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Writers Unlimited 2013: about writers and people with a story #wu13

Whether Tahmina Akefi is a good writer, I dare not say. The Afghan beauty can at least glue sentences together, and knows how to add an erotic layer on top. But whether this means she surpasses the average penny novel, or whether she has nothing to offer but oriental soft porn anyway? Tricky.

Blogging vs demons #wu13

"We don't use social media because it's cool," says Tunisian internet activist Sami Ben Gharbia. "But in a dictatorship, it is the only way to inform people about what is really going on. To fight the demons in society. I am not a techny Became because it's fun. I just needed useful knowledge about internet codes, to improve my civic activism possible."

Hassnae Bouazza's Thousand Shades of Arabia on #wu13

John de Mol is doing good business in the Arab world. He acts rather dismissively about this, according to Hassnae Bouazza. According to her, the television producer talks publicly mostly about the many restrictions on his formats because of Islam and the sentimentalism of TV in the Middle East in general. That De Mol's success number The Voice of Arabia during the final in

'For me, only the text exists' - Alberto Manguel & Hans Goedkoop on black pages #wu13

With a jam-packed programme like Writers Unlimited 2013, it sometimes happens that, even as a professional journalist, despite everything, you end up dropping in somewhere too late, and then just catching a glimpse of something really great. In this case, after the tour de force of Amos Oz and Adriaan van Dis, was that Kenyan Ngwatilo Mawiyoo's spoken word performance. Mea culpa for that.

Does it luckily still involve sex on #wu13

How many male genitalia Yasmine Allas had weighed in her hand. For a while, that was the question during Writers Unlimited's most shameless programme to date. This latenight talk show addressed the question of how shameless writers actually dare to be these days. Kristien Hemmerechts, always good for a few firm statements, met her peers in

Presenters can make a Winternight. And break it. #wu13

And then, just like that, you can miss the highlight of the first Winternacht because you don't pull it together with a presenter. Flemish author Bart van Loo, according to many a twitterer, seems to have uttered beautiful sentences in the programme 'Daar geef ik mijn leven voor', but that was well after midnight and I was already

A lot of Oz & a little Van Dis on impossible dreams and ideals #wu13

During the kick-off of Winternacht 1, publicist Bas Heijne brought the two literary giants Amos Oz and Adriaan van Dis closer together. What remains of their former idealism? Oz's barrage of wonderful one-liners proved difficult to tame and made for a hilarious but somewhat unbalanced conversation.

Heartfelt plea against Arab shame culture #wu13

Lebanese writer Hanaan Al-Shaykh (Beirut, Lebanon, 1945) opened Wrtiters Unlimited on Thursday 17 January with a blazing argument against Arab culture of shame. This, according to the writer whose books The story of Zahra, Women between sky and sand, Beirut blues and Only in London have been translated into Dutch, so deep in

'Readers need to be approached in a different way'

Writers Unlimited Special - One of the important guests at Writers Unlimited is Roland Colastica. This Curaçao author made his debut in 2012 with the children's book 'Fireworks in my head'. The book was enthusiastically received, and has since grown into a modest bestseller. Major strength of the story is its colourful and rhythmic style, but just as important is

Rotterdam Theatre: more music, more visitors

Everywhere, arts attendance is falling dramatically, except, for now, in Rotterdam. There, the Rotterdamnse Schouwburg managed to keep the number of paying visitors the same, or even increase slightly to over 147,500, in its first real cultural disaster year 2012. In its own press release, the management (currently in the hands of Jan Zoet) attributes this to sharper programming and revivals of successful productions, and an increase in the number of concerts:

Peter van Onna: 'Treaty of Utrecht is also topical now'

Three hundred years ago, the Treaty of Utrecht was signed, bringing an end to both the War of Spanish Succession, and the War of Queen Anne. Remarkably, this peace treaty was not negotiated on the battlefield, but at the negotiating table. It took a year and a half for the many parties to come to an agreement, and the treaty counts as the beginning of... 

Culture Press ratings: thick 300,000 minutes of attention

With paper, you never know ('0.3% of newspaper readers read the reviews on the art page'), and with TV it's always a bit of estimating and extrapolating too, but the internet is rock hard. We know how many times you read one of our pieces, and how long you lingered at our videos. Well: we were already proud last year, now we are well over 200,000

Dutch opening Film Festival Rotterdam 2013, which this year also embraces television

Fifteen years after Peter Delpeuts Felice, Felice the International Film Festival Rotterdam gets another Dutch opening. The 42nd edition of this leading event will kick off on 23 January with the world premiere of The resurrection of an asshole by Guido van Driel, festival director Rutger Wolfson announced this afternoon.

Another necro. Sort of: Theatre Institute Netherlands to continue as TIN Foundation

We are just reporting the press release in full. For your information. Every now and then, more news like this comes along. We don't post them all, because that would make the world very bleak. The world as many people knew it, and which they thought was the pride of the Netherlands, is coming to a squeaking halt to make room for. Well. We will report on that in the years to come. Of what comes in its place.

Simon McBurney makes Die Zauberflöte magical

A sound engineer making deafening sounds on stage with wads of paper. Puppetry that flows seamlessly into film projections and singers dubbed by actors. A primitive stage on stage that is, however, high tech. A performance in one of the largest halls in our country, but reminiscent of a flat-floor performance. A flat floor that can move in all directions, though, and could just as easily be a slope or a ceiling, that is.

Anna Mikhailova: 'Black Perfume is about addiction and fear'

Amsterdam, 10-12-2012 - Last weekend the Babelfestival began at the Ostade Theatre, an initiative of the Diamond factory. Founded two years ago, this production group offers young creators the chance to develop small-scale musical theatre. This weekend sees the premiere of Black Perfume, by Russian composer Anna Mikhailova and the Dutch director Annechien Koerselman, to the story Morphine by Mikhail Bulgakov.

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