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Why I get nostalgic seeing Variations by Hans van Manen at the Dutch National Ballet

Why I get nostalgic seeing Variations by Hans van Manen at the Dutch National Ballet

If every ballet is about discipline, it is certainly something that applies to Hans van Manen's ballets. Discipline in the music, in the beat, in the simplicity. How ballet creates order in movement, measures space, establishes relationships: you will find it all in the works of Holland's most renowned dance maker. The six parts of the programme Variations... 

Between heaven and hell: Frank Westerman on our fascination with the cosmos

At the time Covid-19 flattened normal life, Frank Westerman had fortunately already done his research for his new book. To take care of his parents, he was suddenly living 'at home' again for three months, in his boyhood room on the outskirts of Assen. Writing offered him the chance to escape to heavenly realms: Cosmic Comedy is about the human... 

Movementalist and Plein Theatre present 25, 26 and 27 February Aceleratio Sneak Peek Streams

Movementalist and Plein Theatre present 25, 26 and 27 February Aceleratio Sneak Peek Streams as a sneak peek of the performance installation Aceleratio that will be on show at the NDSM Fuse in May 2021. In the last three of the series of six 'sneak peek' live streams from the Plein Theatre, viewers get a look 'under the skin' of the performers. Intimate, fragile... 

13 foundations and one private limited company. Controversial Brabant grant decisions raise more questions every day.

To get a subsidy in the Netherlands, you have to jump through a lot of hoops. Every farmer knows that, and so does every artist. In the cultural sector, for instance, it is important that you have a form of organisation that is controllable and approachable. You cannot have a profit motive either. That is why you can usually only apply for funding as a foundation, so you have statutes, a board and a... 

Kaija Saariaho central composer at November Music: subtle timbres paint inky black scenario

Pièce de résistance will be the brand new Reconnaissance (Rusty Mirror Madrigal) for choir, percussion and double bass. Saariaho composed it commissioned by November Music and the Donaueschinger Musiktage. The first performance was scheduled at the German festival, which, however, was also cancelled. - A stroke of luck for November Music.

Chosen to enjoy magisterial Hans Kesting

The restless head in front of the torso, fists nervously searching for grip under the pale blue jumper. His life a relentless affliction of generations of oppression under factory labour, alcoholism and domestic violence. And deep love nonetheless, between this tormented father and son. Until almost the end of the monologue "Who killed my father?", the high bed remains untouched. Only then do they learn... 

Taking off and landing softly. That's what Schweigman& offers during Sender Boulevard, and we need it

Boukje Schweigman is an artist this country desperately needs. My deep admiration for her arose with 'Klep', the performance with which she graduated from the Amsterdam mime school long ago. With eight others in a trolley, looking around through very small flaps in a world where sweet creatures are equally curious about you, after which a minimal touch has the impact of... 

Greg Nottrot offers vision of a new future for theatre at the time of Corona with 'Graves'

Ok, the Mauerpark in the real Berlin is more grubby, but what they call the Berlinplein in Utrecht's new Leidsche Rijn centre has something in common with it. Of course, a frayed edge organised by the local government is a bit suspicious, with a megabios as its biggest attraction, but property developers, the biggest abusers of artistic frayed edges, can't do much else on... 

Culture Council marginally updates opinion, but sticks to controversial decisions

The National Opera had made a mistake in preparing its application. According to the Culture Council, the multi-million-dollar national institution had failed to break down performance data between dance and music. As a result, the company had to come up with an entirely new application before 1 November. Now it turns out that was not so bad. As it turns out, the data... 

'It was as if I had ended up in my book.' How Tatiana de Rosnay's dystopian new novel suddenly became suspiciously similar to reality

It is scorching hot in Paris on the day of the interview with Tatiana de Rosnay (58). In her new novel Flowers of Darkness, Paris suffers yet another heatwave, with the thermometer touching 48 degrees. 'The past few days have been almost as bad as in my book,' De Rosnay tells via Zoom from her Parisian study.... 

'Living with others is hard.' French writer Leïla Slimani on identity, roots and the feeling of not belonging anywhere

Following the publication of social science books such as In the Garden of the Beast, Sex and Lies and the Prix Goncourt-winning novel A Soft Hand, French-Moroccan writer Leïla Slimani (39) has become an important voice in French literature in recent years. She was appointed ambassador of French language and culture by President Macron and by the... 

Spanish writer Carlos Ruiz Zafón (55) has died. 'I put a lot of pressure on myself.'

With the million-seller The Shadow of the Wind, the first part of the four-part The Graveyard of Forgotten Books, Carlos Ruiz Zafón established his name as a writer in one fell swoop. His novel The Labyrinth of Spirits, published in late 2017, was the culmination of a year-long showdown with himself. Not long after, he fell ill; in early 2018, Zafón was told that... 

Love & Revenge aims to reshape the Arab world

You take film classics like Dracula and Star Wars, track down their Arabic remakes, and edit these fragments on a live soundtrack that fuses Arabic pop history with electronic music of today. This, in short, is the recipe of the dynamic collaboration between musician Rayes Bek and video artist Randa Mirza, better known as Love & Revenge. With their compelling show,... 

MAAS makes performance at Keti Koti

On Tuesday 30 June and Wednesday 1 July 2020, Aan tafel can be seen at the Maaspodium, Rotterdam, a performance on the history of slavery as part of Keti Koti. It is the third year in a row that Maas is trying to make this painful part of history palpable through theatre. The performance will be made (coronaproof) and performed by Sue-Ann... 

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