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He is a tormented, loner and contrarian fellow, but also one of the best detectives the Oslo police force has to offer. And: a much-loved character. Harry Hole is back, in Jo Nesbø's new thriller The Thirst. If the interview could be a few hours later, as he is suffering from jet lag. Popular Norwegian bestselling author Jo...
Setan Jawa is the latest film by prominent Indonesian director Garin Nugroho (b. 1961). It is a 'silent' film, shot in black and white by Teoh Gay Hian. It was shown at the Muziekgebouw aan t IJ during the Holland Festival last weekend. The music to the film is played live by Rahayu Supanggah Gamelan Orchestra and the Netherlands Chamber Orchestra. Inspired...
On Wednesday 21 June, the Zilveren Griffels, Zilveren Penselen en Paletten and Vlag en Wimpels will be awarded - the prelude to the presentation of Het Gouden Penseel and Het Gulden Palet in September and the Gouden Griffel in October. Interview with last year's Golden Griffel winner Anna Woltz on writing, growing up and the Griffels, of course. By Tijmen...
Later, when I grow up... Lawyer Susan van 't Hullenaar (1970) always dreamed of becoming a writer. As her 12.5-year work anniversary approached, she realised: I have to take the plunge now, otherwise it won't happen. She quit her job, became her own boss as a copywriter and picked up her pen - well, the computer. 'I gave...
Flexing is a street dance style from Brooklyn, New York. Thirteen men, three women strong is the formation that has caused a furore in America in various guises (HyperActive, MainEventt, Ringmasters), from the local talent show Flex in Brooklyn to America's Best Dance Crew. Now the crew, led by pioneer Reggie (Regg Roc) Gray, is on a world tour with a show, which they will perform with the...
On Anton de Komplein, it is less cosy than on the roof of Parking 58 in Brussels, where I saw danse de nuit earlier. Above South-East, the moon is hidden behind a thick haze, the square feels big and empty so without the market. The performance by choreographer Boris Charmatz/Musée de la Danse, also today and tomorrow,...
Rito de Primavera, on show at the Holland Festival early this week, is a group choreography for fifty young dancers. Choreographer José Vidal has loosely based himself on Sacre du printemps, Stravinsky and Nijinsky's 1913 piece for the Ballet Russes. Fragments of Stravinsky's music have been turned into 4-quarter beetz by DJ Jim Hast, while Vidal has minimised the ritual aspect of the sacrifice, essential to the many versions made throughout the 20th century (besides Nijinsky's primal version, Massine, Béjart and Bausch, among others).
What remains is an overwhelming visual experience of a gigantic mass of dancers looming out of the darkness. The coordination of the group, at times dancing wildly through each other, at other times circling the stage in long parade, is impressive. It produces a fascinating, eye-opening aesthetic, but the group dance in no way challenges the audience. You could call it a pile of kitsch, or opium for the people. Either way, it is a form of spectacle that I consider unworthy of the Holland Festival.
The performance begins like a school trip. Near the box office, spectators are prepared in groups for what is to come. They are kindly requested to take off their shoes upon entering the theatre, and then to walk barefoot, hand in hand with fellow spectators, through the dark. Regularly, someone calls loudly for silence, as the performance has already started. There is also something uncomfortable about the nervous manner in which the audience, which is supposed to line up in rows after the instructions, is marched away to the performance space two buildings away.
The initiation of the visitors continues in the Purification Hall, when they pass through the pitch darkness hand in hand with the cool sand at their feet. It provides one of the few ambiguous moments during Rito de Primavera. Where is this going? What fairy tale are we being led into here? From which tourist boat have we fallen off, to now attend the rituals of which people again?
At first, the total experience that so many contemporary theme parks are looking for really takes shape. For half an hour, I stare at a stage in the dark. I see and feel a lot of people there, I think naked because sometimes there is a clever flash of soft light, but the dominant darkness prevents me from getting a grip on it. Ethereal singing composed by Andrés Abarzúa - a single chord sounds gurgling from many throats - accompanies the entrance of all the other spectators for half an hour.
The bleachers surround the playing surface. It is only the red and white bicycle lights of the guides of the many groups of spectators that give you some orientation in the space. It has something of Tintin in Takatukaland. An audience paying to be at a miraculous, never-before-seen, spring nymphing ritual.
The artificiality of the setting gives a certain tension. In the darkness, as a spectator, you can imagine all sorts of things about what is to come. But at some point, the bicycle lights go out, a sign that all spectators are seated, and the dancers all put on trousers. The light increases and the first beetz cum stravinsky supplants the singing. When, after the uncertain introitus, the actual spectacle begins, its logic becomes all too clear. A perfectly organised group choreography takes over.
In what follows, nothing is left to chance. And that is no luxury with so many dancers in semi-darkness, especially as half of them are also new to the work, because from the Modern Theatre Dance Department of the Amsterdam University of Applied Sciences. The group makes pulsating movements, dialogues with a neighbour, runs in groups, starts singing again, postures and occasionally lifts a single person in the air.
But just as the darkness gets used, so does the group. They are all very young people, fairly relaxed dancing together. The uninhibited attitude with which the complicated group choreographies are performed is touching. A naive kind of surrender or faith speaks from it.
But gradually the effects, of the group choreography, of the light that creates the photographic vistas, the repetitive singing and beetz get boring. The repetition of moves is effect-laden, rhetorical, self-affirming. Nowhere a moment of debacle, of faltering. No one who has a question, can't keep up, is wrong
A Quattro Mani's pop-up reviewer Afke Bohle took up the challenge of reading a book with her eldest son. After the first volume in Susan van 't Hullenaar's De Groene Hand series, the second soon followed. And what was her surprise: now the wait for part three is actually taking too long... My youngest son loves books, but...
Boris Charmatz has been a guest at many editions of the Holland Festival with impressive, provocative, socially engaged, finely composed and conceptually strong dance performances: Aatt enen tionon and Con forts fleuve (both in 2001); 50 years of dance (2010), Enfant (2011) and Manger (2015). His latest choreography, danse de nuit, premiered in Geneva last September. During the Holland Festival...
'Everyone has an Apple. Everyone has a Corneille. Nobody has a Van Merwijk. So the question is whether Van Merwijk is any good. Nobody knows that. Then the challenge is for a few great people to buy a Van Merwijk. After that, everyone wants to have a Van Merwijk. When that happens, I'll go back to making other work, because I want...
One of the highlights of the year is always the presentation of 'the figures' by the Association of Theatre and Concert Hall Directors (VSCD). As it happens, these are unabatedly positive. For years. And so for years it has been a challenge to find out why those positive figures are so difficult to reconcile with the picture of reality. That not at all...
The novel Her Name was Sarah (nine million copies sold) made Tatiana de Rosnay world-famous. In Paris, she even wears a wig when she does not want to be recognised. That she struggled with anorexia she kept secret for years. [bol_product_links block_id=”bol_592be29ab4765_selected-products” products=”9200000075700087,1001004010207707,9200000077515228,9200000011255053″ name="a4m" sub_id="de rosnay" link_color="003399″ subtitle_color="000000″ pricetype_color="000000″ price_color="CC3300″ deliverytime_color="009900″ background_color="FFFFFF" border_color="D2D2D2″ width="549″ cols="2″ show_bol_logo="0″ show_price="1″ show_rating="1″ show_deliverytime="1″ link_target="1″ image_size="1″ admin_preview="1″] Eight life questions...
In the commission given to artist Elisa Pesapane by the National Museum of Antiquities, her passions came together: drawing, antiquity, research and portraiture. From today, twelve drawings about 'le solitaire des ruines': the military engineer Jean Emile Humbert, in search of the city of Carthage, are on display at the RMO. Portrait Italian-Dutch artist Elisa Pesapane (b. 1977) is, among other things,...
The 57th Venice Biennale brings the world together and the art world to Venice. This year, the biennial art event is bigger than ever. Here you will find out what is 'trending' in contemporary art. Everyone thinks something of this event and we live in a time when everything and everyone is held up to the yardstick: 'Have you been there?....
Bark Skins Annie Proulx We had to gather some courage to start Annie Proulx's Bark Skins. After all, the book is 800 pages long, so you have to make some time for it. But this novel is well worth that. As a reader, you are unceremoniously planted in the wild forest of North America, still called New France in the late seventeenth century....
See, the Belgians do that well. When a new literary festival comes along, it immediately lasts more than a whole week instead of two days. Today marks the start of the first edition of the International Literature Festival BRU-TAAL. Five reasons to travel to 'the Venice of the North' in the coming days: Bruges. 9 days, 2 weekends, almost 59 writers,...
He finds himself lazy and under-ambitious, and struggles with acceptance - of himself, of others, of the world. Because his grandparents had lived through the Holocaust, there was a taboo on being unhappy in his youth. Eight life questions to Jewish-American writer Jonathan Safran Foer. 'Between what I could do and actually do, there is a big gap.' 1....
Arnold Schoenberg (1874-1951) is often accused of driving audiences out of the hall with his drive for innovation. After all, his twelve-tone system swept away the foundations of tonality, which had provided listeners with a safe haven for centuries. Deprived of its foothold, it would have turned its back on contemporary music forever. Nonsense, because not only did Schoenberg write fantastic works, but also...
Earlier this year, Mircea Cărtărescu, Romania's greatest writer, was a guest at the Winternachten festival. Writer Mira Feticu, who was born and grew up in Romania and even received lectures from Cărtărescu as a student, interviewed her former compatriot and professor for A Quattro Mani. A beautiful conversation about their homeland, truth, literature and poetry. 'My books are...
Babylon Yasmina Reza With her novel Babylon, Yasmina Reza won the prix Renaudot, France's most important literary prize after the prix Goncourt. The main character is 62-year-old Elisabeth Jauze. Elisabeth is a patent examiner at the Institute Pasteur and leads a sedate life with her husband Pierre. In contrast to her sister Jeanne, who has been caught up in sexual adventures since separation that...
Adultery, lustful sex and desperately dating forty-somethings - these are the spicy ingredients of caSINO, Frieda Mulisch's debut novel. On their quest for true love, her protagonists Polly and Sam scour dating app caSINO, a kind of Tinder. We talk to her about her book, literary aspirations and, of course, her father Harry Mulisch. 'If Tinder had been around fifty years ago,...
We know him from such wonderful novels as To the Other Side of the Night and The Last Escape, but Jan van Mersbergen has more to his credit. He recently surprised us with The Rider, written from the perspective of an old horse, and now there is Diary from the River. Not a novel, but his first thriller, published under the pseudonym Frederik Baas....
You can dream of a better world, but why not take action yourself? Journalist Rachel van de Pol (33) decided to do a good deed every day for a year, from asking for a doggy bag at a restaurant to ragging the neighbours' windows or handing out ice creams to construction workers at...
While Jan Martens' latest work, The Common People (2016), was at Amsterdam's Stadschouwburg last weekend, Utrecht's Theater Kikker is showing two older hits this week: Sweat Baby Sweat (2011) and The dog days are over (2014). Sweat and Dogdays are blockbusters and have already toured the world. At Kikker, they can now be seen as part of a...
Is your relationship just on the rocks or is it in dire straits? Congratulations! According to author and spiritual teacher Jan Geurtz, a major love crisis is the chance to be freed from all the patterns that torment you. He describes why this is so in his new book About Love and Letting Go. Even if you have been in it for years...
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