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Increasing pressure on art talent: 22 new creators to keep a close eye on.

For the past few weeks, academies across the country have been celebrating: a new batch of visual artists graduated and showed themselves to the world. Besides parents, grandparents and a few friends, a lot of art professionals descend on such a graduation presentation. Scouts, in the form of other artists, press, curators, collectors and gallery owners. All these people especially hope not to miss the new discovery and therefore try to be there as early as possible. In some cases, that is even before the artist graduates from the academy. If the talent does not develop as expected, it is a pity, but otherwise you are the discoverer. We join in for a moment, and sought out 22.

Working for free has become commonplace in the arts. 4 bare facts by festival director Meulman

'The practice of payment by book voucher does not belong to a professional sector with substantial economic importance.' Jeffrey Meulman, director of the Dutch theatre festival, has learned to live with it. Against his will. As host of the annual Gala of Dutch Theatre, he has managed to organise that party again. Without money.

Ayn Rand was haunting Dutch theatre as early as 2006.

Ivo van Hove has not only a play made based on Ayn Roland's novel of ideas The Fountainhead. In 2006, the artistic director of Toneelgroep Amsterdam even wanted to base a whole new design of the theatre system on it. Eight years later, we can see that only the negative aspects of Van Hove's vision have been realised.

Spaghetti 'Thyestes': classic roots work fiercely in a new preparation

In Rome, they have known what good food is for 20 centuries or so. Bloodletting is everything. Seneca, a Roman of the better sort, wrote plays in which bloodshed was elevated to an art. Audiences feasted on them, just as they feasted on Seneca's recipes in Shakespeare's time, 1,500 years later, and as we feast on Game of Thrones on TV now. It can't be gory, can't be cruel enough. We like that.

Voices from the realm of shadows - retrospective Luigi Nono at Holland Festival

After impressive retrospectives dedicated to John Cage (2012) and Edgard Varèse (2009), the Holland Festival this year put Venetian composer Luigi Nono in the spotlight. Under the title 'Trilogy of the sublime', the imposing Gashouder was the epicentre of three full-length concerts, short 'Nono interventions' sounded in the Rijksmuseum's subway, a two-day symposium was organised around Nono, and his widow Nuria set up an exhibition entitled 'Maestro di suoni i silenzi'.

How it feels to single-handedly make a decision that turns the world upside down

That Serbian Gavrilo Princip assassinated the Austrian crown prince in 1914, thus triggering World War I, was until recently in the Netherlands no more than a dry historical fact. But now that it has been a century since this attack, this young freedom fighter is still getting a face in our country. But what De Warme Winkel is doing in the performance 'Gavrilo Princip' is much more than 'giving a face'.

BEST RELATED SECRET #1: Susanne Marx, Karin Spaink and Girl Loos in Eastern Bloc

Susanne Marx is at Oostblok, the former Muiderpoort theatre in Amsterdam, for two days with the performance 'Girl Loos'. You could call 'Meisje Loos' a critical family performance: for young and old, about growing up and playing with obligatory roles, male-female, white-black, dancer-rapper, harp or beatbox. Genderbending as a theme for the whole family, with a fringe programme featuring Karin Spaink, Linda Duits, Machteld Zee, Rickie Edens and Alex Bakker perform and engage in conversation. 

7 confusing reasons why the stage version of The Fountainhead rattles, but you should still go.

Topical again, now that Toneelgroep Amsterdam is reviving the play, my review from 2014. This week, the stage adaptation of The Fountainhead premiered. The book is terrible, the performance rattles, the actors win only narrowly. The content, however, creates even more confusion, which is why I won't stop you from going to see it. And Hans Kesting, of course. I put it this way.

National Ballet performs enchanting Tempest

To make it 450e birth anniversary of William Shakespeare (1564-1616), Krzysztof Pastor created a full-length choreography for the National Ballet, loosely based on The Tempest (1611). The performance is part of the Holland Festival. Dramaturge Willem Bruls adapted Shakespeare's last play about the island exiled prince Prospero and his daughter Miranda into a script in which the story is told four times, from as many perspectives. The result is enchanting.

Tis Pity! Holland Festival brings the best show to the smallest audience.

Language is music. Sometimes we forget that. Then we think language is a way of conveying objective meanings. Kind of silly. Language is food for all the senses. No strumming is needed under that. That's pure opera without embellishments. The English-language performance 'tis Pity she's a whore' I saw at the Holland Festival yesterday proves that. Even if you don't understand the seventeenth-century phrases, it is a joy to listen to.

Hunting for art in the Bijlmer with Google Maps

After co-organising FATFORM, a radical series of art events in Amsterdam Southeast - with furious crossover exhibitions and performances on the roofs of an abandoned shopping centre and a car park, the collective around creative production agency Vinger.nl has thrown itself into the new edition of the Open Art Route 2014. And it will be something.

On M2M and genius theatre makers who completely miss the mark

One of the rules of thumb of contemporary theatre art reads as follows: There is no middle ground in a production with an insanely long title. Such a production is either fantastic or dies of its own pretensions. At Judson church is ringing in Harlem (made to measure) / twenty looks of paris is burning at the judson church (m2m) is the latter.

Ragged ritual defies permanent display: Germaine Kruip at the Stedelijk @HollandFestival 2014

"You know ma'am, that big red painting? Turn right before that". A young attendant shows us the way. At first glance, it's nothing. A man in semi-uniform, black trousers, white shirt, slowly turns on his axis. Sol Lewitt's mural, number 1084 from 2003, lends him the necessary decorum. Around the corner hang Barnett Newman and Andy Warhol. Would the man care? In this 'hall of fame' of conceptual art, the man's spinning stands out a little timidly. Some visitors remain standing, leaning against white walls or sinking down on the polished wooden floor. Those who take their time watch the spinning of the man and his fellow dervishes slowly take possession of the Stedelijk.

dance education

Dance course explodes. Sudden vacancy management dance course Royal Conservatoire

The dance course at The Hague Conservatory of Music has exploded. Sort of. Nancy Euverink, director of dance education is in fact stepping down from the Royal Conservatoire (KC). And not only that. Deputy director Tom Bosma is not staying on either. Who will take over after the final performances and in the new season is still unclear. An international vacancy has been posted.

4 ways to quiet a room: Jelinek strikes at Holland Festival

This year's trip will go to India and Nepal. Because that seemed nice to him. Visitors to the Dutch premiere of Jelinek's Die Schutzbefohlene were looking forward to the summer. Next year they would visit a friend in Vietnam. Little hassle to get a visa. As a white European, the whole world is yours. You can go anywhere. The man did not realise how privileged he was.

4 faces of Abel Gance, creator of Napoleon

The Holland Festival presents Abel Gance's restored film epic on Sunday Napoleon, with live orchestra. A rare event, for the first time in this form on mainland Europe. In 1927, Gance had performed with Napoleon delivered a groundbreaking and monumental piece of work that made unusual demands on the projection (three canvases) and went out into the world in a variety of severely shortened versions after the first performances.

Napoleon at Ziggo Dome promises to be spectacular, but who was That ambitious loner Abel Gance?

Pierre Audi's latest Holland Festival opens with sublime ensemble playing of Rosas and Ictus: Vortex Temporum

It seems like a statement, opening the latest Holland Festival under Pierre Audi's direction with 'Vortex Temporum'. The collaboration between the two top Belgian ensembles Rosas and Ictus does everything that is scarce in the present day.

Legendary director Peter Brook (89): Theatre is the field given to me

The Valley of Astonishment. Titles don't come much prettier than that of 'The Valley of Astonishment'. Theatre legend Peter Brook's tentative last play is coming to Amsterdam. The Holland Festival gave me and two journalists from Parool and NRC, respectively, the opportunity to talk to the already legendary director when he was alive. Pretty special, because the man who enchanted an entire generation of theatre-makers and audiences with performances such as the nine-hour Mahabharata in Avignon, is considered a deity among theatre connoisseurs and enthusiasts.

Is Anne too big for reviews? 3 reasons why I find it hard to review Anne

Someone commented on Facebook that it looked a bit odd for a newspaper to hand out stars for a play based on The Diary of Anne Frank. Although I myself shudder to give out stars this early for a Godwin make, surely there is something to The Play and The Review. Indeed, reviews of The Play to The Diary seem superfluous. For how do you review such a play, with such a history? Isn't fuss about layering or no layering, adventurousness or no adventurousness in the direction even a little irreverent? So these are three issues, which led me to consider that maybe it shouldn't be possible at all. Anne review.

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