The NUT is (far) from finished with the future of money After a successful run and rave reception in summer 2023, the groundbreaking theatre production Good gold money returns on 21 and 23 June 2024 at the Heimland Festival in Diepenheim. Good gold money has not only impressed audiences at previous screenings, but also raised €101,332.80 in surplus...
The Tryater show Sâlt, created for Oerol and performed there until 18 June, is a hit at the Terschelling festival. After a quick sell-out, excellent reviews and a consistently moved audience, the Frisian theatre company decides to give the show a follow-up on shore, after the Fanfare theatre series the following theatre season. For the music from Sâlt, a performance of...
Utrecht – Met de voorstelling Goed goud geld wist theatermaker Greg Nottrot tijdens het Oerol Festival maar liefst 40.000 euro op te halen bij zijn publiek. Deze productie werd met veel lof ontvangen door zowel de pers als het publiek op Oerol Festival en geeft gehoor aan dat sterke gevoel dat er ‘’iets moet veranderen’’ van zowel de maker als het publiek…
On Wednesday 9 May, the Royal Couple on Terschelling will get an exclusive preview of the show Sâlt, which Tryater will perform on Oerol in the summer. The couple will visit Terschelling in a tour of the Wadden Islands. King Willem-Alexander and Queen Máxima will be informed about the main topics in an extensive programme. Of course, Terschelling's Oerol is part of the visit:...
Utrecht, March 2023 - Theatre producer and actor Greg Nottrot, artistic director of the NUT (Nieuw Utrechts Toneel), will create and perform this summer's show Good Gold Money. Theatre about inequality, excess and the discomfort and necessity of money. The performance can be seen at Oerol Festival on Terschelling from 9 to 18 June and from 28 June to...
Saying sorry seems to be difficult, if the songs about it are to be believed, and if we measure the time it takes Dutch governments to do it. But sorry is also very easy, if you consider how often you are not pushed aside in the queue for something or other, after the word 'sorry' has sounded behind you, or -...
From Thursday 2 to Sunday 12 September 2021, the Netherlands Theatre Festival will show the best productions of the past theatre season. The Netherlands Theatre Jury, headed by jury president Hadassah de Boer, selected the eight best theatre productions of the moment. Today, the jury announced its selection. The full selection can be seen during the upcoming edition of the festival
Dutch pianist/composer Matteo Myderwyk will be artist in residence at TivoliVredenburg in June and July 2021. In three weeks, he will play four different concerts in four different venues.* Matteo Myderwyk was trained as a classical pianist, but decided to throw off all musical rules and laws after the conservatory. His goal: to make music in the moment. That's how he ended up...
Strictly speaking, prioritisation is another word for wielding a saw line, but it feels different. 'Prioritisation within the applicable criteria', as stated on the site, smacks of possible arbitrariness, as nowhere is it indicated which criteria were weighted how heavily.
The total of eight festivals that were given a place in the Basic Cultural Infrastructure thanks to vigorous political lobbying are in the clear. They do not benefit from the extra millions released by the Cabinet on Budget Day to rescue the Performing Arts Fund, because they are not (or no longer) covered by it.
A fire letter from the United Performing Arts Festivals. One of more than a hundred lobbying organisations in the arts, but a very important one. After all, the festivals are the place where audiences were introduced to arts and entertainment in its full breadth. That doesn't happen anywhere else. And beautiful: they stand up for all performing arts, because, as loyal readers of this site know: they are quite the hare, and become even more the hare with every half-hearted rescue.
The National Opera had made a mistake in preparing its application. According to the Culture Council, the multi-million-dollar national institution had failed to break down performance data between dance and music. As a result, the company had to submit an entirely new application before 1 November. Now it turns out that was not so bad. As it turns out, the data...
On Monday 29 June, the Lower House will discuss the advice of the Council for Culture. An advice that, as the Volkskrant rightly noted on Friday 26 June, receives much more criticism than previous advice. In doing so, the newspaper reaffirms what we already wrote down immediately after its release on 4 June: there is a total lack of transparency, a...
De Raad voor Cultuur heeft in strijd met alle beleidsafspraken, eigen adviezen en regels gehandeld toen hij de subsidie voor het Holland Festival verlaagde met ruim vijfhonderdduizend euro. Het Holland Festival, dat daardoor in ernstige problemen komt, uit zijn woede nu in een brief die vandaag naar de Tweede Kamer is gegaan. De organisatie spreekt zelfs van ‘onbehoorlijk bestuur’: een…
Let's just start with the good news: De Staat is a regular fixture in the Netherlands from now on. And so we are talking about the band De Staat. Who make fantastic music videos these days. They have been promoted from a four-year grant with the Performing Arts Fund to a four-year grant according to the Cultural Basic Infrastructure (BIS). With 55 other newcomers. All weighed...
Just like in the world outside culture (call it capitalism), in the cultural sector itself you also see a huge payment gap between creators and 'the plush'. Only you can't talk about that taboo without being seen as a traitor.
Dance performance Uniform by creator Nastaran Razawi Khorasani, a huge success at Oerol 2018, will be remade. The performance will be re-created, premiere on Saturday 15 February 2020 at Maaspodium, Rotterdam and tour the Netherlands until 10 April 2020. Uniform is a dance performance about the desire for commonality, an ode to the follower. Uniform What is the power...
Being creative on demand? That's impossible, you might think. Yet it is the reality for composers and artists who work on commission. Mathilde Wantenaar (1993) therefore got acute choice stress when the Rotterdam Philharmonic Orchestra asked her for a new piece. She was just working on a commission from De Nationale Opera. 'I felt like a rabbit in the...
The Bijlmermeerpolder is still known as a district where you don't go unless something or someone forces you to. A stigma the apartment neighbourhood acquired in the 1980s when it served as a drain on society. And still its reputation is bad. A single incident of violence keeps damaging the entire district, though that is...
The Council for Culture has just proposed the new Basic Infrastructure (BIS), and it has become a very big, in traditional terms 'prosperous', baby. Since the Council is not allowed to name names, and can only list functions, we have already made a fill-in list here, in which we list (very briefly, because little time and not knowing about everything) which existing cultural...
Met Toost is Nederland een foodtruckfestival rijker, dat niet de hoofdsteden maar juist de kleinere plaatsen aandoet. Dat zorgt soms voor lokale wrijving, maar vrijwel altijd voor dankbaarheid. En voor een consument die zich voor de verandering eens niet uitgekleed maar verzorgd voelt. Foto’s: Anne van den Dool Foto’s: Anne van den Dool Foto’s: Anne van den Dool Foto’s:… Je…
'I once performed in front of a hall somewhere in the middle of nowhere, with a lot of old people. The performance was announced as cabaret. But my work does not fall within one particular genre. Because of the designation 'cabaret', the audience had expectations I did not meet. People wanted a fun, entertaining evening. My performance was rebellious, energetic. I jumped all...
'Can I ask you: do you know what time is?' Greg Nottrot's question could not be more straightforward, as I am the only spectator. MIjn spot is uncomfortable: a chair sinking into fresh gravel on the curious Utrecht plain christened 'Berlinplein' by city developers. I witness an early rehearsal of De Denderende Tijd. In that...
On a cold rainy afternoon, I cycle to the Brakke Grond to ask Bert Hana about his motivations, as befits a beer. First, I visit the IDFA DocLab, which features his VR installation 'I Am Not Home Video', which we have talked about before. Bert Hana is perhaps every art critic's dream, as...
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