During Holland Festival 2024, The Bird of a Thousand Voices was performed at the Muziekgebouw. For those who could not be there then, or would like to see this special performance again, it is possible to watch the performance online (as a video on demand). The stream will be available from Friday 28 February 00:01 until Sunday 2 March 23:59. 'Phenomenal musicians, stunning storytelling and...
5-8 December, Digital Theatre During the past Holland Festival, 79-year-old Brazilian music legend Arthur Verocai presented a memorable concert in a packed Concertgebouw. Together with the Metropole Orchestra and guest artists, he performed the music from his iconic 1972 debut album: a mix of bossa nova, samba, jazz, psychedelia and funk. Early this century, major hip-hop artists such as Snoop Dogg,...
ITA, HOLLAND FESTIVAL AND NDT PRESENT BIBERATING PROGRAMS ONLINE, IN DIGITAL THEATER International Theatre Amsterdam, Holland Festival and Nederlands Dans Theater will present groundbreaking programmes online, in the Digital Theatre, during the Christmas holidays. In order to connect makers, companies and (inter)national visitors, the initiators choose a programme during the Christmas holidays. The ideal period to be together, to feel...
Op 14 juni 2023 sluiten het Netwerk Scenarioschrijvers van de Auteursbond en de Dutch Directors Guild zich aan bij de wereldwijde actiedag Screenwriters Everywhere. Hiermee steunen we de 11.500 leden van de Writers Guild of America West en Writers Guild of America East, die sinds 2 mei staken. Er zijn acties gepland in meer dan 20 landen. Scenarioschrijvers in de…
Deze site is groot geworden dankzij Twitter en Facebook. We zijn ongeveer ook in dezelfde tijd ontstaan. In 2009 was Twitter net een beetje van de grond aan het komen, en Nederland dacht nog dat Hyves het helemaal zou worden, terwijl België al op Facebook zat. Enfin, tl;dr: de sociale media waren nog leuk. Pas in de jaren daarna werd…
In the series In Perspective, Erik Akkermans looks back and ahead at developments in cultural policy and practice. Today: media art. Aan het Haagse Spui It were tough negotiations. The battle for the meter cupboard symbolised that. The chairman of the Hague Filmhuis, a former alderman, went hard at it. And the board of the World Wide Video Centre & Festival...
ILFU lanceert 12 april een online platform voor fictie die reageert op de actualiteit. Fictie is volgens de initiatiefnemers minstens zo belangrijk om de wereld te begrijpen als de feiten die we horen in het nieuws. Het platform wil met bijdragen van schrijvers, denkers en dichters tegenwicht bieden aan de BN’ers, influencers en opiniemakers die de media domineren. Schrijvers als…
NBD Biblion, the world's largest online library, has announced that it is laying off all its human reviewers. Company spokesman Jonathan D'Angelo said the decision was taken to speed up the review process. "Using our new AI software, we can now review books much faster and more accurately than ever before," D'Angelo said. "So there are really no human...
We are approaching episode 200 of Pearl Radio, a series of audio material that matters. Face of the cultural podcast is independent radio maker Stefanie Visjager. Delving into listening archives, interviewing creators and carrying the audience along in calm storytelling voice are all part of her remit. Since the birth of the term podcast in a 2004 Guardian article, it has been running wild...
The Every (Het Alles) is de naam van een succesvol en alom geliefd bedrijf, de grootste combinatie ter wereld van een tech-reus en een commerciële gigant. Dave Eggers beschrijft dit in zijn nieuwste roman “The Every”, opvolger van bestseller The Circle. Vanaf half november 2021 te koop bij de Amazons en de Bol.Coms, maar wie het eerder wilde kon al…
There is a bit of a buzz about Daan Roosegaarde. Again, we might say, because Daan Roosegaarde, it turns out, cannot be described as a creator of original work, but as someone with a rather remarkably sensitive antenna for other people's ideas. Which he then presents as his own work. From the article in the Volkskrant on this, one and...
In 2014, The Cutter published a review of De Wereld Draait Door. What not many people will know is that prior to that moment, there was a weeks-long battle behind the scenes over this publication. De Wereld Draait Door tried with all its might to stop the episode by not giving permission to quote the footage. Initially,...
Sometime in 2022, if possible again, please go to a theatre where you can see 'Sadness is the thing with feathers'. There you can watch and listen to Jesse Mensah's phenomenal talent - if he hasn't won the Song Contest before then - and experience the magic that sticks to Jacob Derwig. Forget, before then...
If every ballet is about discipline, it is certainly something that applies to Hans van Manen's ballets. Discipline in the music, in the beat, in the simplicity. How ballet creates order in movement, measures space, establishes relationships: you will find it all in the works of Holland's most renowned dance maker. The six parts of the programme Variations...
That Shakespeare is still relevant after four centuries doesn't even require putting him in modern clothes, but of course it helps. The worldwide success of Ivo van Hove and his 'Internationaal Theater Amsterdam' is therefore partly due to his Shakespeare adaptations 'Kings of War' and 'Roman Tragedies'. Marathons, hours of theatre with food in between. Valentine's Day 2021...
On social media, and in mainstream media for that matter, it is not helpful to be overly clever. The adage of my father, who was a journalist and taught me not to be afraid to ask stupid questions, has been elevated to a code of honour. You only have to watch 15 minutes of Op1, or WNL on Sunday, and you make...
For a while, not making performances as if nothing happened, but developing concepts, experimenting, boldly going where no one in this sector has dared to go so far (sorry, I watch a lot of Star Trek during the lockdown). That strikes me as an excellent use of grant money and could also bring back some momentum in these crappy times.
Yesterday, I finally saw 'Away with Eddy Bellegueule', the theatre hit of the previous broken and devastated theatre season, and saw that its creators had effortlessly bridged the gap between youth and grown-up theatre. The show is a nineties grunge concert with brilliant actors and intense visual direction by rising star Eline Arbo.
With The Home Show, we want to provide our visitors with a cool programme no matter where or with whom they are. TivoliVredenburg is a place that connects people. If that's not possible in real life, we do it virtually. A moment like New Year's Eve, especially after a bizarre year like this, is then extra important'.
For a while, corona seemed to throw a spanner in the works, but thanks to the flexibility of the makers, speakers and artists as well as the crew, we recorded the Night Mass coronaproof. With extra intimate footage and beautiful atmosphere, for the Night Mass feeling at home on the couch.
Deze acteurs zitten aan hun keukentafel en wij vliegen met hen door de ruimte. Zo simpel kan kunst zijn, omdat wij, de kijkers, het verhaal feitelijk maken.
On Tuesday 3 November 2020, America goes to the polls. TivoliVredenburg in
Utrecht presents a live programme around these exciting elections. From
the Great Hall to monitor exit polls, enter scientists, journalists and
campaigners take the stage and call in several Americans. The programme will be
'coronaproof' produced.
Marije Vogelzang is food designer: 'It's about getting people to look at things they think they know, that they deal with every day and therefore overlook.'
Things need time and distance to become a story. Good, then, that in his 'State of Theatre,' the traditional opening of the theatre season, Rau did not take the floor himself, but handed it over to people who are now in the midst of the confusing time of austerity, coronasteun and political turmoil. Because the 100 international makers he asked for a book entitled "Why Theatre?" could not come because of the pandemic, six Dutch makers were invited.
Ze zijn voor het eerst sinds de lockdown op 13 maart weer gedrieën op het kantoor bij elkaar. Het interview, waarin directeur Emily Ansenk, muziekprogrammeur Jochem Valkenburg en theaterprogrammeur Annemieke Keurentjes de balans opmaken van de eerste – en hopelijk enige – online editie van ’s lands meest prestigieuze podiumkunstenfestival, vindt een dag na de afsluiting plaats. Er was geen…
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