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Zeitgeist and chance cannot be captured by an algorithm. Why a robot should not replace the music programmer.

Last Wednesday, 2 October, at the annual congress of the Vereniging Nederlandse Poppodia en Festivals in Tivoli/Vredenburg, I saw an interesting presentation by Jonas Kiesekoms, research coordinator at PXL-Music in Hasselt, Belgium, and musician. The question is now classic: can a robot replace the music programmer? With his research group, Kiesekoms is working on several applications that use data science to improve ticket sales for concerts,... 

European Cultural Foundation seeks new imagination on anniversary.

'Nothing can make up for the past. But the real, enduring power of the past lies in how it affects our present and our future. What we can do is shape a future history in which we consciously and determinedly carry with us only the best of our past.' Not keep rooting, but cognitive behavioural therapy for the whole of Europe, you might... 

Joy of life and icy constriction. Ensemble Modern performs striking world premieres by female composers during November Music

Ensemble Modern presents world premieres by German-Dutch Iris ter Schiphorst and Turkish Zeynep Gedizlioğlu in November Music. And that is good news, because the female composer remains too often invisible even in 2019. In the brochures of any Dutch orchestra, you will find none, or only a single work by a woman. On the new Heart & Soul list of... 

'Too much arbitrariness in heritage law'. Pechtold committee wants us to take our cultural heritage seriously.

We treat our cultural heritage too casually. This is evident from the report 'Reserved and Involved', presented on Monday 30 September, drawn up by the Pechtold committee at the request of minister Van Engelshoven. In 110 pages (with pictures), it says that the current design of the Heritage Act leads to arbitrariness and uncertainty. This means that unsavoury situations like... 

'Quite a few ex-believers have thrown out the baby with the bathwater: the music, the rituals, the language.' Composer Daan Manneke turns 80.

Daan Manneke will soon turn eighty. On 5 October, this great purveyor of vocal music and 'chapel master of space' will take centre stage during a programme by the Groot Omroepkoor in Utrecht's Jacobi Church. For this programme, he composed the brand new Geistliche Dämmerung, commissioned by the AVROTROSVrijdagconcert. Even at eighty, Manneke is still all zest for life and energy. 'I continue to... 

"'Well nice' is not good enough, that falls right off." Film critic Jan Pieter Ekker on possibly the last Directors' Forum at the Dutch Film Festival

The Dutch Film Festival is about to erupt. A spacious week with a broad overview of everything moving on Dutch screens, from public film to short student film. Last year was noisy: directors, editors and cameramen expressed gloom about the quality and guts of patriotic film. Visitor numbers don't seem to be overblown either, although... 

'I hope we will all slip into another world.' Calliope Tsoupaki writes Bosch Requiem 'Liknon' for November Music

In 1988, Calliope Tsoupaki (1963) came to the Netherlands from Greece to study composition with Louis Andriessen. Exactly 30 years later, she was appointed 'Composer of the Fatherland'. In that capacity, she has already composed some highly topical pieces. When Notre Dame de Paris caught fire on 15 April, Tsoupaki immediately climbed into the pen. Five days later... 

In the end, we all go. Why Boukje Schweigman's 'Fall' is irresistible. 

Boukje Schweigman's world is exciting, but never deadly. Whether she makes an experiential performance in a beautiful location during a summer festival, or takes a more artful approach in the plays she makes for theatres: you only see nice people. Even in Val, her latest. In it, we see a lot of nice people falling. Falling deep, sometimes.... 

Why does the fair practice code really only apply to the arts?

Our administrators and elected representatives will not openly admit it, but they do not really care about a healthy cultural sector, let alone the position of individual creators and artists. Indeed, making a Fair Practice Code compulsory without increasing the budget for culture is a slap in the face for everyone working in the arts sector. 'Then be... 

'It deals with a serious subject, but I also laughed a lot.' This is why Anne-Gine Goemans wrote a cheerful book about nuclear weapons

A cheerful novel about nuclear weapons, that was to be Holy Trientje. Writer Anne-Gine Goemans based the book on the true story of American nun Megan Rice, who - at an advanced age - managed to enter the United States' most heavily secured nuclear bomb complex with nothing more than a pair of concrete scissors. 'I thought it was so beautiful, brave and naive.' Hiroshima 'failure' Every... 

The flip side of Fair Practice: Kunstenbond in impossible split after 'relaunch' Utrecht Centre for the Arts

'Poignant to see how a lack of decisiveness, clarity and leadership - at both the Utrecht municipality and the management of the KLA - could lead to a split and even rupture among employees.' Karin Boelhouwer of the Kunstenbond is stuck with it, and she has a point. The Utrecht Centre for the Arts (UCK) recently went officially bankrupt. A major... 

'Art tax cuts and a cultural fund will be created as an incentive for homeowners to invest in works of art.' (How we think the throne speech should have read)

Members of the States General, This year about 72 years ago we had the first Holland Festival. After years of enslavement and tyranny, hope for a better future literally came from above, in the form of Maria Callas. Eyewitnesses who saw the lights in the Stadsschouwburg turn red that day would never forget that image. 72 years later, it seems... 

Clara Schumann in 1878

Clara Schumann: still in Robert's shadow even after 200 years

Exactly 200 years ago, on 13 September 1819, Clara Schumann was born in Leipzig as Clara Wieck. She is among one of the greatest pianists of the nineteenth century. Against her father's wishes, she married Robert Schumann, whose work she fervently promoted. She also wrote well-received compositions of her own and was more famous than Robert. Yet after her... 

 'You know, why we used to call it The Golden Age?' Why new stories need old words.

The puppets will dance, the turnips are cooked and the shit has hit the fan. The Amsterdam Museum is replacing 'Golden Age' with the neutral '17th century'. A typical example of oikophobic repopulation and politically correct language purification, or a useful adaptation to a changing zeitgeist? Time will tell, but explosive it is. For me, it raises questions. That... 

What is it with borders? In theatre play The Border, we learn where life is always better.

There has been quite a bit going on about borders, lately. That is what authors Floor Leene and Greg Nottrot have made a performance about, together with Wil van der Meer, Tijs Huys and Pascal van Hulst. Directed by Daniël van Klaveren, the Nieuw Utrechts Toneel (NUT) ensemble performs the play on the oldest border we know,... 

TipiToe Festival: Texel grounding for gliders and non-gliders in beautiful surroundings.

'I know what you're banging on about!' The tattooed athlete who is still chilling after her pole dance workshop playfully shouts it at her friend, who has landed a solid left direct on my boxing glove. 'Well and truly,' she calls back. She smiles kindly at it. I know I don't have to take her slaps personally.... 

Striking: Amersfoort subsidises sports event with culture money

Amersfoort has some catching up to do when it comes to culture. Festivals like Spoffin, for instance, have no money to pay real fees for performing artists. So they are there with the name recognition as a reward. The same is not true for tennis players, it turns out. Indeed, Amersfoort's alderman for sports decided to enrich this year's atp tennis tournament with a €50,000 subsidy to, for instance,... 

Art cannot be exclusive enough. At Festival Noorderzon, everyone can experience it for themselves 

Police sirens sound less frequently in Groningen than in a city like Amsterdam. When they sounded last Wednesday night, it was because residents of the premises behind the local art academy, Minerva, raised the alarm. Standing on the roof was not an owl, but an almost naked man shouting that he was going to rob the Coop. Mads Wittermans, the actor in question, had forgotten the... 

'Groningen has an open arts climate'

An artist creates something - but for whom and why? How does the created thing relate to society and what role does that creation want to play in it? Besides all the theatre performances at Noorderzon, there is also the critical question: 'What is actually the point of theatre?' Can art fraternise people? That's not so easy. Take theatre-goers. They are rather alike.... 

Why Noorderzon's opening performance is a gem

Some critics thought the opening performance of Festival Noorderzon in Groningen was so bad it made you cry. Others were less negative. Those certainly have a point. But then you have to look beyond what you are used to. When Bear, the hero of Noorderzon 2019's opening show, is imprisoned in a tower, he laments his fate through an eloquent yet sad... 

'Playing a game is fun, especially if it's a sneaky game.' What is Yan Duyvendak doing at Noorderzon with his audience?

Armed only with instructions, consisting of a short scenario and witness accounts from previous participants, you and up to 11 others carry out a number of sneaky tasks. On the street. Exactly what these subtle disruptions of the everyday are will remain a secret until the performance begins. It promises to be one of the most special projects at Festival Noorderzon, which runs from 15 to... 

Bring on that fair! 7 established facts that make an ever-younger festival Boulevard unique.

Theatre Festival Boulevard is a highlight of the festival summer every year. Because there are no barriers and because it carries the casual atmosphere of the city in every fibre. But it goes even further. Here are my seven learning moments: 1: Boulevard is more accessible than the city itself Some people find it verging on the hysterical, but... 

Five quarters of an adolescent brain. Jetse Batelaan makes growing pains hilariously palpable at Theatre Festival Boulevard.

When you make theatre for children and young people, you tell stories to children and young people from your adult existence as an adult. You can do that. You can get funding for that. Artemis, previously named the second-best theatre company in the Netherlands here, is such a company. But, because this youth theatre company is led by Jetse Batelaan, Artemis likes to do things differently. Stronger... 

Impressive Minaret shows at Theatre Festival Boulevard that art survives disasters. (And check out what Miet Warlop pulls off with Dervishes)

Miet Warlop has exciting ideas, and carries them out. Now she is not unique in that. More artists do that. What makes Miet Warlop special is that it invariably leads to really special work. Take her latest creation, to be seen at Theatre Festival Boulevard, 'Ghost Writer and the Broken Hand Brake': she puts three people on stage and... 

Colson Whitehead writes gripping book on cruelty in US juvenile justice: 'The system is still intact'

With his slavery novel The Underground Railroad, American writer Colson Whitehead broke through worldwide. His impressive new book The Nickel Boys is once again about a gruesome page in recent American history. Torture, rape, even murder: at the Arthur G. Dozier School for Boys, it was the order of the day. For as many as 111 years, the... 

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