There is no such thing as the perfect human being. We are all crooks. Or is there a way to get it right? Ilay den Boer and the actors of De Utrechtse Spelen / De Warme Winkel each explore in their own way at the 26th edition of Festival aan de Werf. Wasn't my grandfather just an asshole? That...
Margret Sara Gudjonsdottir onderzoekt de ongelijke machtsverhouding tussen toeschouwers en danser. En gaat daar heel ver in. ‘Ongemakkelijk’ is nog wel de mildste omschrijving voor het werk ‘Soft Target’. Wat dus weer helemaal niet geldt voor een gesprek onder vier ogen. … Je kunt nu inloggen om verder te lezen! Welkom in het archief van Cultuurpers! Als lid heb je…
A shy, unassuming man, who transforms on stage into a brilliant clown and artist at the same time. You can't get more typically British than choreographer and dancer Jonathan Burrows. He has achieved cult status in the dance world, and it is actually strange that his performances do not reach a wider audience. Although he himself says he has no shortage of audience members...
Gerlinde Sämann Ik ben geen kenner van de uitvoeringspraktijk van Bachs Johannes Passion en ken dat andere stuk, de Mattaheus Passion, vooral van een paar tv-fragmenten en verregaande bewerkingen zoals die bij Platels Pitié. Verwacht van mij dus geen oordeel over hoe goed de versie was, die op 5 april 2011 in het Concertgebouw te zien en te horen was,…
Reports of the collapsing music industry have been rife. Apparently, as a musician, you no longer survive on the basis of record sales (alone). In niche genres, however, it is easy to survive. So proves the band Current 93, which performed in Stadtgarten, Cologne, last week. Playing live a lot and selling merchandise seems to be the golden rule for...
We already thought something was wrong when Mark Rutte, in his much applauded show of strength in Buitenhof, spoke of 'all those empty halls with 10 people in the front row'. Ok, he hadn't been there himself for years, but according to his State Secretary Halbe Zijlstra, at least in The Hague, the emptiness was glaring, Rutte knew....
The Rutte government is defending the VAT increase on admission tickets to theatres and concerts, claiming that it will straighten out an exemption for the arts. However, this does not appear to be true, according to a response from the Order of Tax Advisers to the proposal. "The Bar Association additionally points out that the explanatory memorandum notes that for the performing arts on...
Onstuitbare, grappige, ontroerende Fast Car Ray. Een jongen wiens hoofd nooit stilstaat, die niet slaapt, bij wie alles binnenkomt en die er maar niet in slaagt van zichzelf te houden. Zijn ziekte, Het Syndroom van Gilles de la Tourette, maakt hem waanzinnig en wanhopig. Tikketakketikketakke. Door, steeds maar door. Als een raceauto.
What she does is vulnerable to the point of confrontation. Theatre-maker Lotte van den Berg has such a personal view of the world that, outside the safe context of theatre, it can come across as absurd. Or alienating. On Sunday 26 September, she returned with the members of her Dordrecht-based location theatre company OMSK back from a four-month stay in the Congo capital Kinshasa. A full house at Rotterdam's Gouvernestraat then got to be there when they unpacked their bags a few hours after landing.
It is occasionally quite chilly on the Westergasfabriek grounds where three Fringe performances are on show. Thursday night, they are Levelless by Theatre Group WAK, Vivarium #3 by LORNA Collective and Kaat by Eva Knibbe, respectively. The cold, however, is no killjoy. The physical jokes in Levelless (or Recht not in Dutch) are a bit like...
The Dodo International Choice journal, episode 2: Wijbrand Schaap came, saw and was overcome by Kris Verdonck's seven installations about plighted people. It should have ended with terrible bangs, a canned fireworks display a few metres from the spectators. But that's not allowed in the Netherlands since Enschede. And certainly not with Belgian fireworks. Theatre-maker, installation artist and video jockey Kris Verdonck ended up...
There is no notion of time when you take your seat. It is dark. The room looks like a café, with four tables and chairs around them. Don't expect a sit-back performance, as everyone is part of the play. The intriguing Iris Brunette doesn't let you be a spectator, but gives you a role. Do not fear that you will suddenly have to take the stage. From your seat, you are influencing the play. Actress Melanie Wilson lets you choose which way to go. Do we wait here or walk on? Do we go left or right? Do we trust this person or not? The space you're in feels safe. Fortunately. Because there is no exit; walking away is impossible. A maximum of twenty spectators witness this story that takes you through time. Wilson narrates and involves you in the story in the best possible way. A more intimate performance is hardly possible, I think.
Invisible forces, described as angels, speaking through a Jewish woman to her friends at the time of the Holocaust in Hungary. A mysterious and true story, translated into the one-woman performance Talking with Angels by American actress Shelley Mitchell. A huge success in America. Yesterday on stage for the first time in the Netherlands.
The Russian soul. So there is something about that. And you get something from that when you see a Chekhov play (if done well), or read one of his short stories. Or when you read the works of Tolstoi, Dostoevsky or any other inhabitant of that vast nothingness east of Poland. Or seeing the paintings, which a few...
The Marathon Effect is well known: put spectators together in a theatre for half a day or more, preferably on uncomfortable seats, and hand them over to a couple of actors with a play. Success seems assured, and the ancient Greeks already knew that. So that there would be no discord around the monster project I Demoni, the Dostoevsky adaptation of Peter...
After a 12-hour theatre marathon, what can be said? That it was good? Good. It can. That it was rare? Also true. That it takes a director in his 70s to stage a Russian novel with such calmness, and that it takes such phenomenal actors to keep the audience hooked for 11 hours to the not-very...
Valhalla. Someone called it, and indeed: Valhalla. I don't mean the Teutonic version of the Eternal Hunting Fields then, but Miss Asterix and Obelix. Egyptian style. You may colour in the picture yourself with dark curls, unimaginably flawless skin made of very creamy milk chocolate, and that then set on a pair of hidden heels and strapped into a corset that accentuates everything of value. So Amal Maher is one of those women for whom a man will gladly put his chimes at the disposal of science, if it gives him the privilege of being around her for a few moments.
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