We are a bit done with sex, drugs & rock'n'roll in culture. At least, not in what is presented through our galleries, film screens and venues, but in how that comes about. Minister Ingrid van Engelshoven has asked the Council for Culture for advice, and the Council is going to set up a commission to do so. This was just announced via...
For the exhibition of the anniversary programme Vive le Cinéma! Art & Film, Eye Filmmuseum and the Rotterdam Film Festival invited five filmmakers to create work for the three-dimensional space. Intriguing installations that play with camera and viewer, image and meaning.
Honourable members of the House of Representatives, It is with great concern that we look at the Temporary Test Act that will be voted on in your House on Tuesday 11 May. This new law means even more hurdles and restrictions for visiting culture. Restrictions that will be introduced but where the end date is not given. This new testing law could be a godsend for...
From 3 to 27 June 2021, the 74th edition of the Holland Festival will take place in and around Amsterdam. This year's associate artists are American-Japanese composer Ryuichi Sakamoto and French-Austrian theatre maker Gisèle Vienne - notable artists with wide-ranging interests, as evidenced by their collaborations with Hollywood directors, techno artists, visual artists and rock bands. During the...
What we feared at the beginning of the coronasteun appears to have become reality. The generous support money for culture should also reach the small self-employed in the arts via the institutions, but that is now happening too little. Of course, there are fine examples, such as the large subsidised arts institutions in Groningen and festivals like Boulevard and Holland Festival that support self-employed...
French-Austrian theatre maker Gisèle Vienne (1976) and Japanese composer Ryuichi Sakamoto (1952) have been appointed associate artists for the 2021 Holland Festival.
It is high time for collective action, now that arts organisations have closed and activities are at a standstill. Plea for a support fund for culture, to which governments, funds and companies contribute in unison. We all notice it: live cultural offerings are at a standstill due to the coronavirus. Much has been written and talked about the importance and value of culture in recent weeks. That...
What lies on the ground, spread over a white sheet? Hard to determine. Shrapnel? Aircraft parts? Battered remains? Upon entering A Tale of a Tub, the impression is unsettling, and slightly overwhelming. A crime scene, but unclear who, what or where it is about. They appear to be plants, but magnified and cast in bronze. But that see...
A hopeful experiment has begun in Finland. In the Netherlands, too, they are trying to get something off the ground, although the government is thwarting the plans for now. Why is unclear. Because even big-capitalists like Elon Musk (Tesla) and Mark Zuckerberg (Facebook) are now saying it: a Universal Basic Income (UBI) is the only way we can advance our society, and with it our civilisation...
In the Style Year, events mainly look back at the art movement that began 100 years ago. Yet there are also contemporary initiatives that look ahead, such as in Amersfoort. In the Keistad, the Style Pavilion is being built from scaffolding material. Twenty contemporary, mostly young, visual artists will give their own interpretation to the outside of the pavilion. They draw inspiration from the building...
Displaced paintings by Armando. Artists fleeing the city. A tinpot that brought financial disaster and summer festivals that attract tens of thousands of visitors every year. And you thought Amersfoort was boring? A footnote along the A1 motorway? Forget it. Let me tell you about this city struggling with its cultural identity. A story in eighteen impressions. Guilty landscape In his youth...
Dissatisfied with the city's art policy, visual artists are leaving Amersfoort. Not physically, but with their work. In the coming year, they will exhibit together in numerous places in the Netherlands. They largely leave their own hometown behind. They have little faith in the municipality's newly developed cultural vision. Why? You can read about that below. And also that their own...
Press release: From 1 January 2017, a guideline for artists' fees will be introduced in the Netherlands. Interest group Platform BK is one of the initiators of this guideline. The guideline applies to exhibitions without a sales purpose. The guideline aims to professionalise the contract practice between art institutions and artists and contributes to improving the income position of visual artists. The directive will be released on 8...
Magic cannot be grasped. Certainly not such a short and fabulous moment as twilight, when the day turns into evening so quickly and the lights go back on. It is precisely this elusive, short 'magic hour' that photographer Jan van der Horn (1951) tries to capture in his staged photographs. The magic pictures he takes light up from 11 November (St Martin's Day) until...
This is a review of a performance that is already over, and which, moreover, I participated in myself. That's not allowed at all. But it's also a story about refugees in Europe, a theatre floating above the clouds, a church made of marzipan, tunnels in Palestine and 49 draws. So I do it anyway.
Last weekend, during the Kunstenfestivaldesarts, a miracle happened at the Royal Flemish Theatre in Brussels. Scenographer Jozef Wouters and his crew had settled in the old hall with its domed roof. Completely renovated ten years ago, 'de Bol' is now an old-fashioned frame theatre equipped with the latest theatre technology. Including those 49 draws, and that was what it was all about.
On a pull,
Good news for anyone who also thinks the Dutch film world could use a bit more spice. On 29 September, film theatre Springhaver in Utrecht will host the Evening of the Burning Calf organised. Rounded off with the presentation of the Brandend Kalf, the new film award for the most sensational, daring, cheeky or inspired Dutch film initiative. At least, if enough crowdfunders are those who want to support this project by film journalist Karin Wolfs and writer A.H.J. Dautzenberg.
Yes, you see, this event takes place, not entirely coincidentally, on the evening preceding the presentation of the Golden Calf awards. And no, the Brandend Kalf is not a side-programme of the Dutch Film Festival. When we ask Karin Wolfs to explain, she first of all wants to emphasise that it is a completely independent project. Nor a private party of Wolfs and Dautzenberg. Hence also that crowdfunding. If it succeeds
It will be the big task for companies and interest clubs in culture for 2016: how do we improve the image of 'the sector'? Next year - I predict - no expense will be spared to improve the culture sector's image. There will probably also be a study on how to improve that image. This...
Update 4-12-15: During the plenary discussion of the culture budget on 3 December, Messrs Monasch (PvdA) and Van Veen (VVD) withdrew the controversial amendment. Instead, an amendment was adopted in which a one-off 10 million was released from the additional proceeds of the tax on polluting companies. From this contribution, festivals will be supported, talent development facilitated and...
With its latest retrospective If We Ever Get To Heaven, EYE again convincingly and confidently presents itself as a museum that looks beyond film history. This was already evident in previous exhibitions such as Expanded Cinema, which showcased visual artists working at the intersection of film and art. Now William Kentridge has been given the honour of...
In the halls of the Gemeentemuseum Den Haag, Mark Rothko has made way for photographer Anton Corbijn. A bigger difference hardly seems conceivable, but an exhibition with lots of pop photographs fits seamlessly into the museum's mission to bring 20th-century avant-garde art, stresses director Benno Tempel. Corbijn, who celebrates his 60th birthday this year, will be honoured with a double exhibition; besides...
Wijbrand Schaap: 'Just one more point. Then we're almost through.' Joop Daalmeijer: 'Continue quietly, we have until half past five.' Wijbrand Schaap: 'We have a problem with real estate. A lot of inner cities are empty. Shop premises are empty, downtown office buildings are unrentable. What do the municipalities say? Put artists in them. Cost nothing, because for free rent they do...
For the past few weeks, academies across the country have been celebrating: a new batch of visual artists graduated and showed themselves to the world. Besides parents, grandparents and a few friends, a lot of art professionals descend on such a graduation presentation. Scouts, in the form of other artists, press, curators, collectors and gallery owners. All these people especially hope not to miss the new discovery and therefore try to be there as early as possible. In some cases, that is even before the artist graduates from the academy. If the talent does not develop as expected, it is a pity, but otherwise you are the discoverer. We join in for a moment, and sought out 22.
Minister Filipetti has given the green light. Emio Greco and Pieter Scholten will be indeed the new artistic directors of CNN Ballet National de Marseille. A company with 30 dancers, 60 employees in total, in a building with 9 studios and a theatre. Who in the Netherlands still gets that done?
A man and a woman dance passionately in the hall of Paradiso. Such an experimental dance performance is unusual for the Amsterdam pop palace. Yet the festival I Like To Watch Too right here. Many people feel a barrier towards this kind of performance, but here there is just the right 'in and out' atmosphere to make avant-garde art something you can just look at and that always triggers something in you.
Isn't avant garde dance too lofty? Is it still viable in these harsh cultural times? I Like To Watch Too aims to clear up this misunderstanding. The festival brings experimental dance closer to the public than ever.
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