In 2013, production group Diamantfabriek and ensemble Nieuw Amsterdams Peil presented the full-length performance Conversations with my Mother. Director Matthias Mooij (1976-2014) and composer Benedict Weisser (1967) asked seven male authors to write a fictional telephone conversation with their mother. At the heart of the piece is the fundamental inequality of communication between mother and son. 'I advise all mothers and...
Last year, arts festival Musica Sacra was all about 'the road', inspired by the many pilgrim routes that lead to holy places. This year, Maastricht is all about the 'sacrifice of love'. At first sight, an anachronistic theme, which seems at odds with sentiments in our current society. The aggression against asylum seekers, the ruthless pursuit of profit by...
Vacancy: Advisors one-off grants - Amsterdam Fund for the Arts (AFK) From 1 March 2017 The Amsterdam Fund for the Arts (AFK) invests in art that enriches life in the city. The AFK provides grants to artists and cultural organisations, drives innovation and stimulates the quality, dynamism and pluriformity of Amsterdam art. The AFK supports both experiment...
Amsterdam Fund for the Arts (AFK) seeks a member for the Supervisory Board from 1-1-2017 The AFK invests in art that enriches life in the city. The AFK provides subsidies to artists and cultural organisations, drives innovation and stimulates the quality, dynamism and pluriformity of Amsterdam art. The AFK supports both experimentation and proven quality,...
September, the month of the Dutch Theatre Festival and the Fringe Festival full of old and new performances you must see. But a lot is also happening in the rest of the country at the start of the new theatre season. Five must-sees. Toneelgroep Maastricht, Eyes wide shut (theatre) 'The new Shakespeare' he has been called, I already called him 'devil's advocate'. Fact...
Recently, Lidy Blijdorp (* 1986) took over the cello of well-known cellist Anner Bijlsma (* 1934). It was his wish for the instrument to be played by her from now on. Via the Netherlands Music Instruments Fund (NMF), the instrument came to her. The maker of this cello is not known. However, it is certain that it originated from...
One of the most beautiful museums in the Netherlands can be found in Tilburg, a city still seen by some as the frayed edge of the Netherlands. This central part of Brabantstad also receives relatively little funding from the government. So how can one of the best museums in the world be located here? Museum De Pont, like Huis...
When you go to a concert, you think about the music, the ensemble, the soloist and/or the conductor. Maybe you look up something about the composer but you never think about the programmer who made the concert possible. Astrid in 't Veld is someone who thinks about the range of concerts on offer years in advance in order to help you with...
The Amsterdam Fund for the Arts would love a central 'vibrant dance venue' in Amsterdam. But surely such a Dance House has just been torpedoed? It was striking: in the Introduction to Dance to the grants awarded by the Amsterdam Fund for the Arts (AFK) for the 2017-2020 grant awards, they note an "ardent need" for a "dance house": a central place for development, production and the...
The world is changing quite a bit and it's nice when artists do something with it. Festival Boulevard gives Lizzy Timmers the opportunity to make an attempt. That attempt, performed in a somewhat run-down cultural centre in a real Bossche power district, is quite something. Backurk is the name of this semi-documentary performance. Timmers has immersed herself in young, well-educated, well-integrated Turks who have come to the Netherlands to...
They totally agree with us, the employers in the performing arts sector. These company and theatre directors and other managers of dwindling coffers, gathered in the Dutch Association of Performing Arts (NAPK), are circulating a letter today, calling on the Lower House to review the system of subsidies. After all, now the middle class is falling between the cracks. Has happened before, and...
The Performing Arts Fund announced the awards for the 2017-2020 period. What does this mean for the dance sector? Pluralism and 'bleeding through'. While everyone is on holiday, the Performing Arts Fund announced the grant awards for the performing arts for the 2017-2020 period. And it was reiterated: the fund is facing a previously initiated budget cut of 30 per cent. That would...
The effects of the previous cabinet's arts cuts are finally becoming clear. The Performing Arts Fund today announced the winners and losers of the battle for four-year subsidies. From 2017, the Dutch art world will be a lot smaller, more meagre and poorer than it was until 2013. Big names are gone, traditions dismantled, while what is new faces an extremely uncertain existence.
Diversity in the Amsterdam art world is not yet flourishing. The Amsterdam Fund for the Arts, which announced its grant awards today, is getting a bit tired of it: "Across most disciplines, committees note that cultural diversity of audiences, staff and governance is disappointing, as are efforts to change this. Outside specialised organisations for which cultural diversity is a core business, ambitions are still not high, despite two decades of cultural policy in this area. If the ambitions are there, organisations do not always manage to give them hands and feet. There often seems to be a certain discomfort or 'not knowing how'."
So to start with the good news: Marmoucha grows 398 per cent compared to the previous grant round. The capital's producer and promoter of performing arts in the field of North African and Middle Eastern arts and culture in the Netherlands was severely cut back in 2013, but the Amsterdam Fund for the Arts found its work over the past four years to be so good that the grant has been more than deserved. In the new round of awards which became known on 1 August they rise from 25,070 euros to a tonne, adding that perhaps they should not be so ambitious.
Three dancers and three dance productions have been nominated for Swans 2016. On Friday 7 October, Daphne Bunskoek and Art Rooijakkers will announce who the winners are during the Nederlandse Dansdagen's Opening Programme 2016 in Maastricht. But you can already draw a few conclusions from the list of nominees.
It is a new and important trend within the programming of international dance and performance festivals in the Netherlands: not only showing relevant work by international choreographers, but also paying explicit attention to dance makers connected to Dutch dance practice. Spring Utrecht opened in May with Nicole Beutler and closed with Jan Martens, while during Julidans Pere Faura was allowed to kick off with sin baile no hay paraíso (no dance, no paradise).
After it was announced in January this year that Jan Willem de Vriend was leaving at the end of the 2016/2017 season, the Orchestra of the East announced that it was in no hurry to find a successor. One would start working with "renowned guest conductors". Just over six months later, a few months before the departure of interim director Bart van Meijl, a successor was still presented. That this successor, Ed Spanjaard, is given the title of 'permanent conductor' seems mainly a semantic issue.
Overwhelming final performances from the dance departments of the Royal Conservatoire and the National Ballet Academy shed light on young talent. And at the courses themselves.
The Netherlands is commemorating the MH17 disaster this month. Two years on, the question of guilt is still not unequivocally answered. The protagonist of Pieter Waterdrinker's novel Poubelle has less trouble with that: who holds himself mostly responsible. A conversation with correspondent novelist Waterdrinker: on modern European history, the Russian mentality, Great Literature and the shit of contemporary Europe.
There are many reasons not to go on holiday. It costs money, you come back more stressed than you went, the food is no good, it costs tons of CO2 and it doesn't increase mutual understanding between countries either. Reason enough, then, to just stay here and enjoy the free time given to you by the boss, or by yourself if you are self-employed. Without being barked at by airport staff.
Holidays are just around the corner, so it's time to pack your bags. Travel writers Carolijn Visser and Iris Hannema prefer to be on the road all year round. 'The Netherlands is lovely, but after a few months at home it already starts itching again: travelling turns everything upside down; your ideas about the world, the ideas you have about yourself.'
As soon as you enter the Ketelhuis of Amsterdam's Westergasfabriek, a dark droning tone takes you into the misty, somewhat ominous atmosphere of 'Until the Lions' by Akram Khan Company. A huge disc from a tree trunk, with jagged annual rings and cracks, will become the scene of a mythical battle. At stake is the human body: weak, strong, male, female. Boundaries will perish.
This year's Holland Festival spotlights Rotterdam-based theatre collective Wunderbaum with the revival of 'The Coming of Xia', premieres of 'Privacy' and 'The Future of Sex' and the film 'Stop acting now'. With this film, Wunderbaum concludes their four-year project 'The New Forest', a 'Platform for social change', according to Wunderbaum, "The New Forest depicts transition and casts a...
The smallest details speak for themselves. For the second time during this edition of the Holland Festival, the legendary BBC series This Life comes along. Richard Cant, who plays a flawless lead role in Neil Bartlett's play Stella, was previously seen in This Life, the series that set the standard for the modern docusoap in 1996. So now live, up close, in De Brakke Grond's Red Hall, the man who also played a solid role in Midsomer Murders.
It is good that the Holland Festival dares to stick its neck out, by making Olga Neuwirth (1968), unknown here, its focus composer this year. On reflection, by the way, I would have preferred to hear her high-profile opera Bählamms Fest in a staged version once, rather than Le Encantadas. This piece composed last year did not quite manage to live up to the high expectations...
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