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Photographer: Jan Sol

Why I will be nice to a beggar next time. (What Ilay den Boer can't manage)

Because the weather was record beautiful, I walked from Amsterdam Centraal to Theater Bellevue on Sunday 17 February 2019. I was going to see the performance 'And so I shall go again.' going to see, by Ilay den Boer, someone I used to follow intensively but had lost track of since I am no longer a paid opinion seller. I considered the title of the performance as... 

'Only when I've written it down do I know what I thought of something.' Nicolien Mizee on smurfs, gnomes and murder

'Would you like to see my smurfs?' From anyone else's mouth such a question would sound strange, but with Nicolien Mizee you are not surprised. After all, the Haarlem-based writer's books are often a tad strange and absurd, and above all witty. The interview tape is already off, the tea is finished, and Mizee pulls out a kind of maquette... 

M carbunaru [CC BY-SA 3.0 (https://creativecommons.org/licenses/by-sa/3.0)], from Wikimedia Commons

All balls to Cuijk. Why it really is a good idea for the Netherlands to have a Capital of Culture every year.

How nice it would be if Zutphen were to be Cultural Capital of the Netherlands next year, proudly representing itself and thanks to a strong impulse from its surrounding area: the province of Gelderland. They could immediately tackle the hopeless situation of the local theatre, the kids from the suburbs could also go to hip-hop in a real hall and everyone in the Netherlands would know... 

'A murder of a whore that involved all the high-ups.' Tomas Ross on the never-explained murder of Blonde Dolly from The Hague

How did the Hague prostitute Blonde Dolly make her millions? And why was her killer never caught, when it was abundantly clear who must have strangled her? That smells like a conspiracy, and conspiracies are like grist to writer Tomas Ross' mill. In Blonde Dolly, he tackles one of the oldest and most mysterious cold cases in the Netherlands. Until it... 

Sex sells, originality does not. Once again, two museums go out of their way to celebrate nudity.

When we don't have fresh, current posts on the site for a while, our 'most-read posts' list on the right always changes dramatically. Within two days, all stories are trending that include the words 'nude', 'nude' or 'sex'. After all, sex sells. If you like clicks from rutting men, at least. Unfortunately, this particular target group does not read much cultural news. But attention is... 

Long-winded Juditha Triumphans at DNO

Oratorios are notoriously undramatic, because they only tell a story for one second and do not zoom in on human emotions. Juditha Triumphans is no exception and the narrative itself has little to it. To rid her town of its assailants, Judith gets their general drunk and then cuts off his head. This could make for a compelling story, were it... 

Minister Van Engelshoven: 'CaDance is a gift'. Blame her.

Peaks and valleys right from the opening night of CaDance, the festival of contemporary dance. From toe-curlingly long dance to sky-high drama. Highlights: dancer Sammie Hermans and the entire Mom:Me. Crushing New artistic director Stacz Wilhelm, in the presence of the minister during his opening speech, names the harsh years of austerity since 2013. The so-called obviousness of art he wants to... 

TivoliVredenburg during construction. Photo: Wijbrand Schaap

Without TivoliVredenburg, the improvement of the Utrecht station area would have come to nothing.

There is an artist café in Utrecht that few Utrechters know about. And I don't mean Theatercafé De Bastaard, where by now a whole generation of actors, filmmakers and writers come from, but the artists' foyer of TivoliVredenburg. I've eaten and hung out there a few times, as an embedded reporter of De Nacht van de Poëzie, when it's very late into... 

'Stories are not that fascinating, it's what you see that matters' - Tsai Ming Liang and the art of watching

Eye film museum kicks off its Virtual Reality season with Tsai Ming Liang's The Deserted. Tsai himself was in the country for a masterclass, introductions and interviews. And although his films suggest otherwise, he is a very animated speaker. In his masterclass, he talked about his career, his collaboration with muse and regular actor Lee Kang-Sheng, and his position... 

'Look, there's someone letting his pineapple out!' How journalist Lex Boon fell in love with the queen among fruits

Everyone has seen them before, those pineapple plants from Ikea. Many people keep them in the room for a while, until they die and end up in the dustbin. But for journalist Lex Boon (35), the moment he received such a plant as a gift from his (ex-)girlfriend was a turning point in his life. He became hooked on the crowned fruit and flew... 

Sacha Polak on the battered but strong woman in Dirty God, opening film 48th IFFR. Emotion is the motto this year

'Feel IFFR' is the motto of this year's International Film Festival Rotterdam. The emotion behind the image and with the viewer as a guide for our interpretation. The opening film Dirty God is a nice test case. Director Sacha Polak explains why she wanted to make a film about a scarred woman.

Culture Council: The Netherlands underestimates its own music theatre culture. (Why opera still seeks talent abroad)

The Performing Arts Fund is failing to professionalise and make the music theatre sector sustainable. So says the Council for Culture in an advice leaked yesterday on the future of music theatre in the Netherlands. The advice presented today to the rest of the Netherlands therefore wants to transfer more different music theatre makers and companies from the Performing Arts Fund to the Cultural Basic Infrastructure. This partly... 

Why you shouldn't miss 'Im wunderschönen Monat Mai' at Paradiso

On Wednesday 16 January, Reinbert de Leeuw will present his cycle Im wunderschönen Monat Mai at Paradiso. A unique opportunity to see him at work once more in his globally believed masterpiece. In 2003, he surprised friend and foe alike with this composition inspired by songs by Schumann and Schubert. Was that not swearing in church? Arnold Schoenberg had the Romanticism... 

Petra Gerritsen goes to a concert almost every night off. 'You're with your own group. But how bad is that?'

'I work five nights a week and so I have to find out specifically when I can go to a concert. Sometimes I take time off for it. And then they do say, "hey, are you going to a concert again already?", and I say, "of course I'm going to a concert again". But I don't think it's extreme either.' Petra Gerritsen is process expert 

Fred Wondergem: 'There is always more that you don't see than what you do see.'

'When I look in the auditorium at a classical concert now, I do think: it's full now, but in 20 years eighty per cent will be dead. So the bottom has to be fed, and TivoliVredenburg does that well. They do it, for example, with Out of the Blue, which is a programme where you get great food and by a special host 

Lower House gets less say on arts subsidies. (If the minister gets her way)

Some people read Christmas stories over Christmas, others the interview supplements of newspapers, and a few do so with policy documents. So, quite a few people have read our Culture Minister's 'Advice Request' in the past few days. I, at least. Those who 'officially' cannot have done so are the members of the Culture Council, because the whole package came... 

The Netherlands has a cruel history. This is how Theatre Group Alum makes it palpable in '1619, make it short'.

Never knew I would feel a tear welling up for the fate of a 17th century Council Pensionary. Yet that happened on Friday 21 December, at the premiere of '1619, make it short...'. With this final volume, author Erik Snel puts a crown on his trilogy on the Eighty Years' War. Was volume 1 (1600, battle of Nieuwpoort) mainly a cheerful accumulation of... 

Until the fool is out. Wonderful reconstruction of his family history by Bart Meuleman

The first time Belgian writer Bart Meuleman's father starts talking about his origins, during a car ride, it hardly leads to an in-depth conversation. But it does lead to a tilt. 'My father became someone else,' Meuleman writes. 'Issues preceded everything he ever did, or omitted to do, or said, or concealed as a father. They had moulded him into... 

Forty times a year to TivoliVredenburg: 'You get everywhere if you love music, eh.'

Peter Vossen says he experiences live concerts on average twice a week. Not just in TivoliVredenburg, although he visited there almost 40 times last year. 'I also see a lot of free concerts on the streets and in cafés, of course.' Jazz is his great love, but he also attends soul, funk, Latin or pop concerts. Regularly, he can be found 

Three CDs you wouldn't have wanted to miss in 2018

The end of the year is approaching. So the lists fly around our ears again with 'most beautiful', 'best', 'most unforgettable', 'most moving'... fill in the blanks. I think compiling top-soaps is actually a typically male thing, but I'm not that bad. Here are three CDs you wouldn't have wanted to miss this year - in no particular order. Louise Farrenc: Variations for Piano Biliana Tzinlikova,... 

The Culture Index goes regional. Cherry-picking season has begun

It took about a day for the PVV Enschede branch to discover the message. Quite fast for a club that is usually not very interested in art. Anyway, this one detail at the presentation of the regional culture index was of course grist to the mill of the far-right local party: Region Enschede has the biggest mismatch between amount of subsidy and... 

Man stronger than Fate? Forget it! - Oedipe by George Enescu at #DNO

Anyone wishing to pass through the gates of Thebes must solve the riddle of the Sphinx. Those who fail die an irrevocable death, their bones fading into the charnel field around her. Oedipus challenges her, determined to save the city. 'Name someone or something more powerful than Fate!', oracles the Sphinx from her single-engine plane. 'Man!', jubilates Oedipus. To which. 

Performing artists miss out on million in European grant due to 'administrative inability'

'Indecent and rude,' is how Miep van Diggelen, former chairman of the board of the Performing Arts Social Fund (SFPK), calls the actions of the board of that same fund. That board, or at least about five members of the seven-member board, decided - outside the official meeting - to withdraw a subsidy application they had initiated earlier, without having read it. The promising... 

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