Alles waarvoor mensen een podium betreden.
Towards the end of the year, we are inundated with lists. The best CDs, the best books, the performances you shouldn't have missed, etcetera. In this sea of choices from reviewers and other opinion makers, one post stands out, from opera critic Olivier Keegel. He started a veritable petition to prevent Karlheinz Stockhausen's 'Aus Licht' from being performed in June 2019,...
In The Hague, they think it's a waste of money. Let them. Here are seven performances that were more than worth 'that sin'. Mona, Ariadne, Mariken, but also breathtaking circus theatre, a secret marriage, genre-transcending satire and the greatest set ever. Mona, NTJong (youth theatre/drama) 1. It is the biggest pitfall of the age indication in theatre performances. Put 6+ and you...
We hadden liefde, we hadden wapens van Christine Otten gaat over de zwarte verzetsstrijder Robert F. Williams, die streed voor de gelijkwaardigheid van de zwarte bevolking. In de gelijknamige theaterbewerking spelen blanke acteurs – onder wie Huub van der Lubbe – zwarte personages en andersom. Dubbelgesprek over persoonlijke offers, huidskleur en verbinding. Idlewild Het is een opmerkelijk toeval. Amerika neemt…
Five art experiences will always stick to this bizarre year for me. And one thing really scared me. Whether the worst is now behind us? At least the most extraordinary is still on view until 5 February 2017. A chronological overview of what was unbelievable, unthinkable, inconceivable, unbelievable and perhaps untrue. Much of it, by the way, will be in 2017...
In contemporary dance, artistic leaders are often in place for decades, at least in the Netherlands. This week, Leo Spreksel announced his departure from Korzo, as of September 2017. After 29 years, the director and programmer of dance at the theatre and production house in The Hague is calling it a day, because "in the Netherlands, commercialisation is pushing away the voice of artists: procedures and formats are...
Chris Keulemans visited the 5D InHuis Festival and was deeply impressed by what people with disabilities managed to achieve in theatre. Here is his report, for under the Christmas tree. About humour without pity, and totally unexpected displays of muscle. - Was Thomas born that way? - Well, I don't think he cut his legs himself... The jokers...
On 20 December, the general membership meeting of Coöperatief Cultureel Persbureau unanimously decided to accept a cooperation offer from The Co-operative/House of Journalism and Reporters Online. This is an important step in the development of independent cultural journalism. Culture Press, as the Cooperative Cultural Press Agency is known on the internet and social media, is growing significantly as a result. The...
Nine-year-old Amira Willighagen was when she won the TV talent show 'Holland's got talent' in 2013 with opera arias. Her Puccini aria 'O mio babbino caro' still attracts millions of viewers on YouTube. What makes Amira so immensely popular? Is it her singing skills or is it her adorable childlike appearance? In Huizen, a village in the Gooi region, she gave a concert with...
Each month, in the (Un)heard series, I present extraordinary sound that does not go unnoticed and unsung. In this December edition: Brume, Cinema Perdu, Emanuele de Raymondi, Mark Fell, Zeno van den Broek and James O'Callaghan. Like a vise around the neck Brume - Mother Blast (LP, Grautag) Nicolas Moulin's Grautag label guarantees dystopian soundscapes. Those landscapes the label presents...
Austrian bass Günther Groissböck received the biggest applause in Parsifal on Thursday 15 December, for his role as Gurnemanz. A close second was Russian soprano Elena Pankratova. She signed for the vocal part of Kundry, who took shape on stage in the person of assistant director Astrid van den Akker. However, judging by the deafening cheers, the audience was the...
Het Veem is a small but important theatre and unofficial production house overlooking the Houthavens in Amsterdam. The house has long been home to internationally operating contemporary performing arts. A place where the artist and his or her experimental work are still central. Since Anne Breure became director in 2014, it bears the addition House of Performance. With...
You instinctively flee from death, but in 'Have I been here before' choreographer Marie Goeminne actually brings death close. Not threatening, but close to your skin and hand in hand with life. She shows death and life in an intimate entanglement. Three dancers merge in a stream, concentrated and vulnerable, in which life arises,...
Amsterdam's oldest and perhaps most beautiful building combines quite a few functions. Although tourists are dominant these days, believers still celebrate the love of God there every week. And even though the former Nicolaaskerk no longer provides space for fishermen to mend their nets, organ concerts are still given there, since the fourteenth century. Handing out bread is not...
Ondanks de crisis in de podiumkunsten dwaalt er nog steeds veel jong talent door Nederland en omstreken. Zoveel dat bijhouden onmogelijk is. Wie kan immers alle festivals bezoeken, van festival Boulevard tot Noorderzon, van het Café Theaterfestival tot festival Cement en van het Amsterdam Fringe Festival tot het Zeeland Nazomerfestival? En dan ook nog precies die vier of vijf voorstellingen uit de…
I tell you here why you should go to see Parsifal, and not even just because of the object by Anish Kapoor that plays a part in it. And you could also go to theatre one day, by the way. With The Girls. Fel theatre by our very best theatre company (according to Americans). The National Opera, Parsifal (opera) Four years ago, I attended Pierre Audi's...
This month, early music pioneer Marijke Ferguson turned 89. She led the adventurous ensemble Studio Laren for 30 years and has been making radio for over 50 years, the last 23 for the Concertzender. Time and again, she manages to intertwine old and new music with pop and world music in an appealing way. On Sunday 11 December, the Concertzender puts her centre stage during...
Jean-Michel Jarre was visiting the Netherlands. At the Heineken Music Hall, old and new fans could enjoy his hypnotic work. I went there to listen, but of course also to watch. Forty years ago, Jean-Michel Jarre, pioneer in synthesiser music, released Oxygène. Anno 2016, we are 12 million copies sold. On that massive scale, the Frenchman produces...
From 6 December, theatre Kikker will show a week-long anthology of talented and diverse young theatre makers. We looked ahead to this Winter Collection. Hannah Roelofs, herself just over 30, issues five warnings for people over 29. 1. Twenty-somethings! 'This is the generation that's losing his or her...
'What is the relevance of dance?' Since the conference The Relevance of Dance in March 2016, this question has been haunting my mind. Above all, I want to know why more people should dance. Therefore, I decide to put the question to inspiring and progressive dance teachers. The second one I question is Andrew Greenwood, who six months ago...
In de serie (On)gehoord presenteer ik elke maand buitengewoon geluid dat niet onopgemerkt en onbesproken blijft. In deze November-editie: Jacob Kirkegaard, Oren Ambarchi, Glice en N.M.O. Jacob Kirkegaard – Munk (Cassette, Phinery Tapes) De Deense geluidkunstenaar Jacob Kirkegaard onderzoekt de impact van geluidsresonantie op onze oren én de rest van het lichaam. In Kirkegaard’s werk staat direct, intiem contact via…
Until 31 December, classical music lovers can browse the unprecedented amount of sheet music, CDs and music books at Broekmans & van Poppel. The iconic shop, stately located next to Brasserie Keyzer and the Concertgebouw on the Van Baerlestraat in Amsterdam, will close its doors after 102 years. The family-run business will continue in Badhoevedorp, where the central warehouse is already...
In 1975 organiseren de jazzmusicus Misha Mengelberg en de kunstenaar Wim T. Schippers Een behoorlijk kabaal in het Amsterdamse Mickery Theater. Een week lang onderzoeken ze in ‘onnavolgbaar muziektheater’ de verschillende betekenissen van een concert. Jacqueline Oskamp koos het als titel van haar recent verschenen boek waarin zij de Nederlandse muziekgeschiedenis van de afgelopen eeuw beschrijft. Treurige conclusie: er is…
Meg Stuart's two-hour heroic epic Until Our Hearts Stop, showing at the Rotterdam Schouwburg this week, does not engage in dramatic construction according to the rules of Aristotle's Poetics. We don't know who those people are there on stage. Nor do they seem to have been given any special assignment, although they are clearly being...
It is around 11 o'clock on Sunday evening. Jlin taps a rattling beat in the air with her index fingers. When the relentlessly sucking bass kicks in, she accompanies it with an elbow down. Her grin from ear to ear is met with cheers from the audience. Le Guess Who? 2016 (hereafter LGW) is coming to an end, but that's what these...
Afgelopen weekend bezocht ik een koffieconcert van het barokgezelschap The Continuo Company. Met m’n 53 jaar was ik een van de jongste bezoekers. Om me heen gerimpelde gezichten en grijze haren. Steeds vaker hoor ik dat vergrijzing van het publiek voor klassieke muziek een probleem is. Ik vind dat grote onzin en begin me steeds meer te ergeren aan deze…
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