Anything for which people enter a stage.
If there is one subject that has been endlessly elaborated on in dance, it is the many ways in which people form relationships with each other. Nevertheless, it is good that Moving Futures has put this theme firmly at the centre of the third day of the festival. It is inexhaustible, can always inspire in new ways and even in a...
Dance and technology. That is the theme on the second day of the Moving Futures festival. After seeing this broadly composed programme, I no longer doubt that there is such a thing as 'progress in art'. This is not just about the new means artists can use to shape their work. The...
The Amsterdam version of the Moving Futures festival 2017 has begun. For four days, young dance makers show all sides of their creativity. I experienced a cosmic journey with (SHIFT), was cheered by Third Culture Kid by Joseph Simons and saw the excitement slumped a little by a piano at the end of Your Mother at my Door by Timothy and...
Dance artist Amos Ben-Tal and songwriter Spinvis put together an intriguing talk show. And it does not go at all as you expect. Because what happens when you get a very Dutch songwriter and an Israeli choreographer with a ballet past to produce a joint performance? Right. The talk show The light in the room stays on. We the audience, are a talk show audience. Also on stage are...
Actress and cabaret performer Yora Rienstra (35) knows at first hand what depression can do to a person's life: her grandmother was manic-depressive. That is why she agreed when she was asked to perform in the solo show PAAZ, even though after seven years of cabaret she did not want to be on stage alone again. 'But I found Myrthe van der Meer's book...
'Many people find contemporary dance difficult. Especially performances by young makers who experiment and seek new ways. At the Moving Futures festival, everyone can discover how dance can touch you. We do this not only by showing good performances by young makers. We also offer activities around it, context programmes. By doing so, we give the audience tools to make a connection with...
Richard Rijnvos (1964) has been house composer of the Royal Concertgebouw Orchestra since 2011. This has so far resulted in two new pieces: Antarctique, the final movement of his cycle Grand Atlas (2011) and fuoco e fumo from the series la Serenissima (2013). On Thursday 2 and Friday 3 February, conductor Gustavo Gimeno leads the Royal Concertgebouw Orchestra in its third commissioned work, Amérique du Nord. The...
Johan Gijsen has been elected Utrechter of the Year. The organiser of the Le Guess Who? Festival succeeds FC Utrecht owner Frans van Seumeren (2015) and athlete Dafne Schippers (2014). The election for Utrechter van het Jaar was held by the AD Utrechts Nieuwsblad. Six columnists selected ten nominees who could be voted for. Gijsen founded Le Guess Who? in 2007....
What is a 'companion piece'? On Thursday 12 January, the quirky Ives Ensemble answers this question at a concert in the Thursday night series at the Muziekgebouw aan 't IJ in Amsterdam. Especially for this, Richard Rijnvos composed his Riflesso sull'arco, a 'companion piece' to Swinging Music by Kazimierz Serocki. I asked Rijnvos three questions. What typifies you as a composer? Let me start with...
It's quite unfortunate. Ruth Mackenzie is moving into even higher realms. She has made the past two editions of the Holland Festival considerably more refreshed and modern, and so it stands out. Paris beckons. Ruth Mackenzie has been nominated by Anne Hidalgo, mayor of Paris, as Directrice Artistique (artistic director) of Théâtre du Châtelet, as of 2019. This means Ruth Mackenzie will direct the festival's...
The five nominees for the CCD Award 2017 are Hamlet by ZEP Theater Productions, Festival Mundial, Ongekend Bijzonder Festival 2016, Project Old Skool by Stichting Gebouw 52 and the Van Abbemuseum. The public can cast their votes from now until 18 January 2017 via this link. The jury will take the public vote into consideration. The prize of €5,000 will be...
Towards the end of the year, we are inundated with lists. The best CDs, the best books, the performances you shouldn't have missed, etcetera. In this sea of choices from reviewers and other opinion makers, one post stands out, from opera critic Olivier Keegel. He started a veritable petition to prevent Karlheinz Stockhausen's 'Aus Licht' from being performed in June 2019,...
In The Hague, they think it's a waste of money. Let them. Here are seven performances that were more than worth 'that sin'. Mona, Ariadne, Mariken, but also breathtaking circus theatre, a secret marriage, genre-transcending satire and the greatest set ever. Mona, NTJong (youth theatre/drama) 1. It is the biggest pitfall of the age indication in theatre performances. Put 6+ and you...
We Had Love, We Had Guns by Christine Otten is about black resistance fighter Robert F. Williams, who fought for black equality. In the theatre adaptation of the same name, white actors - including Huub van der Lubbe - play black characters and vice versa. Double talk about personal sacrifice, skin colour and connection. Idlewild It is a remarkable coincidence. America is taking...
Five art experiences will always stick to this bizarre year for me. And one thing really scared me. Whether the worst is now behind us? At least the most extraordinary is still on view until 5 February 2017. A chronological overview of what was unbelievable, unthinkable, inconceivable, unbelievable and perhaps untrue. Much of it, by the way, will be in 2017...
In contemporary dance, artistic leaders are often in place for decades, at least in the Netherlands. This week, Leo Spreksel announced his departure from Korzo, as of September 2017. After 29 years, the director and programmer of dance at the theatre and production house in The Hague is calling it a day, because "in the Netherlands, commercialisation is pushing away the voice of artists: procedures and formats are...
Chris Keulemans visited the 5D InHuis Festival and was deeply impressed by what people with disabilities managed to achieve in theatre. Here is his report, for under the Christmas tree. About humour without pity, and totally unexpected displays of muscle. - Was Thomas born that way? - Well, I don't think he cut his legs himself... The jokers...
On 20 December, the general membership meeting of Coöperatief Cultureel Persbureau unanimously decided to accept a cooperation offer from The Co-operative/House of Journalism and Reporters Online. This is an important step in the development of independent cultural journalism. Culture Press, as the Cooperative Cultural Press Agency is known on the internet and social media, is growing significantly as a result. The...
Nine-year-old Amira Willighagen was when she won the TV talent show 'Holland's got talent' in 2013 with opera arias. Her Puccini aria 'O mio babbino caro' still attracts millions of viewers on YouTube. What makes Amira so immensely popular? Is it her singing skills or is it her adorable childlike appearance? In Huizen, a village in the Gooi region, she gave a concert with...
Each month, in the (Un)heard series, I present extraordinary sound that does not go unnoticed and unsung. In this December edition: Brume, Cinema Perdu, Emanuele de Raymondi, Mark Fell, Zeno van den Broek and James O'Callaghan. Like a vise around the neck Brume - Mother Blast (LP, Grautag) Nicolas Moulin's Grautag label guarantees dystopian soundscapes. Those landscapes the label presents...
Austrian bass Günther Groissböck received the biggest applause in Parsifal on Thursday 15 December, for his role as Gurnemanz. A close second was Russian soprano Elena Pankratova. She signed for the vocal part of Kundry, who took shape on stage in the person of assistant director Astrid van den Akker. However, judging by the deafening cheers, the audience was the...
Het Veem is a small but important theatre and unofficial production house overlooking the Houthavens in Amsterdam. The house has long been home to internationally operating contemporary performing arts. A place where the artist and his or her experimental work are still central. Since Anne Breure became director in 2014, it bears the addition House of Performance. With...
You instinctively flee from death, but in 'Have I been here before' choreographer Marie Goeminne actually brings death close. Not threatening, but close to your skin and hand in hand with life. She shows death and life in an intimate entanglement. Three dancers merge in a stream, concentrated and vulnerable, in which life arises,...
Amsterdam's oldest and perhaps most beautiful building combines quite a few functions. Although tourists are dominant these days, believers still celebrate the love of God there every week. And even though the former Nicolaaskerk no longer provides space for fishermen to mend their nets, organ concerts are still given there, since the fourteenth century. Handing out bread is not...
Despite the crisis in the performing arts, there is still a lot of young talent roaming the Netherlands and beyond. So much that keeping track is impossible. After all, who can attend all the festivals, from Festival Boulevard to Noorderzon, from the Café Theatre Festival to Festival Cement and from the Amsterdam Fringe Festival to the Zeeland Nazomerfestival? And then also exactly those four or five performances from the...
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