In the series In Perspective, Erik Akkermans looks back and ahead at developments in cultural policy and practice. Today: walk of the orchestras. In the Hall of Mirrors January 1980, the Hall of Mirrors in the Concertgebouw. Culture minister Til Gardeniers accepts the report "Possession in service" 1 presented by the Federation of Artists' Associations. I found it exciting because the report, commissioned by...
The Council for Culture has just proposed the new Basic Infrastructure (BIS), and it has become a very big, in traditional terms 'prosperous', baby. Since the Council is not allowed to name names, and can only list functions, we have already made a fill-in list here, in which we list (very briefly, because little time and not knowing about everything) which existing cultural...
The theme of Puccini's 1900 opera Tosca is of all times. A cocktail of passionate love, political rebellion, lust and betrayal is centred around the person of Floria Tosca. Director Harry Fehr presents this story as a reality soap, with implicit commentary on our selfie culture. A nice find, but it is questionable whether it can bring the drama to life...
We're sitting in the opera house; We're waiting for the curtain to arise With wonders for our eyes; We're feeling pretty gay, [...] A feeling of expectancy, A certain kind of ecstasy, Expectancy and ecstasy... Sh's's's's. "Curtain!" With the above words, Charles Ives sang of the excitement of a child going to the opera for the first time. A similar enthusiasm shows...
Musicians are no longer allowed to perform for a pittance. At least, not if the club they work for, or in which they perform, receives a subsidy. In a sector opinion released today, the Culture Council argues that the structural underpayment of workers in the creative sector is no longer sustainable. 'If that means fewer programmes can be made (or that there...
When the Commendatore suddenly rises from his bier in the mortuary, Leporello recoils violently. He smacks painfully against the back wall, as if struck by a gust of hurricane-force wind. This cartoonish image is just one of many hilarious moments in Don Giovanni by the Nederlandse Reisopera. This production was performed after its premiere Saturday 4 March in the...
When you go to a concert, you think about the music, the ensemble, the soloist and/or the conductor. Maybe you look up something about the composer but you never think about the programmer who made the concert possible. Astrid in 't Veld is someone who thinks about the range of concerts on offer years in advance in order to help you with...
After it was announced in January this year that Jan Willem de Vriend was leaving at the end of the 2016/2017 season, the Orchestra of the East announced that it was in no hurry to find a successor. One would start working with "renowned guest conductors". Just over six months later, a few months before the departure of interim director Bart van Meijl, a successor was still presented. That this successor, Ed Spanjaard, is given the title of 'permanent conductor' seems mainly a semantic issue.
No, the culture debate on 8 June in the province of Overijssel was not uplifting. The 2017-2020 Culture Note was adopted unanimously, except for two votes from the SGP. No fireworks about, for instance, the forced cooperation between the Orkest van het Oosten and Het Gelders Orkest. No hefty investments to fix national and provincial cuts. All spokesmen came up with predictable monologues, comparisons were made with other regions and, above all, they looked enviously at the Randstad, but there was no debate. The Christian parties are worried about empty churches, and the PVV, which is of course actually against subsidies, made some obligatory remarks about safeguarding the Overijsselian identity.
"For someone to interfere with an artistic interpretation, I find that quite hefty. Let me put it this way: you have this prime minister in Turkey... To interfere with something artistic, I find that rather hefty." This was stated by Emil Szarkowicz, musician and cultural editor from Limburg, in a broadcast by regional broadcaster L1 yesterday, Reason being the negative opinion of...
Champagne at BAK in Utrecht, deep disappointment at The New Institute in Rotterdam: the Council for Culture has spoken. Today, Thursday 19 May 2016, the first advice after the draconian art cuts by the first Rutte cabinet came out, and heads are rolling. Amsterdam loses prestigious presentation institution De Appel, in The Hague fellow institution Stroom has to redo its homework. The Orkest van het Oosten and the Gelders Orkest have to come up with merger plans within two years. In Utrecht, the city company Theater Utrecht will no longer receive funding despite artistic appreciation. Het Zuidelijk Toneel in Eindhoven Tilburg must make new plans and Opera Zuid must quickly raise its artistic quality. These are the main conclusions of the Culture Council's opinion.
As dramatic as some of this may sound, the advice is actually not, when you look over the whole battlefield. Thanks in part to
The Orchestra of the East is allowed half a million in red. That is the outcome of the 'Urban Commission' in Enschede. In a fortnight, the city council will formally take the decision, but with the commitment of a large majority, any debate will be wasted time then and the proposal would be better added to the list of hammer pieces immediately. That would have taken a month...
Mozart's Così fan tutte performed by the Nederlandse Reisopera on 12 February at the Theatre Carré, is far from playful. Xander Straat's direction has many pretensions that deliver little substance and a static picture. The momentum of this opera giocoso is in the music itself and in the formidable voices of the young soloists. Unreliable Women Così fan tutte, or The School...
It is not often that Norman Lebrecht, author of the globally widely read blog Slipped Disc, covers conductors of the Orchestra of the East two days in a row. First on the departure of principal conductor Jan Willem de Vriend, then on the appointment of former principal conductor Jaap van Zweden to the world-famous New York Philharmonic. Naturally, Lebrecht brought both...
The Orchestra of the East is cutting its coat of arms, focusing primarily on Overijssel and has applied for collective redundancy. This - and a whole lot more - can be read in the new business plan. It is enough for the province to release a one-off €1.1 million and make 3.5 tonnes of annual subsidy available again from now on. The...
Time for our success list. In 2015, we attracted 60,000 more visitors than in 2014. That's something to be proud of. A website that focuses on the stories that existing media find the small, and then figures like that. That we attracted those 300,000 visitors is one, that they spent an average of 2 and a half minutes per story,...
It will be the big task for companies and interest clubs in culture for 2016: how do we improve the image of 'the sector'? Next year - I predict - no expense will be spared to improve the culture sector's image. There will probably also be a study on how to improve that image. This...
Tight and razor-sharp? No. But that's not what this afternoon is about at all. Here the feast of singing together is celebrated, the end result being a performance of Handel's oratorio that you wouldn't want on CD, but which is of a surprisingly high standard and, above all, one you wouldn't have wanted to miss for the world. Much has been written about the problems...
From Dutch Symphony Orchestra with international ambitions back to provincial orchestra with as yet nothing at all. Now, except for the ironclad original name. It could be a commercial for Telfort. In between are many lost court cases, the grotesque protest name *****Symphony Orchestra and the equally garish HET Symphony Orchestra. It is the ultimate capitulation of the once by just about everything and everyone...
A damning report by organisational consultancy Berenschot, the voluntary or involuntary departure of director Harm Mannak, repeated bickering in the State Assembly and panting reports of high salaries for directors and artistic directors, all the way to the national newspapers. It marks the chaos at HET Symfonieorkest and the lack of any form of direction, not only at the orchestra itself,...
Failing directors stay put, the Supervisory Board disqualifies itself. No other conclusion is possible after reading the counter-expertise commissioned by the province of Overijssel and carried out by Berenschot. The provincial millions intended to make the orchestra subsidy-independent have not only evaporated, but show a negative balance in every aspect. Every estimate was too optimistic,...
THE Symphony Orchestra does not have a balanced budget for 2016. Without additional money from the province, it can no longer perform its core task, nor can it fulfil all the commitments it made earlier. That is the gist of the letter CDA deputy commissioner Hester Maij sent to Provincial Council, ahead of its meeting on 7 October. The subject of the letter: "progress business plan/redemption subsidy HET Symfonieorkest"....
Bussemaker invests 18 million in the arts and a symphony orchestra for pop and jazz added. It seems too good to be true. And so it is. Because in return for that one extra orchestra, two other orchestras will be cut. At least, that's how the minister's letter can easily be read. That's how I read it too, at least. Currently...
The repair of cultural subsidies by more than 18 million, announced by culture minister Bussemaker on 8 June 2015, mainly concerns a perpetuation of earlier patchwork. That patchwork was necessary in recent years to smooth the crudest consequences of the cuts by her predecessor Halbe Zijlstra. That predecessor is now in the chamber as a coalition partner, to ensure...
What happened to the five million Overijssel gave the orchestra in 2011 to 'get more money from the market'? This was also what councillor Van Abbema wondered, and the answers the province gave her mostly raise more questions. What is abundantly clear is that the province wants to keep the orchestra no matter what and of no merger
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