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Marieke Rijneveld: 'Success is the neighbour's rabbit. Before you know it, you put your fork in it.' #PIFR
On Thursday 9 June 2016, Marieke Rijneveld received the Netherlands' highest poetry prize: the C. Buddingh Prize.
This is more than a review of the opening of the Holland Festival
On Saturday 4 June 2016, I attended the royal opening of the Holland Festival and was able to attend no review write about, because I was sitting in the front row of the Amsterdam Stadsschouwburg. As the stage was elevated, I was looking against a black wall, above which only the front actors were visible. The back and lower half of the stage were completely eluding me.
Me wrote that on, and the Holland Festival generously offered me the opportunity to go and see the performance again, from a better seat. At the same time, the organisers told me that the first three rows of the Stadsschouwburg would be compensated at this performance. So I went to Amsterdam one more time, on Monday 6 June.
Before the performance, while not eating a blackened hamburger in theatre restaurant Stanislavski, I heard from the neat people at the little table next to me that the front seats were offered at a sharply reduced rate, and that people like them who had already bought tickets had the choice of thus getting a partial refund or going on the waiting list for a seat with better sightlines. Whether they eventually managed to get one of the spots with better visibility, I don't know. The performance
Emscher art: substance enough for discussion on public participation in artworks
On the same day that in Arnhem our king opened Sonsbeek 16, there was also a party around the Phoenixsee in Dortmund. Namely, Emscherkunst 2016 opened there, and for those who have never heard of it: it is the continuation of previous art events in the Ruhr region, the former industrial heart of Europe. I went there once myself, six years ago, and had mixed feelings: is investing in art really an appropriate method to save an area abandoned by the economy?
'Poetry is always political'. Poetry International explores 'framing'
Is the language of poetry still free from ideology and manipulation? Or is it nonsense to think that poetic language escapes framing, the ideological loading of words? That is the main theme of this year's Poetry International poetry festival, which kicks off on Tuesday 7 June.
Joel Pommerat: 'History does not repeat itself. Instead, we can learn from it.' (HF16)
One of the special performances at this year's Holland Festival is 'Ça Ira (1): Fin de Louis' by French company Compagnie Louis Brouillard. I visited the performance earlier in Luxembourg and spoke to the director and writer of this over four-hour marathon about the French Revolution. It seems quite something: 40 actors on stage...
Pixar's Inside Out, but according to Jehovah's Witnesses
In een nieuw flimpje, hieronder te zien, richten de Johava’s zich op kinderen. En maken daarbij gebr… U kunt inloggen als supporter of lid om dit verhaal te lezen.
Voices Outside The Echo Chamber: we need exhibitions like this
An exhibition that puts our view of migration and migrants at the centre, critical of our migration policy but does not fall into easy pamphleteering, that is "Voices outside the echo chamber". On Friday 29 April, the exhibition "Voices outside the echo chamber"-an exhibition by Framer Framed, the Amsterdam-based organisation that has been questioning and commenting on the visual language in our arts for years-opened at the Tolhuistuin. After all,...
Violinist Vadim Repin: 'The score is our bible!'
At five, he started playing the violin, and after only six months he gave his first performance. At 17, he was the youngest participant ever to win the prestigious Queen Elisabeth Competition. In 2002, Vadim Repin, born in Novosibirsk in 1971, played at Willem-Alexander and Máxima's wedding concert, together with the Royal Concertgebouw Orchestra. Three years ago, Repin started his own...
Embarrassment? 7 Reasons why Southern Drama Macbeth has nothing to do with Shakespeare.
How far can you go in using Shakespeare's name for a theatre production? Or rather, when does an adaptation of a classic stop being an adaptation, and when should you just come out and say that you have written your own play? And then, if you've reported in your four-year plan that in 2016 you will be doing a Shakespeare...
The woman behind the maestro: Together and yet apart #Aaltje from Sweden
Aaltje van Buuren enjoys her busy life. She is the wife of successful star conductor Jaap van Zweden. She dedicates her charm and energy worldwide to non-profit organisations that improve the daily lives of autistic children. Music and art are forces that run like a thread through everything she touches. The family can be seen every week...
Opera Forward Festival: open your heart and be stimulated in a different way
Pierre Audi is the creator of the first edition of the Opera Forward Festival - OFF for short - which is being presented to the public for the first time as part of De Nationale Opera and its 50th anniversary. Opera as an art of inspiration is the supporting idea behind the ten-day festivities. The School During the Pre Launch OFF...
Theatre Rotterdam is going to do it all over again
On Monday 14 March, Theatre Rotterdam will present its plans for the upcoming arts plan period. On Thursday 10 March, Bianca van der Schoot already told about it during a public meeting with a class of Utrecht theatre scholars. What became clear from her story is that she has little desire to start bringing world repertoire with the old Ro theatre share in Theatre Rotterdam. She has a lot of...
Royal Concertgebouw Orchestra 2016-17: Amsterdam meets Daniele Gatti
'The most important thing is to bring music to the audience,' says Daniele Gatti on Thursday 25 February during the presentation of the Royal Concertgebouw Orchestra's new season. 'Amsterdam meets Gatti' we read on large posters behind him. This does not appear to be a word too many: the brand-new principal conductor will be involved in all the series, travels on the tour RCO meets Europe,...
Reading theatre yourself. The best way to learn about theatre.
There is one thing almost as much fun as going to see a play. According to some, it is even more fun than going to see a play: reading a play yourself. And then not by yourself, but with a few others. That you divide the roles and start reading aloud. With a cup of tea, coffee or a glass of wine on the side....
Unprecedented building fever and optimism at Dutch cinemas
The cinema industry in the Netherlands is aiming for new construction and is convinced there is still a lot of growth potential. But it won't happen without foreign capital. That is why the new multiplex in Alkmaar is now called Vue.
David Vann: 'In every book again, I give up my sense of shame'
In the flat where he is temporarily staying, David Vann (1966) lounges on the couch a little, tired from hustle and bustle and late nights as a result of phone calls to the other side of the world. Not too long ago, Vann's marriage stranded, not without a fight, and the legal settlement is still ongoing. He sighs: 'It was the worst...
Flemish wins legendary NK Poetry Slam final
A female Johnny Cash, powerful, deeply personal and with a political commitment you don't often hear. Flemish poet Stefan Hertmans was full of praise for Carmien Michels' performance at the final of the 2016 NK Poetry Slam. The writer with two novels and a couple of collections to her name was indeed in a class of her own: her poems made the...
Mere masterpieces at reopened National Museum of Antiquities
The Rijksmuseum van Oudheden (RMO) in Leiden reopens on Tuesday 15 December after a major renovation and asbestos remediation. The museum immediately unpacks with a completely revamped Classics department: Greeks, Romans and Etruscans. There are also three small temporary exhibitions. Anyone entering the hall of the museum will not immediately notice any difference: fortunately, the Egyptian Taffeta temple is still just standing on...
The disaster surrounding the eastern orchestras only intensifies. A reconstruction
A damning report by organisational consultancy Berenschot, the voluntary or involuntary departure of director Harm Mannak, repeated bickering in the State Assembly and panting reports of high salaries for directors and artistic directors, all the way to the national newspapers. It marks the chaos at HET Symfonieorkest and the lack of any form of direction, not only at the orchestra itself,...
'My mother's death was the beginning of my writing'
'Exciting and accessible, with great tragic content and an unexpected and poignant ending'. With those words, writer Jan Vantoortelboom was awarded the Zeeland Book Prize last week. A Quattro Mani visited him in Zeeuws-Vlaanderen and talked to him about his novel De man die haast had. 'I have grown as a writer.' Writing house 'The Tortelnest' adorns the hand-painted...
Bouncy, rising threat in new Zeeland suite
Composer and pianist Jeroen van Vliet - as 2014 Boy Edgar Prize winner - was commissioned to draw inspiration from Leo Cuypers' Zeelandsuite (1977) for new work. He put the band together and, in the tradition Cuypers and his men, played at various Zeeland venues. As then, everything was recorded. On CD and (award-winning) DVD this time. Last May, I was...
Satie in the supermarket
In the 1970s, Reinbert de Leeuw stormed the popular charts with recordings of Erik Satie's early piano music. He managed to strike exactly the right chord with his ultra-rare performances of pieces like Gnossiennes and Gymnopédies. The albums sold like hot cakes and were awarded gold and platinum records. Two decades later, he recorded them...
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