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How to choose from the profusion offered by the Tefaf

Suppose you have a small capital in your pocket. And you go to the Tefaf for a day. That's a festive feeling: an art gift for yourself. But once inside, there's a good chance you'll be shocked. Because how to choose from 30,000 objects? In those 265 stands from renowned galleries from 20 countries: Argentina, United States, Canada, Italy, Japan? And which corner will you look in? Antiquities? Or modern, antiquarian, design? Will you go for a sculpture, a canvas, jewellery, chair or a book?

The best woman in the best place: Ellen Walraven director Rotterdam Schouwburg

This was a possibility not many people initially thought of. After all, after her tropical years as director of the Amsterdam debating centre De Balie, Ellen Walraven was in need of some more substantive work and peace and quiet on her mind, So we suspected that she would stay on in

Prokofiev's satirical fairy tale is a visual feast

What makes an opera a success? The eccentrics, airheads, comedians, lyricists and tragedians think they know, proclaiming their point of view at the craziest moments and not even bothering to intervene in the action. Welcome to the wonderful world of Prokofiev's L'amour des trois oranges, back on stage this month at the Amsterdam musical theatre.

Only in final scene does Guillaume Tell bathe in golden sunlight

After more than four hours, it happens: emotion. Free Switzerland is bathed in golden sunlight and the choir swells over the most beautiful orchestral sounds Rossini composed. Unworldly sounds, which have little to do with the best-known sounds from Guillaume Tell - The canter from the overture.

Writers Unlimited 2013: about writers and people with a story #wu13

Whether Tahmina Akefi is a good writer, I dare not say. The Afghan beauty can at least glue sentences together, and knows how to add an erotic layer on top. But whether this means she surpasses the average penny novel, or whether she has nothing to offer but oriental soft porn anyway? Tricky.

Blogging vs demons #wu13

"We don't use social media because it's cool," says Tunisian internet activist Sami Ben Gharbia. "But in a dictatorship, it is the only way to inform people about what is really going on. To fight the demons in society. I am not a techny Became because it's fun. I just needed useful knowledge about internet codes, to improve my civic activism possible."

Hassnae Bouazza's Thousand Shades of Arabia on #wu13

John de Mol is doing good business in the Arab world. He acts rather dismissively about this, according to Hassnae Bouazza. According to her, the television producer talks publicly mostly about the many restrictions on his formats because of Islam and the sentimentalism of TV in the Middle East in general. That De Mol's success number The Voice of Arabia during the final in

'For me, only the text exists' - Alberto Manguel & Hans Goedkoop on black pages #wu13

With a jam-packed programme like Writers Unlimited 2013, it sometimes happens that, even as a professional journalist, despite everything, you end up dropping in somewhere too late, and then just catching a glimpse of something really great. In this case, after the tour de force of Amos Oz and Adriaan van Dis, was that Kenyan Ngwatilo Mawiyoo's spoken word performance. Mea culpa for that.

Does it luckily still involve sex on #wu13

How many male genitalia Yasmine Allas had weighed in her hand. For a while, that was the question during Writers Unlimited's most shameless programme to date. This latenight talk show addressed the question of how shameless writers actually dare to be these days. Kristien Hemmerechts, always good for a few firm statements, met her peers in

Presenters can make a Winternight. And break it. #wu13

And then, just like that, you can miss the highlight of the first Winternacht because you don't pull it together with a presenter. Flemish author Bart van Loo, according to many a twitterer, seems to have uttered beautiful sentences in the programme 'Daar geef ik mijn leven voor', but that was well after midnight and I was already

A lot of Oz & a little Van Dis on impossible dreams and ideals #wu13

During the kick-off of Winternacht 1, publicist Bas Heijne brought the two literary giants Amos Oz and Adriaan van Dis closer together. What remains of their former idealism? Oz's barrage of wonderful one-liners proved difficult to tame and made for a hilarious but somewhat unbalanced conversation.

Heartfelt plea against Arab shame culture #wu13

Lebanese writer Hanaan Al-Shaykh (Beirut, Lebanon, 1945) opened Wrtiters Unlimited on Thursday 17 January with a blazing argument against Arab culture of shame. This, according to the writer whose books The story of Zahra, Women between sky and sand, Beirut blues and Only in London have been translated into Dutch, so deep in

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