelvissers. We are writing 24 February 2015 and this is one of the last performances of this austere but effective production by the Nationale Reisopera. Tonight, this...
Theatre De Nieuwe Doelen in Gorinchem will close its doors on 31 May, due to lack of support in local politics. The city council, which earlier also closed the music school, would like to continue using the building as a Village Hall for amateur artists. For professional theatre, a CDA party leader reported, those few enthusiasts can just go to Dordrecht. Theatre director Rob van Wijk...
According to Rotterdam alderman Visser, the current subsidy system is unsustainable. The system, in which cultural institutions submit a plan every four years and thus have to look years ahead, no longer fits with the times. Nowadays, there is a need for flexibility and change, not rigidity and certainty. The alderman said this during the presentation of the sector analysis by the Rotterdam Council
After a nerve-wracking final and precise assessment of votes, the winners of the 2014 Dance Audience Award have been announced. Favourite Dance Performance is FADO of International Dance Theatre, Favourite Dancer is Merel Janssen of Introdans Ensemble for Youth.
Through the local theatre's website, I want to order tickets. I click on the performance of my choice. Select a date. Select the desired number of tickets. Click on "to pay". And there I can choose from at least 3 options to pay less for my tickets. Five euros discount with a CJP or as a person over 65. Four euros discount with...
The children introduce themselves one by one. They build sets, make music and play scenes. A catastrophe is imminent. They speculate loosely: will it be a nuclear or biological attack, a plane or a missile, a tsunami or a bombing? In Next Day, shown last weekend at Theatre Frascati, they rehearse an attack by 'aliens'. That...
650,000 euros. The municipality of Enschede is prepared to lend that amount to HET Symfonieorkest. Not for a special cultural project in the city, no, for a renovation. Not surprising, as municipalities, after all, prefer to invest in bricks and mortar rather than culture. But in this case, we are talking about very special bricks. According to director Harm Mannak, the barely used bicycle shed needs to be converted into a...
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