All about politics, policy, society and how those things relate to culture and art.
Tomorrow, Culture in View, the annual OCW conference for the cultural sector, is dedicated to diversity. Although the topic was already raised by Rick van der Ploeg in the late 1990s, diversity within the cultural sector anno 2016 still lags far behind the changing demographic composition of the population. Diversity should no longer remain just an agenda item. Under the motto: No...
The 2016 Autumn Consultation. This annual evening of debate around burning issues in the film industry revealed above all that the industry is far from being on the same page.
Yesterday, the chamber made €10 million available for the arts. This brings the tally of government cuts to at least €190,000,000 still. This hard-won extra is the last thing that could be asked for. Everyone agrees, the new system has been definitively embraced. The protest has made itself redundant now that the compromise has been made. And what have we got...
'What is the relevance of dance?' Since the The Relevance of Dance conference in March 2016, this question has been haunting my mind. Above all, I want to know why more people should dance. Therefore, I decide to put the question to inspiring and progressive dance teachers. The second one I question is Andrew Greenwood, who six months ago...
On the day that in the Lower House, Minister Bussemaker passes up a chance for extra money for culture, young artists further down the street are winning prizes. On Monday 21 November, the Education, Culture and Science Committee spoke to Minister Bussemaker about the Culture Budget. Something that has far-reaching implications for the culture sector. Later in the evening, the presentation of...
In 1975, jazz musician Misha Mengelberg and artist Wim T. Schippers organised Een behoorlijk kabaal (Quite a racket) at Amsterdam's Mickery Theatre. For a week, they explore the different meanings of a concert in 'inimitable musical theatre'. Jacqueline Oskamp chose it as the title of her recently published book describing Dutch music history of the past century. Sad conclusion: there is...
The Belgenmonument in Amersfoort is the largest war memorial in the Netherlands. Construction started a hundred years ago. It was recently restored, but no longer has a function. New meaning is being sought. Architecture centre FASadE organised a design competition for this purpose. The aim: to give the Belgenmonument renewed meaning as a memorial but also as a symbol for the reception of contemporary displaced persons. The jury led by...
The National Opera & Ballet is among the showpieces of Dutch cultural policy. And rightly so. Like the Concertgebouw Orchestra and the Rijksmuseum, the opera and dance company is among the absolute world's best. That comes with a price tag. A hefty price tag. In the case of The National Opera: €24,420,000, in the case of The National Ballet: €6,950,000. Soon there will be a...
If the shock of 9-11 in 2016 highlighted anything, it was the yawning gap between the higher and lower educated in our neoliberal society. White, less-educated and angry male America elected a racist and war hitter as president. We cannot help but conclude that democratic, liberal, highly educated and majority-educated America refused to see the blow coming. In the spring ...
One of the strongest arguments of the opponents of art subsidies is that the common man has no use for art. That argument has now been refuted by scientific research. 'Happiness professor' Ruut Veenhoven presented a study this week showing that less educated people in particular become happier from art. They even become happier from it than from sports, both passive and active, or...
On Tuesday 2 November, Cappella Amsterdam presented a new CD at the Orgelpark. This includes Arvo Pärt's large-scale choral work Kanon Pokajanen, which was also performed live. After the concert, chief conductor Daniel Reuss was appointed Knight of the Order of the Dutch Lion. This very high royal decoration is only awarded to people "with extraordinary merits...
I wrote this story in 2003, following the publication of a major historical study on theatre attendance. I return to it often, this research. Because it keeps me with both feet on the ground while screaming for culture. And because it underlines the need to overhaul the system anyway. 'Nothing so constant...
Cultural breeding ground DE WAR must make way for property developer Rovase. It is not the only creative hit art-loving Amersfoort has had to take. Several dozen artists must also look for a new workplace. This time, the municipality is not to blame. Part of the factory that was their home has been lost to fire. It concerns the former 'meat preserves' NOACK factory, diagonally...
From 19 to 23 October, more than two thousand music professionals gathered in Santiago de Compostella for the 22nd World Music Expo (WOMEX). I was there and came back with mixed feelings. My first music fair experience was the WOMEX in Rotterdam. In 2001, the Maas city was the cultural capital of Europe and thus had extra resources at its disposal. The Berlin organiser of...
The NAPK (Dutch Association for the Performing Arts) is sounding the alarm bell for the performing arts. The association of employers in the performing arts is launching a petition today and submitting a second fire letter to the Lower House on 1 November. Earlier this year, NAPK already sent a letter to the Lower House. And that was then written about here. Now, in preparation for the Lower House debate on the culture budget, a second...
It really is there, although it is unclear whether there will be an additional 100 million twice or whether public broadcasting and the entire cultural sector will have to make do with one additional 100 million. But at least it is clear: as in the rest of the draft election programme, the party mainly distances itself from the VVD and the four-year...
Cinekid also addresses gender balance and the imagination of boys and girls. A hotly debated issue on which the last word has not yet been said.
A strong cultural protest storm has been brewing in Amersfoort in recent weeks. The trigger was the municipality's decision to award the home of cultural breeding place DE WAR to a property developer after a tendering procedure. DE WAR has been renting the former Warner & Jenkinson dye factory for about ten years. Artists and inventors find a workshop, knowledge and a place for...
There are very, very many artists and creatives who did not start out as entrepreneurs but need or want to get into business. Their number has only increased since 'the Halbe Zijlstra period'. I know them, I mentor some of them and last but not least, I am one myself. The perfect occasion to take some continuing education to me....
OK, it is still more than former tolerant partner PVV, which managed to cram the entire draft election programme onto a single A4 sheet. But in the half-page that the VVD, the country's largest party, spends on culture, it is actually worse. Here the Wilders and Zijlstra-inspired rancorous line against anything that even smells of Dutch culture is still abundantly clear....
'Not only work has disappeared, but also knowledge and craft - the whole perspective is disappearing. While the Netherlands as a dance country was renowned in the world precisely because it had the luxury to research, to build, to stimulate.' Ronald Wintjes, the brand-new director of De Nederlandse Dansdagen, worries. What about the future of dance?....
This play is going to cost me a lot of friends, but it needs to get out. After all, the theatre industry is doing badly. And I can see more and more clearly where that is due to. And for once it's not Halbe Zijlstra. Or the VVD, or the population, or the Netherlands in general, or the zeitgeist. And it's not because of Netflix either...
For now, an unusual state of affairs in the field of cultural governance. Unsatisfactory also because of the many questions it raises: Wim Pijbes rather unexpectedly announces his departure as chief director of the Rijksmuseum on 1 March 2016, opting for a director's position at a new private museum (Voorlinden) owned by billionaire Van Caldenborgh on 1 July 2016. Equally unexpectedly,...
Today, Amsterdam Dance City sent a fire letter to funds and policymakers. Because things are going hard in the wrong direction with talent development. Especially independent choreographers lose out in the new subsidy plans. While these artists are already struggling to survive. Their own economic situation is hopeless and there are no good independent facilities to stage performances.
The opening day of the National Film Conference at the Netherlands Film Festival offered the prospect of 'urgent' developments, but flames were not yet willing. Despite Issaka Sawadogo's engaging outpouring on the subject of diversity.
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