George Vermij is een culturele alleseter met een nieuwsgierige en kritische blik. Hij studeerde kunstgeschiedenis en politicologie in Leiden en heeft een ongeneeselijke filmverslaving. Naast Cultuurpers schrijft hij voor Schokkend Nieuws, Gonzo Circus en In de bioscoop over film. Voor Tubelight, Metropolis M en Jegens & Tevens schrijft hij over beeldende kunst.
Imagine is al een aantal jaar aan het transformeren. Toen dit festival nog onder de naam Amsterdam Fantastic Film Festival door de wereld ging, lag de nadruk vooral op genrecinema. Het Fantatstic-genre is een verraderlijke term die als vergaarbak wordt gebruikt voor sciencefiction, fantasy en horror. In deze postmoderne tijden is fantatstic moeilijker af te bakenen. Het festival veranderde daarom al in 2009 van…
These are bleak times. A few days after the opening night of the Movies that Matter festival (MTM) in The Hague, the world was rocked by the attacks in Brussels. For an event that focuses on human rights issues, a sign that the violent consequences of international conflicts seem to be getting closer. This raises the question of whether an audience that is...
Movies that Matter organiseert op 10 januari een vertoning van Mohsen Makhmalbafs ‘The President’ met als speciale gast -schrijver en journalist- Alexander Münninghoff (De Stamhouder). In ‘The President’ wordt een afgezette dictator in een Oost-Europees land geconfronteerd met zijn daden nadat hij zich schuil moet houden met zijn kleinzoon. In Mohsen Makhmalbafs satire zijn de rollen even omgedraaid en daarmee…
10 years ago, it all started. A group of recent graduates of Leiden University found that their dear Alma Mater [hints]Latin for nurturing or caring mother. Alma mater refers to the university or sometimes the school where someone received their education. In ancient Rome, the term Alma Mater was used for the mother goddess; in the Middle Ages, Alma Mater referred to...
From confrontational brutalism to the flowing lines of Frank Gehry and from timeless London to the Paris of Eric Rohmer. Some of the selections from the Architecture film festival that starts on 8 October in Rotterdam. We take a dive into the programme in advance. In its existence, the AFFR has managed to hold its own against other thematic...
Movies that Matter will not only see you at the festival in March. The film event, organised by Amnesty International, will also tour several film houses in the Netherlands this autumn. It kicks off in October with the screening of Hubert Sauper's documentary We come as friends. In his earlier film Darwin's nightmare, this award-winning Austrian showed...
With Michelangelo Antonioni - Il maestro del cinema moderno, EYE has once again managed to put together a flawless and solid film exhibition. George Vermij visited the exhibition on the Italian master filmmaker and looks back on his influential oeuvre. In Dino Risi's road movie Il Sorpasso (1962), the passionate and extroverted Vittorio Gassman takes on a young and reserved Jean-Louis Trintignant...
Following the euro crisis, Culture Press focuses on Greece in a series of articles. In the first part, George Vermij looks at how film has influenced our image of the Mediterranean country. Is there not a more striking image of Greece than Antony Quinn as Zorba dancing the Sirtaki and finding resignation despite the harsh setbacks life offers? The...
The Movies that Matter film festival offers a programme of engaged and socially critical films not only in March. With Movies That Matter On Tour, special films are screened throughout the year throughout the Netherlands. In May, it is the Dutch documentary Burden of Peace. Burden of Peace tells the impressive story of Claudia Paz y Paz, the first woman to...
With its latest retrospective If We Ever Get To Heaven, EYE again convincingly and confidently presents itself as a museum that looks beyond film history. Previous exhibitions such as Expanded Cinema, which showcased visual artists working at the intersection of film and art, already demonstrated this. Now William Kentridge has been given the honour of...
Lately, you are inundated with predictions in the media about the increasing impact of artificial intelligence on our lives. Take for instance Nicholas Carr's book The Glass Cage, which analyses the revolutionary impact of new technology in the workplace. These are developments that have not passed Imagine programmers by. The 31st edition of the film festival, which...
The sixth edition of CinemAsia kicks off on 1 April in Amsterdam. The festival offers a broad and surprising overview of films from Asia. Ranging from anime from Japan to a documentary on Indonesian action films or a contemporary Filipino relationship comedy. Culture Press already dived into the programme. In itself, of course, there is plenty to choose from when you look at all those prolific studios in China, Japan, South Korea,...
Eindhoven is om de twee jaar even het mekka van de experimentele electronica met de STRP Biënnale. In de Brabantse lichtstad kun je maar liefst negen dagen genieten van toonaangevende dance-acts. Daarnaast verkennen experimentele performances het snijvlak tussen film, kunst en technologie. Cultuurpers maakt alvast een voorselectie. Hypnotische dansdeining Het Britse Factory Floor staat met een voet in het verleden, maar kijkt muzikaal naar de toekomst. Hun…
The latest edition of the Movies that Matter festival kicks off in The Hague on Friday 20 March 2015. A fitting location for a festival that occupies a unique position with its focus on human rights and cinema. On Culture Press for a preview of the programme. Movies that Matter, like previous years, offers an interesting mix of documentaries and fiction films that will give you a...
Clark Terry was a legend and is no more. The American jazz trumpeter died on Saturday at the age of 94. He began his musical career with jazz greats Count Basie and Duke Ellington, who soon recognised his extraordinary talent. He said of the two: "Count Basie was college, but Duke Ellington was graduate school." [Tweet ""Count Basie was college, but Duke Ellington was ...
De kritische commotie die er is ontstaan rondom de verfilming van het boek Vijftig tinten grijs van E.L. James lijkt zich vooral te richten op de brave tamheid van het eindproduct. Iets dat in contrast staat met de vermeende gewaagdheid van het boek, waar een maagdelijke jonge vrouw zich seksueel laat inwijden door een rijke SM-yup. Filmcriticus Antony Lane somde…
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