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Hymn to St. Cecilia by Britten: state dangerous (c)ode?

On Friday 10 February in Utrecht, the Nederlands Kamerkoor will kick off its concert series Sacred and Profane, based on Benjamin Britten's choral work of the same name. The programme also includes his popular cycle Hymn to St Cecilia, which he composed during World War II. The score was confiscated by the US Customs Service in 1942 because it allegedly contained codes that were dangerous to the state. The American fear of a... 

Criss-crossing America with Richard Rijnvos

Richard Rijnvos (1964) has been house composer of the Royal Concertgebouw Orchestra since 2011. This has so far resulted in two new pieces: Antarctique, the final movement of his cycle Grand Atlas (2011) and fuoco e fumo from the series la Serenissima (2013). On Thursday 2 and Friday 3 February, conductor Gustavo Gimeno leads the Royal Concertgebouw Orchestra in its third commissioned work, Amérique du Nord. The... 

Guess who is Utrechter of the year: exciting festival in line with FC and Daphne

Johan Gijsen has been elected Utrechter of the Year. The organiser of the Le Guess Who? Festival succeeds FC Utrecht owner Frans van Seumeren (2015) and athlete Dafne Schippers (2014). The election for Utrechter van het Jaar was held by the AD Utrechts Nieuwsblad. Six columnists selected ten nominees who could be voted for. Gijsen founded Le Guess Who? in 2007.... 

Richard Rijnvos world premiere at Muziekgebouw aan 't IJ: 'Art-loving audience very capable of critical listening'

What is a 'companion piece'? On Thursday 12 January, the quirky Ives Ensemble answers this question at a concert in the Thursday night series at the Muziekgebouw aan 't IJ in Amsterdam. Especially for this, Richard Rijnvos composed his Riflesso sull'arco, a 'companion piece' to Swinging Music by Kazimierz Serocki. I asked Rijnvos three questions. What typifies you as a composer? Let me start with... 

My 2016, and why it scared me to death. (A list)

Five art experiences will always stick to this bizarre year for me. And one thing really scared me. Whether the worst is now behind us? At least the most extraordinary is still on view until 5 February 2017. A chronological overview of what was unbelievable, unthinkable, inconceivable, unbelievable and perhaps untrue. Much of it, by the way, will be in 2017... 

Press release: Culture Press becomes part of The Cooperative / Reporters Online

On 20 December, the general membership meeting of Coöperatief Cultureel Persbureau unanimously decided to accept a cooperation offer from The Co-operative/House of Journalism and Reporters Online. This is an important step in the development of independent cultural journalism. Culture Press, as the Cooperative Cultural Press Agency is known on the internet and social media, is growing significantly as a result. The... 

(Un)heard in December: So close the hammers hit your forehead

Each month, in the (Un)heard series, I present extraordinary sound that does not go unnoticed and unsung. In this December edition: Brume, Cinema Perdu, Emanuele de Raymondi, Mark Fell, Zeno van den Broek and James O'Callaghan. Like a vise around the neck Brume - Mother Blast (LP, Grautag) Nicolas Moulin's Grautag label guarantees dystopian soundscapes. Those landscapes the label presents... 

These five shows you really want to see in December

I tell you here why you should go to see Parsifal, and not even just because of the object by Anish Kapoor that plays a part in it. And you could also go to theatre one day, by the way. With The Girls. Fel theatre by our very best theatre company (according to Americans). The National Opera, Parsifal (opera) Four years ago, I attended Pierre Audi's... 

Early music pioneer Marijke Ferguson: A lifetime of ears on stalks

This month, early music pioneer Marijke Ferguson turned 89. She led the adventurous ensemble Studio Laren for 30 years and has been making radio for over 50 years, the last 23 for the Concertzender. Time and again, she manages to intertwine old and new music with pop and world music in an appealing way. On Sunday 11 December, the Concertzender puts her centre stage during... 

Concert Jarre was everything but unforgettable. And that's a compliment.

Jean-Michel Jarre was visiting the Netherlands. At the Heineken Music Hall, old and new fans could enjoy his hypnotic work. I went there to listen, but of course also to watch. Forty years ago, Jean-Michel Jarre, pioneer in synthesiser music, released Oxygène. Anno 2016, we are 12 million copies sold. On that huge scale, the Frenchman produces... 

(Un)heard in November: 'A doubled-headed debut dildo'

Each month, in the (Un)heard series, I present extraordinary sound that does not go unnoticed and unsung. In this November edition: Jacob Kirkegaard, Oren Ambarchi, Glice and N.M.O. Jacob Kirkegaard - Munk (Cassette, Phinery Tapes) Danish sound artist Jacob Kirkegaard investigates the impact of sound resonance on our ears as well as the rest of the body. In Kirkegaard's work, direct, intimate contact via... 

With Broekmans & van Poppel, Amsterdam loses icon again

Until 31 December, classical music lovers can browse the unprecedented amount of sheet music, CDs and music books at Broekmans & van Poppel. The iconic shop, stately located next to Brasserie Keyzer and the Concertgebouw on the Van Baerlestraat in Amsterdam, will close its doors after 102 years. The family-run business will continue in Badhoevedorp, where the central warehouse is already... 

'Quite an uproar': a century of contempt for the arts

In 1975, jazz musician Misha Mengelberg and artist Wim T. Schippers organised Een behoorlijk kabaal (Quite a racket) at Amsterdam's Mickery Theatre. For a week, they explore the different meanings of a concert in 'inimitable musical theatre'. Jacqueline Oskamp chose it as the title of her recently published book describing Dutch music history of the past century. Sad conclusion: there is... 

LGW, which is listening in total, focused fraternisation

It is around 11 o'clock on Sunday evening. Jlin taps a rattling beat in the air with her index fingers. When the relentlessly sucking bass kicks in, she accompanies it with an elbow down. Her grin from ear to ear is met with cheers from the audience. Le Guess Who? 2016 (hereafter LGW) is coming to an end, but that's what these... 

Stop whining about ageing audiences at classical concerts

Last weekend, I attended a coffee concert by the baroque company The Continuo Company. At 53, I was one of the youngest visitors. Around me wrinkled faces and grey hair. I increasingly hear that ageing audiences for classical music are a problem. I think this is big nonsense and am becoming increasingly annoyed by this... 

Ivo Pogorelich shocks Eindhoven and streams on Idagio

'It took me 18 years to make a new recording,' Croatian pianist Ivo Pogorelich (1958) says with a modest smile. 'Just as much time as it takes a baby to come of age.' It is Wednesday, November 2. A special moment, because on that day Pogorelich's CD-less new recording of Beethoven's Piano Sonatas No 22 and No 24 will go on... 

Congratulations to Daniel Reuss on royal honour!

On Tuesday 2 November, Cappella Amsterdam presented a new CD at the Orgelpark. This includes Arvo Pärt's large-scale choral work Kanon Pokajanen, which was also performed live. After the concert, chief conductor Daniel Reuss was appointed Knight of the Order of the Dutch Lion. This very high royal decoration is only awarded to people "with extraordinary merits... 

String quartets Mantovani & Schubert: 'Schwingende Luft'

Unlike older colleagues, Bruno Mantovani (Châtillon, 1974) did not suffer from the modernist umbrella shadow that Pierre Boulez long cast over French musical life. He writes lyrical melodies as much as dissonant tone clusters and jazzy chords spiced with a pinch of microtonality. That he was appointed director of the Paris Conservatoire in 2010 illustrates how strong the musical climate... 

Cello Biennale full of highlights: 'Cellists are just nice people'

It no longer buzzes, hums, sings, saws and buzzes in the Muziekgebouw aan 't IJ. The cello caravan has left. The sixth edition of the Cello Biennale Amsterdam is over, leaving the thousands of cello and music fans with a feeling of emptiness. Nowhere else does such an amazing festival of cello take place in ten days, where the audience feels like... 

Sounding moths, ink drops and string mists in Cello Biennale

'He likes a joke,' says Fedor Teunisse of Slagwerk Den Haag, calling composer Brendan Faegre (1985) onto the Bimhuis stage. The young composer explains how the percussionists and the Biennale Cello Band should perform his Magical Quest for the Enchanted Armor. 'It's a game piece,' he says enthusiastically. 'The four percussionists and four cellists... 

The family vibe of 'Le Guess Who?': As if an older cousin has you in tow

Festival Le Guess Who? in Utrecht is on the eve of its tenth edition. From 10 to 13 November, more than a hundred artists will take possession of every conceivable place in the city of Dom where you can perform with good grace. They come from far and wide, just like the visitors. Expect the unexpected, with the whole family? Is that... 

Administrative aversion to the idea of 'world music' is international

From 19 to 23 October, more than two thousand music professionals gathered in Santiago de Compostella for the 22nd World Music Expo (WOMEX). I was there and came back with mixed feelings. My first music fair experience was the WOMEX in Rotterdam. In 2001, the Maas city was the cultural capital of Europe and thus had extra resources at its disposal. The Berlin organiser of... 

Cello Biennale shines through groaning glissandi and whispering ghost choir

During the sixth edition of the Cello Biennale, the Muziekgebouw aan 't IJ is a bustling place to be. Immediately upon entering on the first floor, you enter an atmospheric pop-up brasserie, with market stalls set up in every other nook and cranny. There is a selection of handmade cellos, bows, bridges, dampers and strings alongside a large selection of magazines, CDs... 

The Busy Drone: Disruptive barrel organ music

Once built for a Belgian dance bar, The Busy Drone came to the Netherlands in the 1960s. Publisher De Bezige Bij placed the barrel organ at its stand at the annual book fair in the RAI in 1968, which explains its striking name. Five years later, director Edy de Wilde purchased the instrument for his Stedelijk Museum in Amsterdam, where it remained until... 

Kian Soltani is the Great Discovery of the Cello Biennale 2016

Every morning Maarten Mostert, spiritual father and artistic director of the Cello Biennale Amsterdam, is squeezing oranges at half past seven in the Muziekgebouw aan 't IJ. The early birds among cello lovers then flock to the place to be for a free croissant with orange juice, followed by a top-notch performance of one of Bach's six Cello Suites in the Bach... 

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