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What a broken-down bus has to do with liberation and feminism. Dancer Djino Alolo on Piki Piki at the Holland Festival

Djino Alolo Sabin (1990) sits there, relaxed, in the morning at the hotel in Brussels. The night before, he has danced his solo Piki Piki for the first time, which will also be shown at Theater Frascati during the Holland Festival. The performance touches on many intense themes, but is anything but melodramatic. Rather, it expresses a relentless optimism.... 

In the greatest spectacle, ultimately the smallest detail touches your heart (which is why The Head and The Load had to be the royal opening of the Holland Festival).

Some stories are too big to tell. Too big, but no less important or true for that. Like the story of the millions of Africans who died in World War I in the service of the warring factions there: Britain, France, Italy and Germany. No one knew that last story. At least, nobody I knew knew about it, and neither did I myself. It... 

At Festival Woest, young people figure out for themselves how they want to play life (Why you can't avoid Zwolle in early June)

Woest is a cultural education festival for and by young people and offers a place for experimentation outside education. Woest is a unique partnership between education, culture providers and young people. In fact, what makes Woest unique is that young people themselves come up with new things that can make education more fun and better. The pupil's voice is always the starting point. In recent months,... 

'There's a limit to crowdfunding, you can only do it twice' - Growing pains of the dance film, part 2

The dance film occupies a unique place among the film offerings. Not driven purely by psychologising or text, it offers every opportunity for experimentation in form and content. But that also means it is difficult to place. And therefore difficult to make. The second part on the growing pains of the dance film features 2 dancers and performance artist.... 

'I'm not the discrimination police.' Romana Vrede on her role in Gloria Wekker's team on SPOT-LIve.

'How do I make the world a little more beautiful? That's what I ask myself in everything I do.' Romana Vrede, award-winning actress with Het Nationale Theater, 'table lady' on De Wereld Draait Door and Summer Guest, likes to look positively into the world. So will her contribution to SPOT-Live, the performing arts symposium taking place in Rotterdam on 28 May, be optimistic... 

Naked men and black bronzing under philosophical veneer. Is Angelica Liddell overshooting the mark with The Scarlet Letter? (Why the Holland Festival can expect a riot)

That you cannot shamelessly treat a black man as a rutting primal beast and a faceless object for your unlimited lust fantasy as a white woman? Seems logical to me, but for Angélica Liddell, world-renowned performance artist, it is typical of the new puritanism that threatens free art. She now brings The Scarlet Letter to the Netherlands, a theatrical performance that is rather... 

How bad is the suicide of a blow-up doll? Chilean girls play themselves free in Paisajes para no colorear at the Holland Festival

'I was harassed twice on my way to school last year.' The young actress, barely 15, says it with considerable anger in her voice. It is the morning after the Berlin premiere of the Chilean play Paisajes para no colorear, in which she plays along, with eight peers. That anger was there the previous evening, during the performance that 14... 

She became famous for things she didn't want. Doris Day may have been bigger than we think

My generation probably immediately gets the famous Doe Maar song in its head at Doris Day's obituary. There is no ball on TV, only a film with Doris Day. And you really didn't want that, your mother's goody-goody heroine. The wholesome star with whom you think of a glass of milk rather than wild... 

New audiences for subsidised theatre? The Netherlands is working against that.

Together with two 12-year-old kids, I go to a theatre performance. To a theatre performance labelled 'adult performance'. Tickets cost 25. Discount for students. Discount for CJP. No discount for children, excuse me, youngsters, because yes, those two bridge students are already 12. Is this performance made for children? No. It is made for the curious, open viewer, for... 

Faustin Linyekula and the tearfulness of the travelling artist

'Aid workers come to my city to leave again. I come there to stay.' You cannot get Faustin Linyekula any more concise. 'Aid workers do not create a bond with the people they want to help. Their work is gone as soon as they leave. I don't come to help, but because I want to be there. If that makes me a few... 

'We have become spectators rather than actors'; Philipp Blom tells performing artists on SPOT-Live what is at stake.

'We are on the brink of a new cultural revolution. We need to move away from our paradigm and art can play a role in this. Art can show us images of a different future, a different thought. Artists can help bring that realisation in.' Speaking is writer and journalist Philipp Blom. In 2017, his... 

Podcast! Four strings live in four helicopters, for Stockhausen's 'Aus Licht': 'We still need to do something about those carrier pigeons in terms of planning.'

In 2016, the Holland Festival, De Nationale Opera, the Royal Conservatoire and the Stockhausenstiftung joined forces to stage the German avant-gardist's magnum opus at Amsterdam's Gashouder. Light far surpasses Wagner's Ring des Nibelungen in ambition and scale. Against the four full-length operas of his older colleague, Stockhausen places 'Sieben... 

Why you should come see 'Struggle! 100 Years of Women's Suffrage' should come and see it

In the struggle for women's suffrage, the 'ordinary' housewife from Ten Boer in Groningen played just as vital a role as the widely praised Aletta Jacobs. She too walked in demonstrations, appeared in her grandmother's costume during protests and sewed a banner for the movement in her kitchen or living room. Like her peers from the rest of the Netherlands, she fought... 

Jesús de Vega makes Choreopop: 'There must always be something that causes friction.' (What a childhood in Gran Canaria does to a dancer)

'I have broken every bone on the left side of my body at least once. My knee ten years ago, my elbow five years later, a toe, a finger, and under my left eye I have a scar from a stone someone threw at me when I was a kid.' Jesús de Vega, dancer, choreographer, videographer and teremin player, has had the requisite... 

Eric de Vroedt (Het Nationale Theater)curates at SPOT-Live: 'Let's talk about love.'

'What we so often forget is to just talk about our love for theatre.' Eric de Vroedt, artistic director of The National Theatre, wants to talk about substance for once. And then with the entire performing arts sector. Soon there will be SPOT-Live, the renewed Congress of Performing Arts, and there he wants to talk about love. 'Quite by chance, it happened a month ago.... 

PODCAST! Beware the one-armed piano teacher. Bellevue presents comic show about Paul Wittgenstein.

Playing the piano without hands is quite difficult. With one hand it is already almost impossible, although Paul Wittgenstein came a long way. The pianist - and elder brother of the famous philosopher Ludwig Wittgenstein - lost his right arm in the First World War trenches. He set about training his left arm with some dogged determination and was able to... 

Composer Sander Germanus: 'Don't use drugs, listen to my music!'

'Don't use drugs, listen to my music!' This is what Sander Germanus (Amsterdam, 1972) writes confidently on his website. Words you don't immediately expect from a composer of modern-classical music. After all, in this context, many think of incomprehensible 'plink-plonk' rather than mind-blowing sounds. A refreshing sound from someone who designed his own method of composition, so-called 'horizontal harmony'. Ehm... What should we... 

'I now understand how complex "guilt" actually is': Takis Würger wrote novel about Jewish betrayer (and put his email address in it).

'That I have perpetrators in my family gives me the responsibility to keep remembering. Many of my contemporaries say we should never forget and that it should never happen again, but do nothing else. Being a writer gives me the opportunity to do something. To write about it, make readers feel... 

Crash Park: Armageddon is child's play. At the Holland Festival, Philippe Quesne cheerfully lets us survive any disaster.

'I am not at all optimistic about the planet. Nor am I optimistic about the optimism with which the people in my show keep finding a solution to live on despite the calamity that befalls them.' Philippe Quesne has turned that despair into a beautiful play. Full of non-cynical survivors who turn everything into an adventure. How he does that... 

First aid for blaze. Rudolf Escher offers solace with Musique pour l'esprit en deuil

Monday 15 April 2019, this date is forever etched in our memory. I couldn't keep dry at the images of the all-consuming fire at Notre-Dame de Paris. Like millions of others, I sat glued to my screen for hours with bated breath: this cannot be true! When the structure, the rose windows and even the organ turned out to be saved, I jumped... 

Panic over nothing? Vis à Vis sounds alarm over forced departure from Almere.

Shocking mail, this afternoon. Theatre group Vis à Vis, the company that has been making very fine open-air spectacles on the beach near Almere for many years, would have to leave their just-built accommodation in just under a month. At least, so it seems. Read the text of the emergency message: 'After 10 years of uncertainty, Vis à Vis has been told by the college of... 

7 reasons to (re)read Elsschot's novels

With his new book The Discovery of Elsschot, Elsschot biographer Vic van de Reijt wants to get the whole of the Netherlands reading Elsschot's books. Seven reasons why these classics are timeless fun. 1. You can finish any of Elsschot's books in one day 'In 1970 I bought his Collected Works for nine guilders, I remember it well. At the time... 

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