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MUSIC

Oud of nieuw, klassiek of modern, minimaal of wereld. Pop. Tonaal en atonaal.

Cultuurperscoronapodcast (19): Willemijn Mooij moest de Mattheus Passie annuleren: ‘Leidinggeven op afstand valt me zwaar.’

‘Afgelopen (Stille, red.) zaterdag waagden we het weer eens om bij vrienden te gaan eten, mijn man en ik. We waren het zat om het alleen maar over Corona te hebben. Toen hebben we afgesproken om een muziekavond te houden. We werken allemaal in de klassieke muziek, maar spraken af om juist géén klassieke muziek te luisteren. Het werd een… 

'A lot of people are waiting for the moment when they can sing together again. Make sure that by the time Corona is over, they still have that opportunity.'

Maybe I am not looking closely but I miss in the various media, as I did years ago during the demolition policy, the role of amateur music practice on which many a musician depends. At the moment, the focus is partly on venues and theatres asking their visitors to accept vouchers or donate their tickets. Fine... 

Requiem for an ideal music lover. 'Grandpa Hippo' is no more: Frans Curvers dies, aged 91

'Thea, have you heard that new piece yet? It's beautiful!' And there plopped another wetransfer in with a recording by Kate Moore, Pete Harden, Calliope Tsoupaki or any other composer. Frans Curvers was at the front of every (world) premiere. Whether it took place at Paradiso in Amsterdam, De Doelen in Rotterdam, TivoliVredenburg in Utrecht or a backstreet church somewhere.... 

Podcast in times of Corona (11) - Asko|Schönberg suffers double blow: 'You can't go to a hall, not to a stage. Online is no substitute for that.' 

‘Het klinkt misschien erg dubbel, maar ergens is een moment van rust, een moment van contemplatie, iets waar je altijd naar verlangt. Dat de aanleiding nu die pandemie is, is natuurlijk niet fijn, maar toch.” Fedor Teunissen is artistiek leider van Asko|Schönberg, het ensemble van wereldklasse dat werd opgericht door de wereldvermaarde dirigent, componist en pianist Reinbert De Leeuw. Die… 

Podcast in Times of Corona Silence (8): 'In the end, more than 1,000 people watched that video' - Deborah Jacobs on the silenced world of cover bands and village festivals

An online party with a few close friends, and that you then invite a musician to perform live there. It can be done, and Deborah Jacobs would think it a fantastic idea. The musician, music teacher and lyricist from Breda had just about got her act together when Corona struck. All at once, all performances were cancelled and the... 

Mondoleone in tijden van Coronoa. Podcast aflevering 5. Hoe Leon Giesen de malaise te lijf gaat.

Leon Giesen, ook bekend als Mondo Leone, heeft al een tijdje geleden het reguliere theater gedag gezegd. Hij bespeelde – tot Coronoa toesloeg – steeds vaker op meetings en seminars, waar het publiek massaler en aandachtiger is. Maar nu is die markt weggevallen, en heeft Leon iets nieuws bedacht.  Luister naar het verhaal van deze rasverteller in onze podcast in… 

Podcast in tijden van Corona (3): ‘We hebben het laatste bier uit de leidingen opgedronken en daarna het licht uitgedaan.’ (Over de sluiting van TivoliVredenburg in Utrecht)

‘Het was heel raar om hier weg te gaan. Zo’n plek die altijd aan is, waar het altijd druk is, waar het altijd licht is, dat was nu gewoon zwart.’ Lieke Timmermans, manager Marketing en Communicatie van TivoliVredenburg in Utrecht kan het nog steeds niet helemaal bevatten. Donderdag 12 maart 2020, na de persconferentie van de regering, moest het programma… 

Een kwart van waar ze recht op hebben! (Hoe de Publieke Omroep musici tot de bedelstaf veroordeelt)

Toen ik laatst aan middelbare scholieren probeerde uit te leggen hoe weinig de orkestleden betaald kregen die bij het Eurovisie Songfestival de muzikale verrassingsact verzorgen, keken ze me verwilderd aan. Immers, het was meer dan je als 16-jarige verdient als vakkenvuller bij de gemiddelde grootgrutter. Dus wat was eigenlijk het probleem? Daarom nu maar even een andere rekensom, dankzij de… 

Eva's Klage at TivoliVredenburg: Lera Auerbach takes on the smothered female voice

Russian Lera Auerbach (1973) does not shy away from big challenges. And that is an understatement. Most recently, she made a big impression with her cycle Goetia 72: in umbra lucis. She composed this setting of the names of 72 demons for the Netherlands Chamber Choir and the string quartet Quatuor Danel. A CD of 72 Angels: in splendore lucis, in which... 

Netherlands Wind Ensemble launches second tour of The Unknown Chaplin an ode to Chaplin's artistry, with newly composed music

After its successful tour last November, the Nederlands Blazers Ensemble will tour again with The Unknown Chaplin. The second tour - from 3 March to 22 March - will take in venues in Ede, Helmond, Tilburg, Den Haag, Amersfoort, Enschede, Amsterdam and Rotterdam. www.nbe.nl/programma/the-unknown-chaplin/ Six hilarious, humorous and melancholic silent films by the great universal genius Charlie... 

Reinbert is dead, long live Reinbert!

'I get up with you and I go to bed with you,' I said jokingly. We stood in his kitchenette, where he made coffee for himself and tea for me. Reinbert's big startled eyes told me that my ironic remark had landed in the barren soil of his deadly seriousness. - It was not the first and not the last 

Why I hope to meet those youngsters from that particular reading club here: Olga Neuwirth composes soundtrack to Die Stadt ohne Juden

Emerging fascism is becoming increasingly parlous. Especially among young people, I discovered recently at a concert by the Netherlands Philharmonic Orchestra at the Concertgebouw. A reading club of twenty-somethings said they enjoyed James MacMillan's Second Percussion Concerto. They joined me in denouncing the draconian cuts to culture. But suddenly it sounded carefree: 'We are all voting for Thierry.' When I was dismayed... 

Five stars. Or more. Why we need heroines like Tina Turner. 

What. Have. We. Terrible. Much. Too. Learning. If there is 1 thing the musical Tina makes clear, it is that. Especially at the stormy premiere, Sunday 9 February, a few hours before storm Ciara blew the last bubbles out of the Utrecht champagne glasses. An almost completely white auditorium, in Black Tie, that is, with only a few people from... 

'For a year I dragged Ravel's scores everywhere' - Bart Visman orchestrates 'Ondine'

Dutch composer Bart Visman (1962) has already written many wonderful works of his own, but makes his debut with the Rotterdam Philharmonic Orchestra with an orchestration of 'Ondine'. This is the first movement from Maurice Ravel's three-part piano cycle Gaspard de la nuit. It forms the prelude to an integral orchestration, to be premiered next season. 'I am of the same... 

Song festival-gate update: fee for spectacle orchestra even lower

Those who want to be musicians have to bleed. Earlier, we reported that the highlight of the Dutch edition of the Eurovision Song Contest was going to be performed by professional musicians and conservatoire students who would receive 100 euros a day for it. Outrageously little, when you know that full days of work were going to be involved anyway, for eight days. Well: it's even worse than... 

Eurovision Song Contest had the Metropole Orchestra, but chose students.

Where is the Metropole Orchestra? A unique orchestra, the only one in the world that can pull off the complete repertoire from classical to pop and jazz? The orchestra that used to accompany the Dutch acts at the Song Festival when everything was still live? The orchestra, which as recently as December was on tour with our new Song Contest candidate,... 

What is the remplaçanten-cao and why is it so bad that the NPO applies it to the Eurovision Song Contest?

[update: they get even less, see post below] We received confusing news last weekend. The occasion was the festive announcement by the organisers of the Eurovision Song Contest that a special symphonic happening would take place at the final in Rotterdam. Invited were third-year and master students from Rotterdam Conservatoire, part of Codarts, as well as young professional musicians. For the performances... 

(update: Song Contest response and nuanced message) Playing with the Eurovision Song Contest Orchestra? From 100 euros per day

In the first version of this post, we assumed 100 euros for 8 days. We turned out to be misinformed. The application of the remplaçants' collective agreement, mentioned in the explanation by the Song Festival, gives a bit more leeway, although its hourly and daily rates are still controversial. But 1,000 euros for eight days is now apparently the going rate.... 

Conductor Elim Chan: 'I can't walk away from the music.'

'When I unexpectedly had to conduct the "Dies Irae" from Verdi's Requiem Verdi, I felt how raw and impactful music could be. I knew immediately: I can no longer run away from music.' Elim Chan is moving like a rocket and will make her debut with the Netherlands Philharmonic Orchestra on 17 January. In 2014, Elim Chan (Hong Kong, 1986) was the first female... 

Lera Auerbach decries 72 demons: ''We know exactly what the right decision is, but often choose against our intuition''

Guts cannot be denied the Russian-American Lera Auerbach (1973). After all, you have to be 'a bit crazy and a bit of a genius to write a full-length choral work on a text limited to a list of 72 angel names', as one reviewer noted in 2016 after the world premiere of 72 Angels for the Netherlands Chamber Choir and the Raschèr Saxophone Quartet.... 

A Christmas Carol by Carl Davis and The Dutch Don't Dance Division

A deep bow for Gesamtkunstwerk A Christmas Carol by Carl Davis and The Dutch Don't Dance Division

So this: 'It is not easy to compete with YouTube, Netflix and other entertainment giants lying at our fingertips...' Wise words from Jiří Kylián in the foreword to the programme booklet of A Christmas Carol. The renowned choreographer sees The Dutch Don't Dance Division putting on something magical at the Zuiderstrand Theatre with their latest production: with limited resources in this multimedia... 

Kersjes Prize winner Lodewijk van der Ree: 'Language strongly determines the sound of a choir'

'An inspired conductor, with an intelligent approach to the score, a clear stroke and the ability to draw a choir into his vision. So says the jury of the Kersjes Prize about Lodewijk van der Ree (1986), who received this year's conducting prize. I have worked with him many times before and can wholeheartedly endorse this statement. Carte... 

Musicians in plastic and a rock-hard snare drum - Forty years of orchestra de ereprijs celebrated with 4 new compositions - one for each decade

As an intro, the percussionist of orchestra the prize of honour played a cadenza of air beats. When he unexpectedly gave a cutting blow on his snare drum, everyone was startled. Thus, with Bewegung ohne Bewegung for cello and ensemble by Jan van de Putte, opened the anniversary concert of the ensemble founded in 1979 by Wim Boerman. Last year,... 

'Wikileaks has never been caught at a single fault' - Iris ter Schiphorst writes Assange: Fragmente einer Unzeit

'There is an information war going on right now, which shows how important data is. The Assange case is the most poignant example of this.' Dutch-German composer Iris Ter Schiphorst wrote a piece about Julian Assange, the now controversially declared founder of Wikileaks. She is on a mission with this: 'Although Wikileaks has never been caught at a single fault, Assange has been accused of... 

'High time for an end to segregated religions!' - Joost Kleppe composes Spirit of Mustafa for Groot Omroepkoor and Radio Philharmonic Orchestra

'Everything I make stems from feeling, from being touched', Joost Kleppe (1963) once said about his music. That sensibility is often triggered by poetry and his oeuvre therefore includes many vocal works. His lyrical, rhythmically varied pieces regularly appear on the desks of both professional and amateur choirs. With his appealing style, Kleppe follows in the footsteps of illustrious composers,... 

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